Carvings are the best expressions in the havelis in Bikaner. These havelis are marvelous architectures that draw thousands of tourists from different parts of the world. The havelis are known to be pride of the city and are mostly situated in the narrow lanes of the old city. These marvelous mansions are made of sand and red stone that makes them look magnificent. The havelis stand spreading the magic around. The entrances, jharokas, Gumaharias, divankhanas and casements look exotic. You get a carpet like look offered by the red stones. The wealthy merchants reside in the havelis and they have a true fancy for art and beauty. The oldest haveli in the city is more than a hundred years old and most of them are around the same age. The exteriors of the havelis are dominated by the jharokhas that spellbound visitors completely. The marvel of the havelis lies in the eyes of the beholders. These are generally six feet long and have a width of three feet that uplifts the picturesque face of the haveli. The stone of Jali create unbounded beauty. A mahal or mole constitutes the most importan...
The ‘Green Tara 14th century’ is a metal sculpture which is about 10 inches tall and 6 inches wide. It is very precisely detailed with the clothes, head piece, earings, necklaces and other types of jewellery all intricately carved. The
Many years separate the construction and initial use of these two buildings, yet they share a similar purpose and structural elements. The differences are few, they are obviously different buildings. One paid homage to one goddess, while another worshipped all. Their uses after their high time varied as well. In the end though, both are known and celebrated as representative of the classical styles of their time for the cultures. Pillars and columns are used in architecture even now to give the idea of prominence and power. In brief, this short essay discussed the highlights of both
The expansion of the political and economical power during the New kingdom, led to the devotion of resources to the religious architecture; numerous new temples were constructed while the pre-existing temples were renovated. Individual Pharaohs endeavored to out do their ancestors, not only in the construction of their own mortuary temples, but also in the establishment of worship temples of their deities. Kings of this period abandoned the pyramid complexity of the earlier ages and constructed their tombs in the Valley of the Kings well away from their mortuary temples due to the increase of robbers; therefore a standardized plan became default for both the worship and mortuary temples. Because of this movement, I believe that the divine and mortuary spheres became entwined in both theory and practice. During the 18th dynasty, temple construction reached its highest point under Amenhotep III and Tuthmosis II; it was the art of the Middle kingdom that they wished to imitate. Hatshepsut temple at Deir el Bahari compared to its neighboring temple of Mentuhotep III, are great examples of the return to ancient architectural resources. ( image 4&5) show the direct inspiration based on the replica of the previous kingdom’s architecture. Some of the imitated elements were the long porticoes with squared pillars rising in terraces, wide ascending ramps, the entrances colonnaded with the sanctuary, the great use of papyrus columns and above all the strict harmony of the building with its setting. Although there was a conscious desire to return to the disciplines of the former period, yet development also took place. The attempt to achieve greater effect of lightness became dominant as well as the extra care given to the decoration and t...
In the following essay, I will be comparing the Hagia Sophia in the City of Istanbul, and the Suleymaniye Mosque of Istanbul. Both of these pieces of art are very significant to the in modern-day Turkey. The art pieces will be covered in more detail further on in this comparative essay, and finally, I will be judging the pieces at the end of this essay
The lined up pairing of bulls and heifers on register 1-3 is echoed on a seal (26), and the pairing of bulls is seen on two other cylinder seals (27, 24). All three of these seals have buildings that have calves emerging from inside, each building has a pole in the center of the building and two of the seals (26, 27) have three poles with six rings on the buildings. The pole with six rings is again seen on a fourth seal (45) which contains what is clearly a temple, this leads to the conclusion that the buildings seen on the seal with the paired bulls and heifers are also temples, and that the paired bulls and heifers on the Warka Vase may be invoking images or practices carried out in the temples.
Bihzad has placed strong emphasis on the complexity of the palace’s architecture which he has adorned with colorful ornaments and emblazoned with gold. Each room is decorated with rugs and tiles featuring complex floral and asymmetrical patterns that cover each chamber from floor to ceiling. The palace appears to be three stories tall and features a balcony on the left and a zigzagging staircase on the right. The asymmetrical style of these two architectural features gives the impression of the work being 3-dimensional ...
Both the Great Hall and the Moroccan Courtyard are excellent things to see. They really demonstrate both good art and good architecture.
e hope this card finds you all well! Here is what we have been up to this year.
The wooden lintels, writing, and the unique calendar reveal clues about life in a society that thrived for over 1000 years. Many massive building are visible today, those built to pay tribute to kings and to please the deities. The M...
Hiram Revels was born on September 27, 1827 in Fayetteville, NC. Unlike the majority of African Americans in the south, Hiram was born to free parents. His father worked as a Baptist preacher and his mother was of Scottish descent. Because of his Scottage background he was believed to be mixed with African and Croatan Indian lineage. In a time when teaching African Americans was illegal, Revels had an opportunity to attend a school taught by a black women. His older brother Elias Revels owned a barbershop, which he inherited upon his sibling’s death. Two years later he left to continue his education and to obtain a job.
Andreas Vesalius was well known for his dissections in the 1500’s. Growing up in Brussels he was captivated by the anatomy of animals. Throughout his childhood Andreas dissected many small animals trying to uncover life’s mystery. This curiosity regarding anatomy came very naturally, due to the fact that he was born into a family of physicians. Vesalius started his formal education at the University of Louvain; then traveled to Paris to continue his studies in medicine. During his life time, Vesalius was an accomplished physician, and professor of anatomy. He also received his degree as a doctor of medicine at the age of twenty-two. Vesalius writings and teachings set the foundation of anatomy we know today, hence why he received the title; founder of modern anatomy.
When walking around a city, you may notice that the architecture and art look similar to other works. Many of these designs have changed along the course of history and time whilst others have not. The designs that many people still see in society and day to day living is from two of the many cultures of the old civilizations, Roman and Islamic. The art and architecture forms from the Islamic and Roman cultures have many comparisons and contrasts between them. They, the Islamic and Roman nations, have both adopted from other cultures and have made their own discoveries in the art and architecture worlds. The Roman and Islamic architecture and art vary drastically from each other and yet have varying comparisons between the two.
...des us with a glimpse into the ancient culture using beautiful and detailed designs. The art form has been sustained in fired clay for thousands of years indiscriminately telling its story to the world and to history.
In the following essay, I will be comparing and contrasting to architectural pieces by the Indians. The first is the Taj Mahal, a building constructed from white marble that took seventeen years to build in honor of Shah Jahan’s wife, Mumtaz Mahal (Z. Haq). This piece of architectural beauty belonged to the Mughal’s, the Muslim emperors in India (Z. Haq). The second is the Great Stupa at Sanchi, a holy, dome shaped structure that covers the body of the Buddha in honor of him and his contributions to Buddhism (Fischer, Julia). Furthermore, this structure was made of ruins, rocks, mud, and covered in bricks (Fischer, Julia). Both pieces of architecture are significant to the Indians, however they do contrast in some ways.
Taj Mahal. ( Mahal is the word in urdu language used for Palace) How can I describe The Taj Mahal? You can’t its impossible. You just have to experience it. To gaze in wonder at that magnificent dome and elegant gardens will be a moment that you remember for the rest of your life. It is one of the greatest sights in the world, some say the greatest, and like Victoria Falls, The Grand Canyon, and Macchu Picchu, it simply is one of those things you have to see in your life. The architectural grace and symmetry of the Taj Mahal just takes your breath away. We had chosen our visit carefully--the sun was setting and the light that washed over the Taj was golden in color. The minarets were now stark against the setting sun . The actual dome was a surprise, it is not yellow-white but blue-white and covered in inscriptions and detail. From below it looked like something out of "Arabian Nights." But inside were the tombs of Mumtaz Mahal and Shah Jahan. The central tomb is a lofty chamber with light streaming through fine latticework, and hanging above was an elaborate lamp. Words cannot describe its beauty when you stand on that marble platform overlooking the Yamuna, with the setting sun turning it into a golden ribbon. You may a...