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Theme of the hamlet
The main theme of Hamlet
Hamlets pursuit of revenge
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Although Hamlet has many significant soliloquies throughout the play, two show very different sides of Hamlet’s character to the naked eye. His “O all you host…” soliloquy portrays an enraged, passionate Hamlet while his “O, what a rogue…” demonstrates how Hamlet’s rationality has stopped him from taking action. Both soliloquies use dark diction, vivid, scholarly imagery and syntax to characterize Hamlet, and portray common Shakespearean themes of revenge and deception. Hamlet begins his soliloquy in Act I, Scene V with passionate diction by shouting to heaven, hell and earth. He compares his life to hell, and the beginning of the soliloquy continues to portray him as a man who is disgusted with life and humanity. He use the phrase “O, fie” which all serves to show Hamlet’s frustration and anger after having heard what the ghost, his father, has told him. He’s enraged because of the deception of his uncle and mother and knows he must get revenge. He tells his muscles to “grow not instant old” because he knows he will need the energy to get revenge. He continues to speak indirectly to the ghost by saying that he’ll “remember thee” and he continues to sound very passionate; but even he may realize that he is overestimating himself as he knows he is confused and tends to overthink as he speaks of his “distracted globe”. But he is very determined as he says he’ll “wipe away” all thoughts and memory, the “baser matter” and only think of his father’s “commandment”. This demonstrates how important it is to Hamlet in this act to get revenge, and in hindsight shows his overestimation for his ability to take action. The Hamlet in this scene is seemingly more passionate and less rational; but the use of his scholarly metaphors such as compar... ... middle of paper ... ...aracter through his language and his actions. In the second soliloquy we see Hamlet as not being quite as trusting of the ghost as he appeared to be in the first soliloquy, but he is also ashamed of not having taken action. Hamlet’s inner conflict is shown as he seems to want to take action, but he’s not sure if he can trust himself or the ghost. He also appears to not have a strong desire to get revenge as he himself says he is “unpregnant” with his cause and he makes excuses and stalls his actions. Hamlet is shown to be somewhat of an over thinker as he himself says he wishes he’d stop “[unpacking his] heart with words” and take action. Both of Hamlet’s soliloquies serve to portray him as a scholar with an apparent desire with vengeance, but it becomes clear that he is conflicted if revenge is what he truly wants due to his highly perfectionistic way of thinking.
Much of the dramatic action of Shakespeare’s tragedy, Hamlet is within the head of the main character, Hamlet. His wordplay represents the amazing, contradictory, unsettled, mocking, nature of his mind, as it is torn by disappointment and positive love, as Hamlet seeks both acceptance and punishment, action and stillness, and wishes for consummation and annihilation. He can be abruptly silent or vicious; he is capable of wild laughter and tears, and also polite badinage.
Throughout the Dramaturgic Analysis of Hamlet Prince of Denmark the indecisiveness of Hamlet is noted. He does not immediately seek vengeance but continually schemes, rants and raves (both in his rational and insane moments). Whether cowardice, caution, or simply indifference dominate his persona is unclear - what is clear is his distaste for his own behavior: "How stand I then, That have a father kill'd, a mother stain'd,...And let all sleep, while to my shame I see The imminent death of twenty thousand men... (sic)." (Shakespeare, 116).
Shakespeare uses soliloquy as a dramatic tool to unveil the man behind the disguise. The true nature of the protagonist, Hamlet, is riddled by false appearances and deliberate attempts to deceive characters within the play, mainly characterised by his conscious intention “To put on an antic disposition”. Whilst the audience is disorientated by Hamlet’s erratic moods and inconsistent behaviour – the alternation between passive inaction, failing to act when he has an opportunity to avenge and kill Claudius whilst he prays, and volatile linguistic attacks in Gertrude’s chamber – the soliloquies provide consistency. They are intimate, private, confessional accounts in which Hamlet does not have to ‘act’ as he does around other characters. Therefore they serve to distinguish the original Hamlet from the specious character he plays within the play itself. Similarly in The Revenger’s Tragedy, Middleton attempts to separate Vindice from the role he adopts as the pander. However, the consequences of these revelations of truth are divergent. Whilst in The Revenger’s Tragedy, Vindice is able to disconnect genuine feeling from necessary action, and acts contrary to the emotions revealed in his asides, Hamlet’s soliloquies indicate his course of action. The reluctance to act that Hamlet expresses in his soliloquies translates to his ineffectuality at revenging his father’s death. Throughout the play, Shakespeare’s use of soliloquies provides commentary and insight for the audience so that they can decipher between false impressions and the real Hamlet behind the disguise.
Hamlet’s inner course of action was further intensified with his encounter with the ghost. The information that Claudius murdered Hamlet’s father, was given to Hamlet by ways of the mysterious spirit, and this immediately provoked animosity in himself. In Act I, scene v, line 29-31, Hamlet states, “Haste me to know’t, that I with wings as swift/ as meditation or the thoughts of love,/ may sweep to my revenge”. This statement shows the rage and fury of Hamlet wanting to seek full revenge on his uncle; He still does not act upon this as quickly as he proclaims, which shows his inability to step into action.
Soliloquy and Revenge in Hamlet The soliloquy is a literary device that is employed to unconsciously reveal an actor's thoughts to the audience. In William Shakespeare's, Hamlet, Hamlet's soliloquy in Act II, ii, (576-634) depicts his arrival at a state of vengeful behaviour through an internal process. Hamlet moves through states of depression and procrastination as he is caught up in the aftermath of the murder of his father and the marriage of his mother to his uncle. The soliloquy serves to effectively illustrate the inner nature of Hamlet's character and develop the theme of revenge.
One of William Shakespeare’s greatest works is a play entitled Hamlet. This play is about Prince Hamlet whose father, the king, was killed by his Uncle, Claudius, who then took the throne. Shortly after the death of his father, Gertrude, his mother, married Claudius. His father comes back as a ghost and tells him about the murder and asks him to seek revenge on Claudius. This is when a great controversy arises that is debatable to this day. Hamlet begins to act mad to set up his revenge on Claudius. The question is, does Hamlet still truly possess his sanity, or is he really mad?
In between periods of vague action Hamlet’s road to revenge takes several detours. After the ghost of his father, who is an act of God and the devil, commands Hamlet to avenge him, Hamlet agrees and says, “Haste me to know't, that I, with wings as swift/ As meditation or the thoughts of love, / May sweep to my revenge (I, v, 29-31).” Hamlet promises his fathers spirit that he will swiftly avenge his death, and although he acts quickly to authenticate the spirits allegations, there is a delay of weeks before he a acts again. Moreover, Hamlet recklessly and unknowingly kills Polonius in Act 3, Scene 4; a period of inactivity follows on his part. After which the ghost returns to refresh Hamlet’s memory, “Do not forget. This visitation / Is but to whet thy almost blunted purpose (III, iv, 111-112).” Delays in action as well as the appearance of the spirit a second time support the fact that Hamlet is less then swiftly avenging his fa...
While the actual personality traits and each character’s motivations add more depth to Shakespeare’s overall belief, the language each character incorporates contributes more highly to the conviction – revenge causes one to act blindly in anger. By analyzing Hamlet’s use of language throughout the play, one can tell Hamlet is keen on avenging his father, but no heart or effort is put into the action. Speaking in disgust with himself, Hamlet says “That I, the son of a dear father murder'd, / Prompted to my revenge by heaven and hell, / Must, like a whore, unpack my heart with words, “ (2.2.584-586). Hamlet uses simile to compare himself to a coward and state that he has no...
In Hamlet Shakespeare is able to use revenge in an extremely skillful way that gives us such deep insight into the characters. It is an excellent play that truly shows the complexity of humans. You can see in Hamlet how the characters are willing to sacrifice t...
Madness is a state-of-mind were a person loses their sanity, they are mentally ill. In the play Hamlet, Hamlet meets his deceased father in a ghost form only to inform him of who caused his death and wants revenge. Now Hamlet must avenge his father's death, and the only way he can do it in a less obvious approach is by acting mad. But as the play continues, it becomes a lot harder to tell if Hamlet is still sane due to his actions. In the play Hamlet, William Shakespeare makes Hamlet's madness appear real but only to prove that he was only acting as if he were mad.
Shakespeare’s play “Hamlet” is a subtle reflection on the political and religious atmosphere of the early 1600’s and late 1500’s, that was dominated with conversation of the successor to the throne of England, and their religious denomination. Hamlet was written with the intention of mimicking the political world and all its machinations from treachery, duties to family, religion and country. Hamlet, begins with armies being mobilized to the threat of an invasion from Norway, helmed by Fortinbras, like the rumors that the eventual successor James VI would need to take the throne by force. Soon after, this we have Hamlet and his father’s ghost, they converse on the details of his untimely death at the hands of his brother Claudius. In this
Hamlet In Shakespeare's Hamlet, the tragic hero reveals his inner conflicts and introspective attitude in each of the lengthy soliloquies in the play. Hamlet is a static character whose thoughts never dramatically change. Each soliloquy delves further into Hamlet's motivations, or lack thereof, and psyche. Each soliloquy, each slightly different, is all united by vivid imagery, introspective language, and discussion of Hamlet's delay of action. The first soliloquy serves to 'set the stage' for the rest of Hamlet's thoughts, feelings, and actions. It is here that Hamlet first reveals his hatred for his mother's incestuous marriage to his uncle, Claudius, his low self-image, and his great reverence for his father. Each aspect of this soliloquy has an integral and conflicting part in Hamlet's role. While he hates Claudius and immensely idolizes his father, Hamlet will be plagued by his low self-image, thus taking no action and contributing even more to his existing problems. In the beginning lines of this soliloquy Hamlet is already considering suicide. O that this too too solid flesh would melt,… Or that the Everlasting had not fixed His canon 'gainst self-slaughter! O God! O God! How weary, stale, flat and unprofitable Seem to me all the uses of this world (I, ii, 135-140). Through these lines it is obvious that Hamlet is in the midst of a deep depression. He has no control over the "uses of the world." Hamlet compares Denmark to an "unweeded garden" to symbolize the corruption within his country, that is seeded within Claudius and his incestuous marriage to Gertrude. Hamlet goes on to compare his father to Claudius and comment on the relationship between King Hamlet and Gertrude. So excellent a King that was to this Hyperion to a satyr; so loving to my mother That he might not beteem the winds of heaven Visit her face too roughly (I, ii, 145-148). In Hamlet's eyes Claudius is a beast in comparison to the god-like features of his father. This lays the foundation for Hamlet's vengeful intentions. Hamlet's also comments on the loving relationship enjoyed by his parents, in disbelief of Gertrude's actions. He does not understand why his mother married Claudius in such haste, causing such internal torment for Hamlet. This leads Hamlet to make a generalization about all women. "Frailty, thy name is woman"(I, ii, 146)! Hamlet displays his inability to separate his emotions from his rational being.
Although Hamlet does not act on instinct; he does understand what it is telling him to do, "Even when he doubts, or thinks he doubts, the honesty of the Ghost, he expresses no doubt as to what his duty will be if the Ghost turns out to be honest" (Bradley 80).
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.