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Role of women characters in hamlet
Role of women characters in hamlet
Role of women characters in hamlet
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The play Hamlet, by William Shakespeare, contains many complex characters involved in the royal court of Denmark. After the king’s tragic death, his son, Hamlet begins to lose his mind, leaving behind the girl he once loved. Ophelia, the daughter of the Lord Chamberlain to the royal court, remains a static character; obedient and passive, while still maintaining her innocence. Upon the death of a loved one, however, she goes mad, her own end reflective of her inborn characteristics.
Ophelia lived a very sheltered life, causing her to maintain an innocence even as she matured. Those around her aided this maintenance by treating as such. Before her brother, Laertes, departs for France, he warns Ophelia of her possible corruption if she stays with Hamlet. “‘The canker galls the infants of the the spring too oft before their buttons be disclosed. And in the morn and liquid dew of youth, contagious blastments are most imminent. Be wary, then. Best safety lies in fear. Youth to itself rebels, though none else near.’”(1.3.38-43) He is referring to Hamlet as the canker and Ophelia as the flower which has not yet bloomed. Hamlet’s promiscuity leads Laertes to believe that he will corrupt his innocent sister, warning her that even the best of girls can be led down the wrong path. Those around her feel obligated to protect her innocence, and her brother does so by trying to scare her away from someone who is not as innocent as she is. In her conversations with the more experienced Hamlet, this innocence becomes more obvious. While watching the play, their conversation turns more sexual, and Hamlet asks the innocent girl, “‘Do you think I meant country matters?’ ‘I think nothing, my lord.’ ‘That’s a fair thought to lie between maid’s legs...
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...lement. But long it could not be till that her garments, heavy with their drink, pulled the poor wretch from her melodious lay to muddy death.’”(4.7.171-182). The description of her death brings about the perception that she allowed herself to drown. The drowning could have easily been prevented if she had gotten herself out of the water, she allowed herself to sink in the brook. Her passivity eventually led to her ultimate downfall, she accepted her death and did nothing to stop it.
Ophelia let her strongest characteristics ultimately destroy her in her mermaid-like death. Her innocence and family’s attempts to shelter her made her father’s death even more tragic. Unable to cope with her loss, and no longer having someone to command her, she allows her passivity to end her life. Immortalized in Denmark as the innocent girl who “died” of unfortunate circumstances.
Loyal. Betrayed. Insane. Ophelia, a character from The Tragedy of Hamlet, Prince of Denmark by William Shakespeare, goes through emotional pain and suffering, that drives her into madness. Torn between her father’s word and her love for Hamlet, she chooses to listen to her father, which spells her own demise. Hamlet betrays Ophelia, telling her that he never loved her and that she meant nothing to him. Ophelia feels abandoned, but when her father dies she is pushed over the edge. She is no longer able to move on so she takes her own life.
Often overlooked in Shakespeare’s famous play Hamlet, Shawna Maki analyzes Ophelia’s restricting role as a woman in a patriarchal society and how it essentially leads to her death being the true tragedy of the play. Maki supports this argument by stating, “Whereas Hamlet has the power and potential to change his fate, Ophelia does not and her death is tragic because the only escape she sees from her oppression is madness and death.”. The comparison between Hamlet and Ophelia is a common parallel because both characters are inevitably labeled as tragic deaths due to the quick deterioration of their state of mind.
Ophelia in the fourth act of Hamlet is demonstrably insane, but the direct cause of her slipped sanity is something that remains debatable, Shakespeare uses the character Ophelia to demonstrate how women during this time were unable to break away from social norms. While it is evident that Ophelia is grieving over the death of her father, Polonius, as Horatio says of her “She speaks much of her father, says she hears / There’s tricks in the world, and hems, and beats her heart” (4.5.4-5), as lines from one of her many “songs” points towards grieving over an aged relative, “His beard as white as snow / All flaxen was his poll” with flaxen indicating a white or grayed head of hair (4.5.190-191).
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one, characterized by her willingness to let go of her submissive, earth-bound self and leave the world no longer a victim.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
In the play Hamlet Ophelia is portrayed as an innocent young woman who does not have a say in anything. All the men control Hamlet, her father Polonius, and her brother Laertes. She is portrayed as inferior to all of them and lets herself be pushed around by them. She is unable to convey her opinions or emotions throughout the play. The men dominate her thoughts and behaviors. In Hamlet, Ophelia’s obedience to her father and brother, along with her dismissal by Hamlet, reveals that women were not allowed to assert their opinions, emotions, or desires in a courtly setting.
Ophelia loves Hamlet; her emotions drive her to perform her actions. Some would say that Ophelia’s emotions could have actually been what ended her young
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
to see herself as unimportant and useless. The poem states, “Often in a summer… downstream
Hamlet is an alluring play to study. There are many different characters who each have diverse personalities. The thing that is noticeable about play is that there is an overwhelming number of male personalities while only a few female ones. This leads to a very interesting topic on female characters. This essay will explore the character of Ophelia, specifically the idea that she was a major key into Hamlet’s tragic ending.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
In the play Hamlet, the character Ophelia appears to play multiple roles. Ophelia is represented as an obedient fragile character, who appears to be an emotional medium to the audience in the play. Ophelia is significant in for many other reasons as well, as she is used throughout the play as a sort of tool by both the characters as well as Shakespeare himself.
All lives end in tragedy. Ophelia has little self respect, lost sight in herself when control was taken away from her. Hamlet on the other hand, was able to control hi emotions and carry out his plan of being crazy while plotting revenge at the same time. These differences in the actions of character reflect the levels of self-respect and self-reliance. At certain times throughout the play Hamlet is undecided, “To be or not to be?” It reflects Hamlet’s inner struggle between life and death. Having dealt with many injustices, Hamlets strong self-reliance and self-confidence allowed him to die fighting to return Denmark into what it once