1. By Kafka making Gregor a traveling salesman it emphasizes the separation of Gregor from his family. Many people associate traveling salesmen with being annoying and somewhat pushy, always hoping that when you do not answer the door bell they leave your house. This highlights how most people overlook Gregor because of his occupation, for he is just a pesky salesman, this mentality begins to translate over into Gregor’s daily life, for he begins to realize how little the people around him respect and appreciate his worth. Likewise, a traveling salesman leaves the home often in order to travel and work, thus this creates a separation between Gregor and his immediate family, for his is simply the bread winner, a reliable source of income …show more content…
Throughout the novel Gregor mainly feels guilty about being a burden to his own family. Once Gregor underwent his metamorphosis he was no longer able to provide for his family, thus causing his father to return to being the main source of income. Likewise, as the novel progresses Grete must also begin to work due to the fact that the family needs more money to continually support themselves along with Gregor. However, Gregor begins to feel even more guilty when he overhears his family discuss plans to move out of the apartment. Gregor’s family upon realizing they can no longer support themselves in the current apartment seeks moving to a cheaper location; however, the sole problem with leaving the apartment becomes Gregor. The family refuses to leave Gregor, and has no means to transport him out of the apartment, thus like Gregor his family is stuck within the apartment. This predicament ends with the family taking in three tenants, causing Gregor to remain hidden within his own house and room in order to help his family survive, increasing his own guilt. Guilt causes Gregor to fall into a deep depression, for he believes he is nothing more than a burden to his own family, and to society. Guilt is the driving force in The Metamorphosis for it establishes the main conflict for Gregor, himself. Furthermore, guilt causes Gregor to become a recluse to his own room, refusing to eat, constantly wishing for death to take him. The climax of the guilt in the novel strikes when Grete refers to Gregor as a pest that must be taken care of, thus Gregor overrun with guilt returns to his lair, where he ultimately dies. Gregor is finally free of the burden of living, the burden of finding out he is nothing more than a burden to his own family; thus, death symbolizes peace and sanctuary for Gregor, a state that would not have been achieved without the main theme of guilt throughout the
... to do this every day Gregor would have had to have some sense of time. His dwindling human aspects are prominently marked in two places: the first when Gregor is incapable of communicating with his family and the sales manager and the second when he takes pleasure in rutting about in dirt and filth. Lastly, Gregor's loss of consciousness causes a polar change within his family. As Gregor is no longer able to earn money to support the family, everyone else is forced to take action to bring in capital. The most obvious change is in the father who transformed from a dead weight into a zealous worker. Despite Freedman's employment of flawed logic to formulate some of his theories, the majority of his conclusions are quite valid and probe deeply into the meaning behind Kafka's writing.
Gregor’s life slowly ends due to the betrayal of his his loved ones. He feels bad once his parents betray him and he feels he is an inconvenience. Then his sister is too busy and exhausted for him and he has nobody to help him or bring him food. Lastly, with nobody left Gregor betrays himself by simply allowing himself to die. Betrayal contributes a lot to this book as it is evident in every part of Gregor’s downfall. If Gregor’s family did not betray him, maybe they could have found him help to get better and back to normal. He also could have learned how to cope with his metamorphosis and lived with it everyday, however; Gregor’s family did betray him, and it slowly led him to end his life by starving
Guilt can be from many different situations. Gregor's guilt was from his obligation to work. Even Gregor's mother, a bystander, could see his dedication to his job. Life without amusement becomes stressful and unpleasant. Throughout the novel Gregor finds himself stressed out because of his dissatisfaction with his ability to provide for his family. Gregor, finally near the end of the novel, finds satisfaction in something: his sister's violin.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
Gregor is the focal point of the family, he provided for them when they needed the money. Gregor also brought the family into turmoil with his change. Just as Gregor brought them into turmoil he brought on growth for the family. His death gave his family a new life. Before Gregor’s metamorphosis, his family was a helpless and selfish. There was little meaningful interaction among them. Once Gregor had become a creature the family had to become resourceful, they learned valuable skills. Gregor gave his family something that could bond them together, they discussed what to do about Gregor almost every night. Gregor’s tragedy brought his family together. Gregor served as a “savior” for his family, he played the same role that Jesus did for the world. Gregor’s life was taken so that the rest of his family may achieve salvation. His family had changed from a selfish and lazy group of people to a loving and caring family. As Gregor grew closer toward death, his family grew closer to
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
Society also has expectations of Gregor that he cannot escape even when he is locked up in the room that eventually becomes his grave. On one of his agonizing sleepless nights he is still thinking of his workday and of people he mingles with on a daily basis. He realizes that instead of helping him and his family, they were all inaccessible and he was glad when they faded away(Kafka 43). Gregor receives no help from the society that he is so loyal to.
Kafka's prose emphasizes the economic effects on human relationships, therefore, by analyzing the images of Gregor, we can gain insight into many of the ideas the writer is trying to convey. Within the first few pages of the novella, readers promptly discover the proletariat in the story. Laboring as a traveling salesman, Gregor tries to support his family and pay off his father's debt due to a failed business venture. While lying in bed, he comments on his life as a traveling salesman “Day in, day out-- on the road. I've got the torture of traveling worrying about changing trains, eating miserable food, at all hours.
...trayed by his family, he is imprisoned in his room; however, he "thought back on his family with deep emotion and love". His affection for his family results in his conviction that he must disappear, so that he can bring them happiness and peace. Gregor sacrifices his life and dies during the night to save his family from hardship. He loves them unconditionally, like Jesus loves his people, and does not criticise them for betraying and mistreating him. Gregor's final sacrifice of his life is the strongest comparison of his Christ-like attributes.
Nonetheless, the first thing on his mind was about his job and was worried more about missing the bus to attend work rather than himself. In the text, Gregor says: “It’s a lot more stressful than the work in the home office, and along with everything else I also have to put with these agonies of traveling-worrying about making trains, having bad, irregular meals, meeting new people all the time…” (Kafka 118). Gregor was more concerned about missing work rather than accepting the fact that he had lost his form as a human being. But, he was not the only one who was concerned about his well-being, but his family as well. The problem was his family only viewed him as the money maker; without him, the family will likely be poor without his support. Gregor’s family relied on him to provided them since his salary helped them a lot due to his traveling as a sales person. Kafka writes, “‘Gregor,’ a voice called-it was his mother- ‘it’s a quarter to seven. Didn’t you have a train to catch?’” (Kafka 120). The mother was concerned about Gregor not leaving the house on time to go to work. Although, readers/audience may assume that the mother was performing her role as a mother and checking on her children. But, if the mother was concerned about her son, she would of helped him instead of relying on him all the time. Gregor’s identity had been revealed when he is no longer
His family used to care about him but after the transformation, they were no longer concerned for him. Every time the family talks about money, Gregor feels guilty and embarrassed because he can no longer provide for them. When he was able to work before, he had brought money home and “They had simply got used to it, both the family and Gregor; the money was gratefully accepted and gladly given, but there was no special uprush of warm feeling” (Kafka Ch 2 pg 6). Now that he can no longer provide, the family had to come up with ways to keep up with finances. Gregor is dehumanized each time his sister Grete walks into the room to look after him because she cannot bear the sight of him so he hides each time. Each day following Gregor’s transformation, the family’s behavior towards him became more cynical and resentful towards him. They do not allow him to leave his room and worry about how they can go on living with him. They think of him as being a creature, losing their view of him as a human being and no longer important. When Grete decided to take his furniture out of his room, Gregor feels he is dehumanized because they are taking away the link to his humanity. When it came to Gregor’s father, Gregor would “run before his father, stopping when he stopped and scuttling forward again when his father made any kind of move.” His father then threw at apple at him which ‘landed right on his back and sank in; Gregor wanted to drag himself forward, as if this startling, incredible pain could be left behind him” (Kafka Ch 2 pg
Kafka wants us to sympathize with Gregor because he has a very difficult profession which takes a lot out of him.
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
Using symbols, Kafka illustrates the story which is not just about Gregor’s transformation but it is more than that. The entire Metamorphosis is an allegory about Gregor changing into a vermin, symbolize that he wanted to free himself from his family obligation. “As Gregor Samsa awoke from unsettling dreams one morning, he found himself transformed in his bed into a monstrous vermin” (Kafka 7). He thought his transformation was a dream but he soon realizes that it was reality. Gregor was the source of the income for his family and was employed in a job he did not like. “What a grueling profession I picked! Traveling day in, day out” (Kafka 7). This is ironic because Gregor was forced by his father to choose the alienated career. Mr. Samsa was indebted to his boss; working as a traveling salesman he would have pay off his father debt. Working as traveling salesman made Gregor alienated socially and mentally. The word transformation does not only app...
Within the first few pages of the novella, we as readers quickly discover Gregor's role as the proletariat in the story. He is forced to labor as a traveling salesman, trying to support his family and pay off his father's debt from a failed business venture. While lying in bed, he comments on his life as a traveling salesman, "Day in, day out--on the road... I've got t...