Beowulf
Ninth Century
“Beowulf” is an early medieval epic that was written in Old English in the ninth century. This epic was also during the heroic ages, which its sole copy can be dated around 1000, which was a time of rich flowering of Anglo-Saxon literature and learning, which expresses in both Old English and Anglo-Latin poetry. (p.107 Puchner, Martin) After reading the epic of “Beowulf,” I decided to write a character analysis on the notorious character Grendel. This epic reflects twelve years of war with Hrothgar, the country people and himself, Grendel. In analyzing, I will express my thoughts and quotes that reference to Grendel’s appearance, his personality and how others in the epic work view or interact with him.
As I read throughout the epic, “Beowulf”, Grendel’s personality was basically full of hatred and was considered a horrible demon monster. He was a powerful cold hearted monster that slayed individuals in a blink of an eye with no remorse for his actions. He had power of destruction within his soul, while wondering the land and sea. Examples of how the book describes his personality are as followed, “That doom abided, but in time it would come the killer instinct unleashed among in
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He was a powerful cold hearted monster that slayed individuals in a blink of an eye with no remorse for his actions. Grendel was both monster and man, one of the families of Cain. Like Cain himself, Grendel was said to be “God-cursed,” and his status as an outcast, cut off from the community of men, makes him seem curiously forlorn, “ spurned and joyless.” There were many other battles that Grendel fight but the most significant one, was when the Prince of Kings didn’t want to send his army in to fight Grendel, so a dragon came forth and brutally defeated him in battle. Grendel had finally been
In both works, Beowulf and Grendel, Grendel himself is generally given the same connotations. He is given kennings, called names, referred to as the evil spawn of Cain, and even viewed as a monster; but why? Why in both books is he a wicked, horrible, person who is harshly excluded from everyone? After stumbling upon John Gardner's book, it was halfway expected that some excuse would be made for Grendel; that he wasn't really the inexorable monster the thanes in Beowulf portrayed him as. But all it really did was make him worse. What is the message we are being sent about Grendel?
In times before printed books were common, stories and poems were passed from generation to generation by word of mouth. From such oral traditions come great epics such as England’s heroic epic, Beowulf. In Beowulf, the monster Grendel serves as the evil character acting against the poem’s hero, as shown by his unnatural strength, beast-like qualities, and alienation from society.
In both John Gardner’s Grendel, and the poem Beowulf, there are significant differences between characters, and the way they are portrayed in each of the tellings. The interpretation of a hero is usually altered in order to fit the audience, such as, Saddam Hussein in America is made out to be this monster whereas, in his home country Iraq, he is looked at as a hero and idolized by some. In each telling, Grendel and Beowulf have many similarities in how they are described in each writing, but each character is also shown in a different light in each of the writings.
{1} Grendel, it seems, actually didn’t have too much exposure to humans before the start of the poem. He “hunted the moors” (17), likely subsisting on animals he had killed. The reasons why he started killing humans aren’t entirely clear; he had “growled in pain, impatient / As day after day the music rang / Loud in that hall” (2-4). He could also come across as merely curious, as he was “wondering what the warriors would do in that hall” (31-32). This raises a noteworthy attribute of Grendel – though he is often animalistic, he frequently is described as thinking, wondering, or otherwise displaying a human-like nature. The humans think of him not as a raging beast, but as a calculating criminal. But how calculated were these crimes? Grendel doesn’t seem to have planned his war on Herot, especially not that first night. The statements “[Grendel’s] Thoughts were as quick as his greed of his claws” (35) and “delighted with his night’s slaughter” (40) give the
For more than a millennium, literary excavators and scholars have been deciphering and intensively studying the epic Beowulf. The suspenseful and dramatic narrative takes place in Scandinavia where the Danes are experiencing the wrath of a monster known as Grendel. The titular eponymous King of the Geats gives the King Hrothgar necessary assistance to combat this ruthless and belligerent creature. After being killed, the hero Beowulf defeats Grendel’s mother in a watery underworld called her lair after she strikes Herot Hall. In the final scene, after serving five decades as Geatland’s generous and amiable king, he defeats the infamous dragon. Unfortunately, Beowulf suffers severe wounds from the battle. After briefly summarizing and analyzing
He is evil not because he was born evil, and not because it was destined that he would become evil, but because the world told him he was, and eventually he believed. Grendel resigns to a mode of being that is the easiest for him- and that may be just what make him so intriguing. It is not the fact that Grendel is Bad that makes him a compelling protagonist; that alone would almost surely not be enough. He is an engaging, almost likeable, main character precisely because he lapses into evil like a habit, like a role to be filled, like any number of the habits and roles the book’s audience might fulfill themselves. Grendel is important because he is, by the book’s end, purely evil. He is malevolent, chaotic, maniacal, and violent. He is everything a storybook antagonist should be, yet the reader still feels for him. It is there that the power of Grendel’s story lies- in his complexity. The novel’s refusal to accept the simple themes and characterization in Beowulf makes it refreshing, and, in a sense, more real; Grendel is not a tale that allows readers to escape the world, but one that forces them to vividly examine its most gruesome realities, and to imagine that even the worst of monsters
The general definition of a hero is, “a person who is admired or idealized for courage, outstanding achievements, or noble qualities.” Although, the interpretation of a hero is always dependant on the society in which the hero resides. The “hero”, Beowulf, is not depicted the same way as he is in the self-titled poem “Beowulf” as he is in Grendel. The poem “Beowulf” is said to emerge from the Anglo-Saxon period or the 5th-6th century. It was later translated by Burton Raffel. The “hero” of the poem, Beowulf, is a glorified Geatish warrior whose hunger for fame and wealth drives him to the land of the Danes to rid of the evil monster, Grendel. He is depicted as a strong, brave, and courageous man and admired by the Danes. On the other hand,
Contrary to the epic poem, Grendel does not have this vicious and evil appearance; he simply resembles a large feral man, and unlike in the poem Grendel is not killing for his own recreation, he is killing to avenge his father. When a viewer of the film Beowulf and Grendel is introduced to Grendel they do not think of him as some evil monster that is a descendent of Cain, but rather a primitive man simply trying to avenge the death of his father. Hollywood decided not to make Grendel a senseless killing machine, but rather something more of a man seeking revenge for the murder of his
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict
Grendel is born a neutral being, perhaps even good, but nevertheless, without hate. The transition which he undergoes to become evil is due to misunderstandings between himself and humans and also meeting with a dragon who is questionably evil. As a young “monster”, Grendel knew nothing other than the cave he lived in and his mother who could not speak any distinguishable language. He was a playful creature who seemed to be like a “bla...
One aspect that was the most apparent was the fact that he was such an outcast. In Beowulf, Grendel was “…living down in the darkness, growl[ing] in pain…” because he knew that he did not belong with the Danes and other human beings at all (Raffel 6). Similarly, in Grendel, as interested as he was with the humans and their way of life, he still found himself “…back[ing] away till the honeysweet lure of the harp no longer mocked [him]” (Gardner 4). Grendel was constantly distancing himself from the human beings because he knew he did not belong and they were not willing to give him the gift of acceptance into their group. However, this outlook carried through with Grendel between the two stories to portray just how monstrous and estranged he
Beowulf, written between the 8th and 10th centuries, is an epic poem set in southern Sweden. The poem illustrates the Anglo-Saxon’s strong belief in the heroic code. The loyalty between the warrior and his king bound the culture together. The warrior was the ultimate hero who represented strength and courage. Beowulf, the hero in the poem, illustrates the Germanic principles of the heroic code. Through the battles and character interactions, Beowulf converges loyalty, strength, courage and forgiveness into the hero archetype.
Grendel is the embodiment of all that is evil and dark. He is a descendant of Cain and like Cain is an outcast of society. He is doomed to roam in the shadows. He is always outside looking inside. He is an outside threat to the order of society and all that is good. His whole existence is grounded solely in the moral perversion to hate good simply because it is good.
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.