In the epic Beowulf, the malevolent Grendel is terrorizing Hrothgar’s men as he reigns over their land for twelve years. He is a creature that is feared by all and is very unforgiving. The way Grendel goes about his life, the way he kills people without remorse is inhumane. But with this knowledge we have of Grendel as a monster, the question arises of what really defines the monster. Society’s idea of a monster ranges anywhere from animals of a greater strength than humans, to beings with deformities that cause them to look ‘abnormal’. All ideas of a monster come down to one basic idea; they are entities that provoke fear. Grendel fits this archetype well, as he is a symbol of the Dane’s fear of an “evil”, overpowering, invading force in their kingdom.
Grendel’s first act of hatred towards the town, proving his evil ways, is his initial attack on Herot. The text says that as they are rejoicing, “Grendel lurks…seething with resentment and hatred for humans”. His arrival is so soon after the building of Herot, while the Danes are all rejoicing over its resurrection. The main signifi...
“Staring at his grotesquely muscled shoulders--stooped, naked despite the cold, sleek as the belly of a shark and as rippled with power as the shoulders of a horse--I found my mind wandering...He was dangerous” (155). Even from the first day Beowulf showed up at Hrothgar’s kingdom, Grendel knew he was dealing with something worse than a hero. Once they finally start to battle, the monster in Beowulf is fully revealed to Grendel and Grendel sees again the stupidity and meaninglessness in the human’s definition of a hero.“Grendel, Grendel! You make the world by whispers, second by second. Are you blind to that? Whether you make it a grave or a garden of roses is not the point. Feel the wall: is it not hard?...Hard, yes! Observe the hardness, write it down in careful runes. Now sing of walls! Sing!” (171). Beowulf forces Grendel to make a fool of himself and unlike Unferth who longs for a heroic death, Beowulf knows he is going to win and has no desire to die. His mindset of victory, groups him with monsters who have one goal, to kill and never be killed. This shatters the Anglo-Saxon ideals of heroism and in Grendel’s death, when he is surrounded by oblivious creatures who don’t have a purpose, the meaninglessness of it all, including the meaninglessness of heroic deeds becomes evident to the
In times before printed books were common, stories and poems were passed from generation to generation by word of mouth. From such oral traditions come great epics such as England’s heroic epic, Beowulf. In Beowulf, the monster Grendel serves as the evil character acting against the poem’s hero, as shown by his unnatural strength, beast-like qualities, and alienation from society.
In the epic poem Beowulf, Grendel is depicted as an evil monster that destroys Herot-hall and kills people for no reason. In the poem, Grendel had filled the Danes with terror as he ravaged their mead-hall and killed their men again and again. He did so without remorse and even took joy in killing, and even eating them. He had stopped, because a great hero, Beowulf, caught and killed him. However, what readers do not hear is why and how Grendel was treated by the Danes. When he was a young little creature, Grendel had been ignored, humiliated and bullied by Danes in Herot-hall. He wanted to fight back, but instead, he decided to give them a second chance. However, the Danes began singing the “Song of Creation” which totally
The presence of a bull prompts a shift in Grendel’s purpose in life from remaining obedient to his mother as a young child to being the creator of the world as he transitions into adulthood. As a young monster, Grendel motive’s coincide with his mother since she is the only person who Grendel is able to communicate with. He feels “Of all the creatures I knew, only my mother really looked at me...We were one thing, like the wall and the rock growing out from it… ‘Please, Mama!’ I sobbed as if heartbroken” (Gardner 17-19). His emotions demonstrate that as a child, he doesn’t consider himself as an individual but rather as embodying the same identity as his mother, which is further emphasized by the use of the simile. Additionally, Grendel’s use
Even if, at first, Grendel seems almost kind, and the reader is pleased with his character, he soon becomes more and more evil, and his actions bring about a feeling of uneasiness, to say the least. Before, the killing of people for no apparent reason disgusted Grendel. However, when he brings Unferth home, he kills the two guards "so I wouldn't be misunderstood" (90). Later, in probably the most disturbing scene of the book, we see how meaningless killing has become to Grendel. He brutally attacks the queen and is determined to kill her.
There are many characters that are involved in the novel, Grendel by John Gardner, which have meaning and we can identify ourselves with them. For example, Grendel is the main character. I will be writing about Grendel because I think he is the most important character of this novel. I like Grendel because he seems like if he was human but, is really an intelligent monster who eats people. What I dislike about Grendel is that he observes people. I don’t like the fact that Grendel basically spies humans. Since, the author identifies the three stages in his live being: childhood, adulthood, and his battle with Beowulf. Grendel is characterized as innocence but, in the other hand as a monster. Grendel was big in size, and had the strength of many. But he was not brave at all. He is described as a large figure with the strength to pick up the weight of a grown man and consume him whole. 1 But, Grendel is shown as somewhat of a
However, this stranger is unlike any human Grendel has ever met before. When Grendel attacks the mead hall that night, he discovered that this stranger is not only much stronger and smarter than he imagined, he is also much more cruel. “He’s crazy. I understand him all right, make no mistake. Understand his lunatic theory of matter and mind, the chilly intellect, the hot imagination, blocks and builder, reality as stress” (Gardner 172). This insane man is actually the hero Beowulf. However, in this story, Beowulf is portrayed as one of the worst humans of them all. He cannot just kill Grendel, he has to see Grendel suffer up to his death. He forces Grendel to sing and humiliates him in front of the other men. This unearthly cruelty is what finally took down Grendel. But it also shows that even though Grendel was physically the monster, that he was not the worst creature on earth. Grendel was not as cruel as Beowulf; in the end, man becomes the monster and the monster becomes the
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict
In the poem, Beowulf, Grendel is depicted as a monstrous, evil villain that possesses a few human-like qualities: such as the ability to walk on two feet. However, his most notable characteristic that occupies his mind and body in the poem is the constant mindset and actions of primitive human tendencies. This quote conveys Grendel’s primitive ways as the humans perceived it. “The monster’s thoughts were as quick as his greed or his claws: he slipped through the door and there in the silence snatched up thirty men, smashed them unknowing in their beds and ran out with their bodies…” (Raffel 8). His lust for blood of the human race, alongside their Christian views, forced Beowulf and others to view
John Gardner’s Grendel is the retelling of the heroic epic poem Beowulf; however, the viewpoint has shifted. Grendel is told from the viewpoint of one of Beowulf’s antagonists and the titular character of Gardner’s work—Grendel. In Grendel, Gardner humanizes Grendel by emphasizing parallels between Grendel’s life and human life. Through Gardner’s reflection of human feelings, human development, and human flaws in Grendel, this seemingly antagonistic, monstrous character becomes understood and made “human.”
Time after time he charges into Herot Hall, slaughtering the warriors like sheep, and feasting on them. Denmark trembles in fear and grief as Grendel terrorizes their land. The people live in fear for their family and friends. Grendel is the Anglo-Saxon embodiment of what is dark, terrifying, and threatening. Grendel is an enemy of God. He can not know God’s great love. He is a powerful ogre that resides in the dark, wet marshes. He is a shadow of death that grows impatient with the Danes. He delights in their slaughter. No crime or savage assault would quench his thirst for evil. For evil can never be quenched. Grendel is a shepherd of evil and a guardian of crime. Grendel exhibits his envy towards the warriors as Cain did to his brother. Jealousy breed loneliness.
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.
In any classic story about heroes and villains, the monsters involved are often characterized as the evil ones and, consequently, receive no justice under the law. Throughout the epic story Beowulf, the hero of the story encounters three monsters that are threats to society: Grendel, Grendel’s mother, and the dragon. The monsters in Beowulf are quickly targeted and destroyed because of the harm they cause to society. However, upon further examination of the monsters and the motives for their actions, the reader can view the monsters not as the cutthroat villains they may initially appear to be, but perhaps as victims of society. In today’s society, murderers and robbers are also portrayed as “monsters” because of the atrocious crimes they commit. While it is undeniably wrong to commit any kind of crime and I do not wish to condone murder or theft in any way, there may also be an ulterior explanation for why these modern “monsters” cause harm to society. In comparing and contrasting the monsters of Germanic epic with criminals of today, perhaps we can gain some insight into the motivation of both.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.