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The nature of heroism essay
A study of the evolution and character of heroes from ancient times to the present
The nature of heroism essay
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Intentions and Heroism A building is ablaze and a crowd of people stare helplessly from the streets, listening to screams coming from within. A single person runs in to rescues whomever he or she can find. Whether or not that person emerges with a child in their arms, empty handed, or not at all, does nothing to alter our society’s perception of their heroism. Today’s society would classify such an action as heroic, regardless of outcome, for one reason: intentions. During Anglo-Saxton times the interpretation of such an act, based on the tale Beowulf, would not be so understanding of what was intended, but rather of the outcome. If one perished and failed in an attempt of such a heroic act words like weakness might arise. It is here that the clash of what a hero is occurs between the Anglo-Saxton tale Beowulf and John Gardner’s Grendel. Beowulf in Beowulf is a hero for he defeats evil and restores order to and for the common people. Unferth in Grendel however is unsuccessful in his campaign against evil, but like the man who emerges empty handed he is by no means any less of a hero. For heroism, as demonstrated in the Anglo-Saxton tale Beowulf, is altered in Gardner’s Grendel to convey the idea that intentions define a hero as opposed to actions. Beowulf is a classic hero in Beowulf for he fits the epitomized romantic mold so perfectly. His appearance is that of a hero, he is large, muscular, and intimidating. His intentions are also in the right place, he wishes to free Hrothgar’s people from the evil that is Grendel. He is a mature man, one who in the face of belittlement responds respectably and effectively. “Then up spoke Unferth…”Are you that Beowulf who with Breca swam on the broad sea-swell struggling together proud wave-wrestlers wagering your lives with reckless boasting risking for praise deep water-death?...” Beowulf answered…”and you were never known for such deeds nothing to brag of renowned as you are for killing your brothers…” (p.17-18 Beowulf) Beowulf doesn’t put Unferth down; rather he reminds him that he has no place to talk of heroic deeds and moves on. Gardner’s version of Beowulf is a much different person. “The eyes slanted downward, never blinking, unfeeling as snake’s” (p. 154) “The sea-pale eyes of the stranger were focused on nothing” (p. 155) “The stranger smiled on, he downward slanting eyes like empty pits.
One night, as Grendel was sleeping soundly in his home in the swamplands, he was suddenly awakened by the sound of music. The music angered Grendel because he had been up late the night before entertaining his monster friends and was in need of his beauty rest. So he headed out the front door and headed to see what the commotion is all about.
Leaders are meant to bring up loyal followers who can assume the lead if they are called to do so. A major driving force for leadership is a mutually agreed upon goal. This allows a smoother relationship between all parties involved because they are all working towards the same outcome. Leadership is not a position; it is a way one conducts himself. With that being said, there are times when a leader needs to function as a follower. A leader must be able to adjust accordingly to different situations, and be whatever is called for in the moment. Leaders and Followers feed off of each
His arrogance clouds his judgment when he downplays the many deeds that Beowulf accomplished. Unferth attempts to boast of his own accomplishments in the field, but they fail to hold a candle to Beowulf’s own. He is angered by this, but gives up trying to be acknowledged by his peers. Lines 590-593, “The facts, Unferth, if you were truly as keen and courageous as you claim to be Grendel would never have got away.” Beowulf puts Unferth in his place. Beowulf is a foil for anything Unferth tries to do, but he does it with good intentions that let him see the error of his ways.
No one knows who wrote Beowulf but we do know who wrote Grendel. John Gardner took the epic Beowulf and added more to the brilliant story. Grendel takes on the same story as Beowulf but from the perspective of Grendel, the beast in Beowulf. The story of Grendel is very interesting because from reading Beowulf it is completely uninspected. In Beowulf Grendel is said to be a disgusting monster that’s only job is to kill. In Grendel we really see him as very nice but turns to be evil because he is pushed into that direction.
“Staring at his grotesquely muscled shoulders--stooped, naked despite the cold, sleek as the belly of a shark and as rippled with power as the shoulders of a horse--I found my mind wandering...He was dangerous” (155). Even from the first day Beowulf showed up at Hrothgar’s kingdom, Grendel knew he was dealing with something worse than a hero. Once they finally start to battle, the monster in Beowulf is fully revealed to Grendel and Grendel sees again the stupidity and meaninglessness in the human’s definition of a hero.“Grendel, Grendel! You make the world by whispers, second by second. Are you blind to that? Whether you make it a grave or a garden of roses is not the point. Feel the wall: is it not hard?...Hard, yes! Observe the hardness, write it down in careful runes. Now sing of walls! Sing!” (171). Beowulf forces Grendel to make a fool of himself and unlike Unferth who longs for a heroic death, Beowulf knows he is going to win and has no desire to die. His mindset of victory, groups him with monsters who have one goal, to kill and never be killed. This shatters the Anglo-Saxon ideals of heroism and in Grendel’s death, when he is surrounded by oblivious creatures who don’t have a purpose, the meaninglessness of it all, including the meaninglessness of heroic deeds becomes evident to the
Beowulf was written between the 8th century and 10th century in England, however it is set approximately during the 6th century in Scandinavia (“Beowulf”, Gale). As a result of its origins, Beowulf’s pagan mentions are often shrouded by Christian substitutes; yet Beowulf’s pagan ideals are still transferred into the title character’s persona. The protagonist, Beowulf, is an obvious beacon of honour and his boasts of heroism aid his symbolic isolation from his other human counterparts. Unferth, for example, who is first mentioned around line 500 challenges the validity of Beowulf’s boasts; consequentially resulting in Beowulf bragging about his accomplishments further and then compare them to Unferth’s own infamous past (“Beowulf”, Norton). Beowulf’s response gives the reader cause to resent Unferth and again separate Beowulf from the ordinary men of Heorot. Ironically, Unferth’s position on Beowulf changes as he offers his own sword to Beowulf supporting his solo attack on Grendel’s mother (“Beowulf” 1455-1472). This change shows contrast between the characters since Unferth will not risk probable death to protect his fellow people, while the macho Beowulf storms into danger, seeking honour and fame. Fifty years later Beowulf evolves ...
As celebrities stand distinctively among the masses and cast out their halos of personality charm and strong suits of skilled abilities, the controversies about them are unavoidable shadows created from their fame. With the popularization of celebrity culture, information synchronization, and communication technology, their lives are publicly exposed and various forms of media (depending on eras) record their flaws. Tough information transmitted to audiences are frequently biased, evidences of objective reality remains, even in the remote past.
John Gardener’s Grendel is another version of the epic Beowulf, except in a differing perspective. This story is retold from the viewpoint of Grendel. Gardener wants us to empathize with Grendel through his own thoughts and emotions. The way one sees the monster in Beowulf is completely different than how one would think of him in Grendel. One is forced to view someone else’s opinion versus getting to form an opinion for oneself.
Beowulf is very prideful. He boasts about his tasks as often as he can. He likes to showboat his heroism and bravery. When Unferth challenges Beowulf’s honor and calls him a liar and a loser, Beowulf does not take it well. He calls Unferth a liar and a murderer and immediately tells Hrothgar’s court what really happened during the swimming match that Unferth was referring to. Beowulf is driven by his need to be an honorable and well-respected man. The honor he seeks is not wholly for his King’s glory, but for himself.
Beowulf and Grendel (Gunnarsson 2005) depicts a very different protagonist than the one in the epic (Heaney 2000). The Beowulf in the film learns how to have mercy as the movie progresses, while the epic Beowulf is very flat. This is due to the fact that the modern culture is very different from that of the epic. Our culture isn't content with such characters. We want our characters to have more lifelike characteristics such as emotions and a change of heart.
Pallaras, Stephen. "New Technology: Opportunities And Challenges For Prosecutors." Crime, Law & Social Change 56.1 (2011): 71-89. SocINDEX with Full Text. Web. 10 Mar. 2014.
Leadership is important in all societies and situations. From the Sumerians, the first known civilization, all the way to present day countries, leadership has played an important part. No anarchist community has ever lasted more than a few months, because we need a leader, or leaders, to be in power and make rules. We as humans need a guide to place our morals and lead us to order.
“In my youth I engaged in many wars”, Beowulf boasts to his warriors, which is certainly true. Throughout his life, he faces many deadly foes, all of which he handily defeats, save one. His story focuses on the most challenging, as well as morally significant of foes, Grendel and the dragon. These creatures reveal much about society as well as Christian virtue at the time. Even after Grendel and the dragon are defeated physically, the two monsters pose a new threat to the hero on a higher plane. Beowulf is not only at risk of losing his life, but his humanity, virtue, and even spirituality.
No matter where a person goes throughout the United States, they will not walk through the streets of New Jersey or New York for long before they hear the latest scandals with Kim Kardashian or Miley Cyrus. If a person walks into any public store they’ll quickly hear discussion of the latest stars on American Idol from passersby. While we scoff at the antics of celebrities, but at the same time we can foster an almost fanatical desire to be as if not more famous then the people everyone talks about. It is rather human to feel envy, jealously, and desire; we all want to be looked favorably upon. We roll our eyes when someone repeatedly states how beautiful or intelligent a celebrity is, yet even a skeptic can’t help but desire the admiration that celebrity received. Why do men work out? Why do women use such extensive amounts of cosmetics? Why are people so determined to be revered? The answer to individual’s thirst for fame can vary but it’s unavoidable to assume that individual wanted to be the center of attention. We want to be admired, favored, and loved as much as the celebrities that we worship. Reality television has shifted to show the “perfect” life of our celebrities and how happy they are compared to the common people. Neoliberals and authoritarian realized how our fanatical love for our celebrities can be used against us as to quote Frank Furedi from his academic journal on the topic of celebrity culture in which he has stated in the abstract in his first page: “Often celebrity provides an alternative source of validation. The tendency to outsource authority to the celebrity represents an attempt to bypass the problem of legitimacy by politicians and other figures.” Through celebrities’ neoliberals and
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.