Gruesome, Unique Twist on Classic Story

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Gruesome, Unique Twist on Classic Story Shakespeare’s Macbeth is similar to the 1971 film dramatization of Macbeth directed by Roman Polanski since the film reinvents Macbeth’s hallucinations, horses breaking free from their stalls, and the symbol of sleep. The two versions differ in terms of the characterizations and of the witches and Lady Macbeth, the amount of violence seen by the audience, and the ending of the play. In addition, most of the film takes place in daylight while most of Shakespeare’s Macbeth takes place at night. Some differences between the two sources are supported by the use of technology and special effects which Shakespeare did not have at his disposal. Although gruesome violence and vulgar nudity in the 1971 movie version is unnecessary, the film is entertaining and breathes in new life into Shakespeare’s Macbeth. Macbeth’s Hallucinations The motion picture is similar to Shakespeare’s Macbeth since both outline Macbeth’s dagger and Banquo hallucinations. Polanski does this tastefully by using technology to ensure that the illusionary dagger and the bizarre ghost of Banquo look realistic. The movie reconstructs the dagger hallucination which takes place shortly before Macbeth kills King Duncan. Jon Finch, Macbeth in the film, imagines a floating dagger and repeats the well-known Shakespeare lines saying, “is this a dagger which I see before me, / The handle toward my hand? Come, let me clutch thee” (II. I. 33-34). Finch reaches for the dagger and viewers watch as he grasps aimlessly to discover only thin air. Polanski intelligently re-creates this scene by showcasing the internal stress that Macbeth feels, which manifests itself in Macbeth’s delusions. Wendy Rogers Harper explains in “Polans... ... middle of paper ... ...sity Press, 2004. Print. Kilman, Bernice W. Macbeth. New York: Manchester University Press, 1995. Print. Leaming, Barbara. Polanski: A Biography: The Filmmaker by Voyeur. New York: Simon & Schuster, 1981. Print. Macbeth. Dir. Roman Polanski. Screenplay by Kenneth Tynan. Prod. Hugh M. Hefner. Perf. Jon Finch, Francesca Annis and Martin Shaw. Caliban Films, Playboy Enterprises/ Columbia Pictures, 1971. DVD. Olive, David. "Possibilities of Performance: New Ways of Teaching Dramatic Literature." Links & Letters 2 (1995): 9-17. UAB Digital Repository of Documents. Web. 30 Mar. 2012. Orr, John, and Elżbieta Ostrowska. The Cinema of Roman Polanski: Dark Spaces of the World. London: Wallflower, 2006. Print. Polanski, Roman. Roman. Harper Entertainment, 2003. Print. Shakespeare, William, and John C. Crowther. No Fear Shakespeare: MACBETH. New York: Spark, 2003. Print.

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