As Roman statesman Marcus Tullius Cicero once stated, “Never go to excess, but let moderation be your guide” (BrainyQuote). The theme of moderation and balance is seen in Shakespeare’s play Hamlet. In the tragedy, Prince Hamlet is given the task of avenging his father’s murder by killing his uncle Claudius, who has usurped the throne of Denmark. Meanwhile, through a series of unfortunate events, Laertes comes home to find out that his father, Polonius, has been murdered by Prince Hamlet. While Hamlet struggles throughout the play to fulfill his oath to murder Claudius, Laertes immediately takes up arms, stating that he would do anything, even “cut [Hamlet’s] throat i’ th’ church” to avenge his father (IV, vii, 144). Since audiences frequently …show more content…
Hamlet’s love for his father is clear in his first soliloquy, when he compares his father to his uncle as “Hyperion to a satyr” (citation). By alluding to his father as a radiant sun god, Hamlet demonstrates reverence and devotion. Therefore, it is no surprise that Hamlet’s reaction to news of his father’s murder is to pity the “poor ghost” and swear to “revenge his [father’s] foul and most unnatural murder” (citation; citation). Even with this massive obligation and genuine love for his father, Hamlet is slow to act. Laertes, however, never shows any signs of caring for his father, only treating him formally as “my lord” (citation). Yet, when Laertes finds out that his father has been murdered, he takes immediate action by invading the palace to kill the person responsible. When asked to calm down, he angrily proclaims “That drop of blood that’s calm proclaims me bastard” (citation). From Laertes’s point of view, failing to avenge his father would be a personal insult to his honor and his family. Thus, while both are trapped by filial obligation, Laertes feels doubly compelled to avenge his father by his duty to his family and his reputation, making him a prisoner of fate and
In Shakespeare’s “The Tragedy of Hamlet, Prince of Denmark” Hamlet and Laertes act as dramatic foils, where their similarities are used to highlight their differences. Each character learns that his father has been murdered and each plots his revenge against the murderer. In the first act of the play, the ghost of Hamlet’s father tells him “Let not
Hamlet questions what may or may not happen however Laertes just wants the revenge fast and effective. Although these characters have different standards when it comes to revenge, they both immediately blamed and directed their anger towards Claudius when they found out their father’s were dead. Hamlet’s reason to blame Claudius is simply because he is his father’s murderer. In 1.5 while Hamlet is talking to the ghost of his father he says, “Haste me to know ’t, that I, with wings as swift/As meditation or the thoughts of love/May sweep to my revenge” (Shakespeare 1.5.31-33). At first is seems as if Hamlet would seek revenge right away because he seems eager to find out who the killer is and when he does find out he says he knew it was Claudius all along. He is furious and after this part in the play, Hamlet’s anger is mainly focused on Claudius. On the other hand when Laertes found out Polonius is dead he went straight to Claudius assuming it was him. By doing this he shows that he is controlled by his impulses unlike Hamlet who waited until he got proof to act on his fury. Laertes also blamed Claudius for not giving his father a proper burial, which can relate to Hamlet’s anger too because Hamlet felt as if there was not enough mourning for his father death. Not only did they both lose their fathers, but they both lost Ophelia, a female figure in their lives that they both loved.
We can see that his actions are both uncalculated and without caution as he begins frantically yelling at the King without even considering the affect that this could have on him in the future. Secondly, because of Laertes’ emotions towards his dead father he can be easily manipulated to give in to other people’s plans. As the King is unfolding his plans to kill Hamlet, he needs to get Laertes on board so he says, “Laertes, was your father dear to you/ Or are you like the painting of a sorrow/ A face without a heart” (4.7.107-109). Wrongly, the King knowingly plays into Laertes’ impulsiveness and emotions as a way to gain control of him and achieve his purpose. Finally, Laertes gives in to his impulses as he has a one-track mind. An example of this is when he says, “Why, as a woodcock to mine own springe, Osric/ I am justly kill’d with mine own treachery” (5.2.296-297). Despite the potential harm Laertes could incur he still continues to blind himself from the facts and sadly, this results in his death. Therefore, by letting his impulses and emotions control his actions he has achieved his goal of avenging his father’s death but at the greatest expense one could pay; the expense of his own
Some may argue that Hamlet and Laertes are nothing alike, pointing to the different lengths of time they take to act. After Hamlet sees the ghost for the first time and discovers that his father was murdered, he says "haste me to know 't; that I, with wings as swift as meditation or the thoughts of love, may sweep to my revenge" (1.5.29-31). Hamlet wants the ghost to hurry and tell him what happened, so that he may take his revenge right away. This suggests that Hamlet is determined to kill Claudius as soon as he can, but weeks later when Hamlet watches the play in the castle, Hamlet thinks “yet I, a dull and muddy-mettled rascal, peak, like John-a-dreams, unpregnant of my cause” (2.2.562-564). Earlier, Hamlet seemed determined to take action, but is now dull-spirited and without any plans for revenge. Laertes, on the other hand, is willing to take action right away. After discovering that his father, Polonius, has been murdered, Laertes rushes to
His father was killed by Hamlet and his sister was driven insane due to the series of events that took place because of Hamlet. Like Hamlet, Laertes wants to avenge his father by killing the man who killed Polonius. As described earlier, Hamlet is slow to act. Laertes, on the other hand, acts quickly and with precision, wasting no time in acquiring his target and formulating a plan. Robert Palfrey Utter, Jr., puts it best, Hamlet and Laertes both come to the same conclusion that murder must be carried out, but Hamlet reaches that conclusion only “after he has had a few minutes to think it over.” (140) Once Laertes finds out that the man who killed his father was Hamlet he is ready to charge in and kill him as soon as possible. He is only stopped by Claudius, who advises him on a more subtle approach. Straight off the bat it is clear how efficient Laertes is compared to Hamlet. Hamlet wastes a large amount of time scheming up complex ideas on how to get a confession out of Claudius and how to kill him. Laertes on the other hand wastes no time in getting a straight and to the point plan that he can execute immediately. After spending more than half the play watching Hamlet squirm around on the stage getting almost nothing accomplished, the audience would be acutely aware of the stark difference between Hamlet and Laertes even though they share the same motivations. Laertes has his speed but he shares in Hamlets lack of critical thinking when he gets hot headed. He is in such a blind rage that he doesn’t think on what he is agreeing to do with Claudius. Just like Hamlet, his brash actions cost those around him his life. In carrying out the plan, the King, the Queen, Hamlet, and he all die to the poison that was used in the duel. Hamlet was slow and reckless while Laertes was quick and reckless. Wilds sums up the relationship between Hamlet and Laertes perfectly, “Laertes and Hamlet have been foils to each other
...his father, ruined his mother, and even tried to kill Hamlet himself, he is still not confident enough to take action. However just like Laertes, Hamlet does get his revenge in the end, but was it worth all the unwanted death?
Both Hamlet’s and Laertes’ fathers were killed. When Laertes discovered that his father’s been murdered he immediately assumes that Claudius is the killer. As a result of his speculation he moves to avenge Polonius’ death. Laertes lines in Act IV Scene 5 provide insight into his mind displaying his desire for revenge at any cost. “To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation. To this point I stand, that both worlds I give to negligence, let come what comes, only I’ll be revenged most thoroughly for my father.” (Act IV Scene 5 lines 136-141) In contrast to Laertes speculation of his father’s killer, Hamlet assumes the individual spying on his conversation with Gertrude is Claudius. “Nay, I know not. Is it the King?” (Act III Scene 4 line 28). Without thinking, Hamlet automatically thrusts out attempting to kill who he believed was Claudius and actually kills Polonius. Fury and frustration instigate Hamlet’s and Laertes’ indiscreet actions and causes them not to think of the consequences that may follow.
William Shakespeare’s play Hamlet strikes many literary chords and themes. It primarily chronicles a quest for revenge, political intrigue and a slow descent into madness. Throughout the play, two men of different rank and intellect; Hamlet and Laertes are portrayed in this play as each other’s foils. Hamlet who has lost his father in the hands of his uncle and Laertes who has lost his father in the hands of Hamlet, seek out similar goals but in very distinct ways. Hamlet and Laertes both go through stages of their carving vengeance to finally fulfill their goals of killing their fathers’ murderers. The readers detect that Hamlet goes in the path of plotting and deceiving to kill Claudius whereas Laertes goes in a more haste and reckless path
Throughout the play Hamlet is in constant conflict with himself. An appearance of a ghost claiming to be his father, “I am thy father’s spirit”(I.v.14) aggravates his grief, nearly causing him to commit suicide and leaving him deeply disgusted and angered. Upon speaking with his ghost-father, Hamlet learns that his uncle-stepfather killed Hamlet the King. “The serpent that did sting thy father’s life Now wears his crown”(I.v.45-46) Hamlet is beside himself and becomes obsessed with plotting and planning revenge for the death of his father.
When he feels Hamlet is becoming too big of a problem, the ‘loving father and husband’ plans to have his stepson murdered upon arrival in England. Hamlet finds evidence of this, and returns to Elsinore. Claudius receives a letter from Hamlet, stating he will be returning, which causes Claudius to manipulate Laertes by pretending he cares for him. He also claims to mourn the death of Laerte’s father, Polonius, stating, “I loved your father”, in order to convince Laertes to agree to kill Hamlet (IV.vii,34). Claudius arranges for what appears to be a friendly duel between Hamlet and Laertes, but plots to use this match to end Hamlet.
[4, 1, 40] These idiosyncrasies are observed in the play when Claudius becomes concerned he will lose power as King and the likelihood Hamlet will murder him to avenge his father’s death. This is apparent when Gertrude informs Claudius that Hamlet is, “Mad as the sea and wind, when both contend which is mightier”. [4,1,6] With these thoughts daunting Claudius, he approaches Laertes in a Machiavellian manner to convince him to murder Hamlet, for he knows Laertes is angry, deranged and “Vows to the blackest devil” [4,5,131] after the death of his father. In doing so, Claudius has the intent to use Machiavellian powers over Laertes who is currently mentally unstable, with the objective being that Laertes will murder Hamlet to avenge his own father’s (Polonius) death. Claudius is able to successfully persuade Laertes in a manipulative speech, especially with his snide comment, “Not that I think you did not love your father, but that I know love is begun by time, and that I see a passage of proof.” [4,7,96] Claudius’ malicious comment indicates he is using his power over Laertes, so that the burden and repercussions do not rest on him, so that he may retain his authority as King. By utilizing his power over Laertes, Claudius is successful, as Hamlet is slain, however, as reflected in Claudius’
In the play Hamlet by William Shakespeare, the theme of revenge is very palpable as the reader examines the characters of Hamlet himself, as well as Laertes, son of Polonius, and Fortinbras, prince of Norway and son of the late King Fortinbras. Each of these young characters felt the need to avenge the deaths of their fathers who they felt were untimely killed at the bloody hands of their murderers. However, the way each chose to go about this varies greatly and gives insight into their characters and how they progress throughout the play. Hamlet, Laertes and Fortinbras are similar in the fact that each had love, or at least respect, their fathers. Enough to make an attempt to wreak revenge upon their fathers murderers at the risk of their own reputation, freedom, and souls.
David Scott Kastan points out that “for Hamlet, however, to accept the filial obligation sounded in his name is to disregard and dismiss all other relations he has established” (1). He is trying to convey here that if Hamlet does step up and take revenge on his father’s murderer, he would be destroying his previous relationships with anyone he knew if they found out he fought murder with murder. This worsens Hamlet’s situation, because his relations to his father are so strong he feels he must avenge him, but as Kastan suggests, Hamlet is “only the son, sworn to remember and revenge his father” (1). Hamlet, however, commits himself to his father, to symbolize him; as his son and as his agent (Kastan 1). According to the ghost King Hamlet, “to be Hamlet, to deserve the name” “is to be a revenger” (Kastan 2).
In the play, Hamlet is a tragic hero since he does not try to stop the war but conduct a revenge that becomes a vicious circle. He is unable to make a decision whether he should revenge on the death of the elder King or not, losing the characteristics that heroes have. Surprisingly, Hamlet kills Polonius in a moment, meaning he kills other people’s father as well. He detests the behavior of Claudius, now he has become another Claudius. Thus, Polonius’s son, Laertes starts getting revenge for his father’s murder. Laertes states, “To hell, allegiance! Vow, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation. To this point I stand that both the worlds I give to negligence. Let come what comes, only I’ll be revenged most thoroughly for my father.” (4.5 129-134) Hamlet wants to get revenge for his father because he is experiencing the loss of a loved one; however, he causes other people suffering the same pain. Comparing the two people taking revenge, Laertes displays more characteristics of a hero and is more manly than
The puzzling tragedy that is Hamlet will forever be speculated, which is why it has attracted such attention and praise. The madness in which Hamlet lives draws decisions of polarizing weight. Stay righteous and live out your life with your father’s killer? Or do you slay him and suffer before god and the law? It bears moments of wisdom, followed by inexplicable actions and Vis versa. One moment you find the protagonist staring at his girlfriend with his pants at his ankles, the next you find him contemplating the value of life. It’s hard to determine what the message behind the wildcard character that Hamlet is. William Shakespeare’s tragedy “Hamlet” unravels opposing subjects, superstition instead of righteousness, private revenge or public revenge; it portrays the contradictions emerging in the religious revival of the Renaissance as “Christian humanism” was taking form in Western Europe. An aspect of the play reveals and mocks the hypocrisy of the kingdoms as they exert authority and pose as the ideal of religion. The king is a murderer who prays to god without belief. The one who attempts to remain righteous is an outcast amongst his kingdom. The biggest speculation is drawn on the rectitude of revenge. Does Hamlet have the right to kill his uncle? If so, does Laertes then have the right to kill Hamlet? Is Fortinbras the only exception of just revenge when he is motivated by honor, while the others rage over personal revenge? In the wake of these quarrels, the most evident and obvious Christian Humanist belief is held true...evil never wins. The punishment of those who died in Hamlet is virtuous and deserving. Those who stooped to treachery suffered the consequence.