Gun Culture In Bowling For Columbine By Michael Moore

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Bowling for Columbine (2002) which was directed, produced and written by Michael Moore, was an instant commercial and critical success. Grossing over fifty million dollars and winning the Academy Award for Best Documentary Feature, the film became well recognised and distributed. Nonetheless, the film’s controversial approach to the subject matter of the United States’ gun culture had influenced many to support the anti-gun argument and many outside of the United States to become critical of America’s gun laws. Interestingly, despite the fact that Moore is present in many of the scenes, he never explicitly states his opinion on the subject matter throughout the film. He instead takes on a neutral position throughout the course of the film, …show more content…

He is painted to be a villain to the audience. After the scenes of devastation following the Columbine disaster are shown with students weeping and the emotional effects of the shootings, Heston is shown with a rifle in the air stating “From my cold, dead hands.” The editing of Charlton Heston’s gun rally in the town shortly following the disaster magnifies the insensitivity of the action, enraging the audience due to Heston’s insensitivity. The juxtaposition of this rally with the protesting of the father who had lost his son in the Columbine shootings only emphasises the unreasonable nature to audience more. Similarly, as the teacher from Kayla’s school is comforted by Moore as she breaks down, the words “From my cold, dead hands” are heard again over the top of the scene, and it is told that Heston also held a pro-gun rally in Flint shortly after the murder of six-year-old Kayla. Once again, Moore exposing the insensitive nature of the pro-gun crowd through Heston further influences the audience to dislike and go against their actions and adopt the anti-gun stance. In the documentary Bowling for Columbine, Michael Moore has successfully incorporated various distinct editing techniques to influence and persuade the viewer to think critically of the gun-culture in the United States. His “actions speak louder than words” approach to filmmaking makes him overwhelmingly successful in convincing his audience to adopt an independent view without realising their view is similar to Moore

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