Monarchs and royalty have ruled over us common people for millennia -excluding the past few centuries- and while there have been some great royals like Qin Shi Huang, Julius Caesar, and the current Queen Elizabeth II, there have certainly been some bad ones too. Caligula, a crazed Roman emperor that raped and killed his sister, and Queen Mary I, a devout Catholic that burned three hundred protestants at the stake and lost the last territories England had on the European continent, are both examples of royals that never should’ve been trusted with the throne. Just because someone is born in the line of succession doesn’t mean that they should be given power. Despite Hamlet’s cunning, intelligence, and support from the people, he would’ve made
The question of Hamlet’s insanity is a question raised by many people, is Hamlet a great actor, or has he lost complete sense of what’s real? There is no right answer, there is no wrong answer, many readers have different perceptions on what really was going through Hamlet’s head. My perception is that hamlet comes full circle with his insanity, and at points lets it get the best of him, and brings him down to a extremely low point.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
Near the beginning of the play Hamlet’s emotional state was very uneasy. His father had just died so, he was living in denial; but to top it all off his “so called mother” married his uncle Claudius. By his mother marrying his uncle he felt betrayed. Not just because his mother re-married and his father hadn’t been dead for a whole month. The reason why he felt betrayed is that his mother got married in such little time and to his uncle. This situation brought Hamlet to an even more uneasy emotional state. When hamlet was around Ophelia his emotional state was very virtuous. Hamlet was secretly in love with Ophelia and Ophelia loved Hamlet as well. Hamlet was to shy to tell Ophelia what his true feelings were for her; until it was too late.
Many believe that Ophelia genuinely lost her mind and became suicidal towards the end of the play. This is very self explanatory due to the fact that both her father and brother died and they seemed to play a big part in her life. Ophelia’s genuine madness exposes Hamlet’s counterfeit madness because Ophelia shows signs. In Act 4, Scene 5, Ophelia is constantly singing songs about death and basically ignores anything that anyone says to her. For example, in Act 4, Scene 5, she sings, “He is dead and gone, lady, he is dead and gone. At his head is a patch of green grass, and at his feet there is a tombstone.” This continues on and on until one day she is in a meadow and she ends up drowning. She ends up dying before she can even see her brother, Laertes ever again. When Laertes finally returns, he wants to say his final goodbyes to his younger sister and while he’s doing this, Hamlet is hiding in the bushes listening and he begins to cry. This is another way that Hamlet exposes that he isn’t truly mad the way he made himself seem. He forced himself to treat Ophelia poorly so many times throughout the play and it was all just a part of his madness act. Him releasing his emotions for Ophelia in this moment showed everyone that he truly did care for her. Even if he wasn’t madly in love, he definitely cared for her. This is the last main event that shows that Hamlet wasn’t truly a mad, emotionless, heartless
Hamlet’s actions leave him no choice but to take revenge against King Claudius. In Act 1 Scene 5 Lines 117-119, Hamlet says “I have sworn ‘t”, vowing to the ghost of his father that revenge will be sought against his father’s killer, Claudius. Throughout most of the play, Hamlet is reluctant to kill Claudius, but this vow forces him to continue to take some sort of action to further his vengeance. This is shown in Act 3 Scene 3, when the King is praying. While praying, the King is defenceless and could have been easily slain, but Hamlet stalls and finds an excuse to not kill the King. However, must continue continue down the path of vengeance. He tries to find excuses out of killing Claudius, but when Hamlet confirms that Claudius is the murderer in Act 3 Scene 2 Lines 12-13, stating that he’ll “bet [Horatio] a thousand bucks the ghost was right” about the identity of the murderer, he can no longer leave Claudius alive. Even though Hamlet continues to hesitate until Act 4 Scene 4 when he sees ...
Ophelia’s and Hamlet’s love for each other in the beginning was very real. Following the death of his father Hamlet falls in love with her, and is much attracted by her beauty. It is not uncertain, however, that Ophelia is very much controlled by her father. She is the daughter of Polonius, the chief advisor to the new King Claudius, and a highly respected man. Her father demands that she tell Hamlet at once that she can no longer be with him and tells her "I would not, in plain terms, from this time forth have you so slander any moment leisure as to give words or talk with the Lord Hamlet. Look to’t, I charge you. Come your ways." (I.iii.132-35). It is clear that here Polonius is making decisions for his daughter, regardless if she really loves Hamlet or not. She feels very unimportant and helpless now, and because of this develops a lack of emotional confidence and strength. All she can reply is "I do not, my lord, what I should think." (I.iii.104). She is used to relying on her father’s direction and has been brought up to be very obedient. As well, her brother Laertes agrees with what their father is saying. He also tells Ophelia that Hamlet is no good for her "Perhaps he loves you not" (I.iii.16). He thinks that Hamlet only loves her because he wants to seduce her, and demands his sister to never see him again. Ophelia can only accept her father and brother’s beliefs and writes Hamlet a letter which informs him that she can no longer see him. As a result, she begins to feel alone with very little independence.
Hamlet’s feelings towards Ophelia are one of the main themes of the play. The first time that Ophelia is introduced to the readers is when she talks to Laertes and Polonius about Hamlet, saying, “He hath, my lord, of late made many tenders/ Of his affection to me” (1.3.99-100). At this time the audience assumes that Hamlet loves her, and this belief is confirmed in other parts of the play. In the letter that Hamlet writes to Ophelia, which probably was not meant for anyone else’s eyes to see, he says, “Doubt truth to be a liar; / But never doubt I love” (2.2117-118). Thus, perhaps Polonius is right that some of Hamlet’s madness came from his love for Ophelia, which he could not un...
In order to sway everyone in Elsinore that Hamlet was insane, he first sells his insanity to Ophelia because he knows of her loyalty to her father. By convincing her, he would convince her father and the king. Despite his successful plan of "craziness", he severs many relationships with friends and family, especially with his believed-to-be lover. After verbally assaulting her in the castle, Ophelia takes his words "I loved you not" (3.1.117) and "...what monsters you make of them" (3.1.134-35) to heart and she feels betrayed and abandoned. Once again, the relationship is demolished. However, upon Ophelia 's death, Hamlet professes, "I loved Ophelia; forty-thousand brothers / could not match with all their quantity of love / make up my sum" (5.1.236-38). The readers learn in Act V that Hamlet 's love for Ophelia was indeed genuine despite his previous actions and words.
Living in an environment of deception and hostility, the reader can easily identify with Hamlet's anger. Most all compassionate audiences will be sympathetic to his plight. However, the origins of Hamlet's vehement actions toward his once beloved Ophelia can be debated from several different points of view. Whatever his reasoning may be, it is probably correct to assume that he regrets deeply every harsh world spoken toward Ophelia. He only realizes again what a beautiful and kind person she was- after her death.