“Young Goodman Brown” – The Romanticism and Realism
The reader finds in Nathaniel Hawthorne’s “Young Goodman Brown” a mix of realism and romanticism, with the former dominating the latter.
Commenting on the presence of romanticism in Hawthorne’s short stories, Morse Peckham in “The Development of Hawthorne’s Romanticism,” talks about the author’s usage of romantic themes:
In his early short stories and sketches Hawthorne was particularly concerned with three Romantic themes: guilt, alienation, and historicism. These three are so intimately intertwined in his work, as in most Romantics, that it is extremely difficult to separate them. . . .The Romantic historicist used the past for a double, interconnected purpose. On the one hand it was a means for separating oneself from society.. . . .He can be aware of the failure of the institution to fulfill its avowed intentions and its social function. . . . Romantic historicism, therefore, is never an end in itself but a strategy for placing the current social conditions in an ironic perspective. . . .(91-92)
Peter Conn in “Finding a Voice in an New Nation” comments on the blend of realism and romanticism in Hawthorne”s short stories:
Almost all of Hawthorne’s finest stories are remote in time or place. The glare of contemporary reality immobillized his imagination. . . .Hawthorne, however, despite his disclaimers, had long since discovered in the early history of his own New England the ruins and gloomy wrongs he found congenial. The elusive geography of romance, that lanscape in which imagination and reality could collaborate in acts of transformation, had perhaps disappeared f rom the bustling commercial world. . . but i...
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... Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Leavis, Q.D. “Hawthorne as Poet.” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Melville, Herman. “Hawthorne and His Mosses,” The Literary World August 17, 24, 1850. http://eldred.ne.mediaone.net/nh/hahm.html
“Nathaniel Hawthorne.” The Norton Anthology: American Literature, edited by Baym et al. New York: W.W. Norton and Co., 1995.
Peckham, Morse. “The Development of Hawthorne’s Romanticism.” In Readings on Nathaniel Hawthorne, edited by Clarice Swisher. San Diego, CA: Greenhaven Press, 1996.
Swisher, Clarice. “Nathaniel Hawthorne: a Biography.” In Readings on Nathaniel Hawthorne, edited by Clarice Swisher. San Diego, CA: Greenhaven Press, 1996.
“Nathaniel Hawthorne – Biography.” The European Graduate School. The European Graduate School, n.d. Web. 17 Feb. 2014
Waggoner, Hyatt H. “Nathaniel Hawthorne.” In Six American Novelists of the Nineteenth Century, edited by Richard Foster. Minneapolis: University of Minnesota Press, 1968.
Hawthorne’s Romantic writing ability allures his readers into deep thought of the transforming characters creating himself as a phenomenon. His ability to transform Puritan society in a dark world “attracts readers not only for their storytelling qualities, but also for the moral and theological ambiguities Hawthorne presents so well” (Korb 303). In “Young Goodman Brown” Nathaniel Hawthorne uses Romantic characteristics such as artificiality of the city, escape from reality, and the value of imagination.
Hawthorne, Nathaniel. "Young Goodman Brown." Norton Anthology of American Literature. Vol1. Ed. Nina Baym, et al. New York: Norton, 1994. 1198-1207.
Lang, H.J. “How Ambiguous is Hawthorne?” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
As a technician, Hawthorne’s style in literature was abundantly allegorical, using the characters and plot to acquire a connection and to show a moral lesson. His definition of romanticism was writing to show truths, which need not relate to history or reality. Human frailty and sorrow were the romantic topics, which Hawthorne focused on most, using them to finesse his characters and setting to exalt good and illustrate the horrors of immorality. Nathaniel Hawthorne’s experiences as a man, incite as a philosopher and skill as a technician can be seen when reading The Scarlet Letter.
It is said that the cause of the catastrophic stock market crash known as the great depression was due mostly to uncontrolled political and industrial systems otherwise known as capitalism. However, the timeline leading up to the Great Depression proves that many other factors played a role in the stock market crash that occurred in the decade of the 1930's. So lets take a look at rather four, factors contributing to the great depression that we will further discuss in the following paragraphs. Four of the main causes that led up to the great depression were unequal distribution of wealth, uncontrolled political and industrial systems, high tariffs and war debts.
In conclusion, it is obvious that there is a proliferation of familiar literary motifs in “Young Goodman Brown.”
Clarice Swisher in “Nathaniel Hawthorne: a Biography” states: ”When Hawthorne called his stories ‘romances,’ he meant that they belong within the romantic movement that . . . . emphasize imagination and personal freedom” (18). It is the purpose of this essay to interpret the theme of Nathaniel Hawthorne’s “Young Goodman Brown” and determine where this “personal freedom” leads.
Many people think that the Great Depression was caused solely by the stock market crash. Anybody who tells you this probably didn’t pass U.S. History in high school. The fact is, the Great Depression was caused many different factors. Four of which were overproduction, uneven distribution of wealth, protective tariffs, and the four “sick industries” of the 1920’s.
Historian Albert Mathiez states that “The middle class… was sensitive to their inferior legal position. The revolution came from them- the middle class. The working classes were incapable of starting or controlling the Revolution. They were just beginning to learn to read.” The middle class were not able to have a class on their own; they were still considered peasants. In the illustration it showed how much people and land each estate held, the Clergy was one percent of the population which owned ten percent of the land. Nobles were two percent of the people that owned thirty-five percent of the land. The middle class, peasants, and city workers were ninety-seven of the people owned fifty-five percent of the land. This means that if the third estate were to riot, this would cause havoc. There was a lot during that time; the website Macrohistory and World Timeline shows that “The population of France had grown to between 24 and 26 million, up from 19 million in 1700 without a concomitant growth in food production. Farmers around Paris consumed over 80 percent of what they grew, so if a harvest fell by around 10 percent, which was common, people went hungry. There was insufficient government planning and storage of grain for emergency shortages”. If there were approximately 26 million people, there would be 25,220,000 people in the third estate, 520,000 people in the second estate, and 260,000
Lathrop, G. P., ed. "Hawthorne, Nathaniel." The Reader's Encyclopedia of American Literature. Binghamton, New York: Vail-Ballou, 1962. 439-40. Print.
Stearns, Frank Preston. The Life and Genius of Nathaniel Hawthorne. Philadelphia: J. B. Lippincott, 1906. Questia. Web. 28 Nov. 2013.
Since ours is an age that has found irony, ambiguity, and paradox to be central not only in literature but in life, it is not surprising that Hawthorne has seemed to us one of the most modern of nineteenth century American writers. The bulk and general excellence of the great outburst of Hawthorne criticism of the past decade attest to his relevance for us (54).
Kopley, Richard. “Hawthorne’s transplanting and transforming ‘The Tell-Tale Heart’”. GALE Studies in American Fiction 23.2 (1995): 231-234