Nick Pronovost English 10 Honors Latanzi Hawthorne’s Style Research Paper Nathaniel Hawthorne’s Writing Style Throughout his short stories, “The Birthmark,” “The Minister’s Black Veil,” and “Rappaccini's Daughter,” Nathaniel Hawthorne’s style is revealed through his dark views of human nature in comparison to transcendentalism ideals; Hawthorne’s obsession with sin and how this obsession is indicative of his disdain for his puritanical roots; Hawthorne’s dark romantic style inspired by his disgust for his puritanical roots and his obsession with sinis prevalent throughout his short stories. In Hawthorne's short story “The Birthmark” his dark views of human nature in comparison to transcendentalism reveals his style and views of humanity. Throughout “The Birthmark” there are many pieces of textual evidence that highlight Hawthorne’s dark almost insidious views of humanity in comparison to transcendentalism , for example, “To explain this conversation it must be mentioned that in the centre of Georgiana's left cheek there was a singular mark, deeply interwoven, as it were, with the texture and substance of her face” “The Birthmark”. This quote from the short story The Birthmark describes how man’s imperfections are deeply woven into their identity and therefore can never be taken out because their flaws define humanity for who they are. Transcendentalism has a much more positive outlook on humanity; transcendentalism’s values are individuality, non-conformity, freedom, self-reliance, and being true to one’s self, whereas the above quote basically calls humanity as flaw that can’t be removed from the face of the earth. Another example of Hawthorne's dark views of humanity is, “Its shape bore not a little similarity to the h... ... middle of paper ... ...rnatural is a powerful theme that is often used throughout a dark romantic style based story, simply because it is the supernatural the causes fear in humanity and the goal of a gothic or dark romantic style is to strike fear into the reader. The following quote from “Rappaccini’s Daughter” shows how Hawthorne utilized the dark romantic element of fear in the short story “Rappaccini’s Daughter,” “Poison was her element of life. With that rich perfume of her breath she blasted the very air. Her love would have been poison--her embrace death.” Hawthorne relates the human embrace, a means of comfort, into a deadly action and relates love and comfort to a resulting poisonous death, and the use of converting an action that people use all of the time for comfort connects their everyday actions to evilness, sins, and death and ultimately terrifying the reader.
In the short story, “The Birthmark” Nathaniel Hawthorne uses the characters, foreshadowing, symbolism, and other rhetorical devices to alert people of the consequences of man having the power to control and alter nature. Additionally, through his skillful usage of diction, Hawthorne warns of the effects of seeking perfection through science. In “The Birthmark”, Aylmer, a man devoted entirely to science, marries Georgiana, a beautiful young woman with a single imperfection. Georgiana’s imperfection bears the resemblance of a tiny crimson hand and is visible on her left cheek. The birthmark becomes the object of Aylmer’s obsession and he resolves to use his scientific prowess to correct “what Nature left imperfect in her fairest work.” He succeeds in removing the birthmark; however, he unfortunately causes his wife’s death in the process. Through “The Birthmark”, Hawthorne suggests that nothing paradisiacal can exist on this earth, and that being imperfect is just part of being human.
Hawthorne. “The Birthmark.” The Norton Anthology of Short Fiction. R.V. Cassill, Richard Bausch. 7th ed. New York: W.W. Norton, 2006. 648-660.
...iteracy and the Death of the Narrative in Hawthorne's 'The Birthmark'." ATQ 9.4 (1995): 269-82.
Hawthorne, Nathaniel.”The Birth-Mark.” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013. 340-351. Print.
How many readers have considered that the utter simplicity within the Nathaniel Hawthorne short story, “The Minister’s Black Veil,” might be an expression or reflection of the utter poverty within the life of Hawthorne? It is the purpose of this essay to clarify this issue.
################################# Part 3 ######################################## Nature doesn’t intend for things to be perfect, if it was the contrary we wouldn’t be considered humans. Nathaniel Hawthorne’s The Birth-Mark portrays the story of a scientist, Aylmer, so self-absorbed, and supercilious in his own power of science that he would go so far as to remove the intentional “imperfect” birthmark that Nature has bestowed upon his wife’s face. “Cannot you remove this little, little mark… Is this beyond your power… Noblest, dearest, tenderest wife… doubt not my power” (216). Hawthorne uses the birthmark as a symbol to represent the imperfection that is within the human species, the mark also draws out the imperfection of those who have encountered it by displaying their tendencies to overlook the flawless beauty of Georgiana and focus solely on her birthmark, “Some fastidious persons… affirmed that the bloody hand… quite destroyed Georgiana’s beauty… Aylmer discovered that this was the case with himself” (214). Nature’s symbol is a paradigm of omnipotence. To simply put, Nature created the grand design of human life, and governs over our society but allows us as people to do as we please with our lives, so long as we do not alter with Nature’s creation, “…Our great creative Mother… She permits us, indeed to mar, but seldom to mend, and like a jealous patentee, on no account to make” (217). Despite Nature’s intention, being the pompous scientist that he is, Aylmer believes himself to be something more than a microcosm of Nature’s creation. In other words, because of his unparalleled ability in the subject science, like other...
Nathaniel Hawthorne was one of the first American writers to pioneer the unprecedented and unforeseen gothic genre which resulted in the exposure of darker themes across America in the 19th century. This new genre sprouted the “brooding” romantics who revolved around the human’s capacity for evil as a main theme of their works. Being one of the “brooding” romantics, Hawthorne followed the Puritans’ belief that everyone is a sinner as a result of being a descendent of the Puritans associated with the infamous Salem witchcraft trials. Not only was he related to the despicable Puritans, but also, he had to live with the guilt that his dishonorable great-great grandfather, Judge Hathorne, was “the only one who refused to apologize for his role
Nathaniel Hawthorne's best known short stories including Young Goodman Brown, The Minister's Black Veil, and The Birthmark, should be considered some of the great works of American literature because their exploration of enduring American themes of moral struggle. The short stories demonstrate a masterful command of symbolism and allegory.
Nathaniel Hawthorne’s “The Birthmark”, is the story of a crazed scientist whose strive for perfection not only leads to the death of his beautiful wife, but the attempt of man to have power over nature. It follows the story of Aylmer and his obsession with removing the birthmark off his beautiful wife, Georgiana. “His unnatural fixation to his wife’s birthmark even consumes him in his sleep as he dreams of cutting it off much like scraping an apple off its skin.” (Snodgrass 29). This narrative explores the themes of perfection, and the conflict between science and the natural world.
Nathaniel Hawthorne’s, “The Birthmark” was on the darker side of the Romantic Movement, but it was still a love story. There was a love of science and obsessing over beauty and perfection. Aylmer love Georgiana and she loved him. She was willing to die for him, and he was willing to experiment on her, even if meant losing her. Hawthorne put himself into his work, expressing fears, and emotions that was hard to put into words. His surroundings impacted the outcome of his
Nathaniel Hawthorne was a prolific writer, weaving some of the best-known stories in American literature. While Hawthorne’s works tend to focus around the Puritan themes of sin, he was usually critical of Puritan ideals. Some of Hawthorne’s works (“Young Goodman Brown”, “The Minister’s Black Veil”, and The Scarlet Letter) have characters living life outside of their Puritan communities and can be classified as outsider narratives. Young Goodman Brown, Reverend Hooper, Arthur Dimmesdale, and Hester Prynne are all outsiders in their communities, but what makes the characters unique is that they chose to be outsiders.
Hawthorne and Poe were great romantic writers and displayed the true conviction of knowing life and death in many different measures. It was this aspect that separated them from each other and made them completely different from each other. With all of the works between the two writers The Birthmark, The fall of the House of User, Annabelle Lee, and Rappaccini’s daughter these four would be both simultaneously the same and different. What has been said about these two writers can only be matched by the over whelming view on what their cherished more than the other. With Hawthorne was truly the gift of life, even though his wife died and his children had horrible tragedies of death due to sickness. It was the sense that Hawthorne knew he had fought for the love of his wife even though she was deathly ill and that postponed their marriage. It made him think that no matter what you have in this world you must cherish the good in it. This was evident in his stories and like Rappaccini’s daughter where the loss of the daughter truly affected the father in ways unimaginable. Even though he cherished her in a different light than others would Rappaccini looked at his frail daughter just as Hawthorne did his wife with all the love in the world. Poe was not the same though when the audience read his work. It was as if you knew there was a dark cloud that lingered over his work to portray that ultimate sense of gloom. As in Poe’s life he had tried several time s to find love and when he truly found it when he married Virginia Poe. With Poe he did not take the view of cherishing his loved ones but in fact sought the darker side of life when his wife died from the illness. This was the point where he would ever be haunted by his wife trying to prove to her that he will always love her no matter what burden he may
Nathaniel Hawthorne’s 1843 short story entitled “The Birth-Mark” is, at face value, a traditionally formatted Hawthorne story; it is a textbook example of his recurrent theme of the unpardonable sin as committed by the primary character, Aylmer, the repercussions of which result in the untimely death of his wife, Georgiana. However, there seems to be an underlying theme to the story that adds a layer to Hawthorne’s common theme of the unpardonable sin; when Aylmer attempts to reconcile his intellectual prowess with his love for his wife, his efforts turn into an obsession with perfecting his wife’s single physical flaw and her consequent death. This tragedy occurs within the confines of traditional gender
“The Tell-Tale Heart is one of Edgar Allan Poe’s greatest fictional short stories. It is known for its repulsive and insane homicide; a very wild and thrilling tale. Likewise, Nathaniel Hawthorne’s well-known novel, The Scarlet Letter, is famous for its directness on sexual conflict. Both writings possess similarities with regards to modified characters, connected symbolism, and significant midpoints. Due to these comparisons, it is quite certain that Hawthorne found inspiration in writing The Scarlet Letter after reading “The Tell Tale-Heart”.
Nathaniel Hawthorne did not do much explaining when it came to the characters involved in "The Birthmark". He did not portray the main characters: Aylmer, Georgiana, and Ambidab as human beings, but rather as symbols. While analyzing the story "The Birthmark", I have achieved some great insight of the author 's articulate writing style; especially, his style of making characters have symbolic meaning. In this story, Hawthorne uses his characters to symbolize specific things. In this ambiguous, short story, the three characters each symbolize Science, Beauty, and Nature. Each character represents an unusual force that has equally worked against each other.