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greek theater and todays theater
greek theater and todays theater
greek theater and todays theater
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Greek theater is something pretty amazing actually. Not many know or understand the Greeks and their ways of living, but it is the way Greeks get their entertainment they did not have movie theaters like we do today where we can just go and pay to sit and watch a movie on a big screen. Greek theatre or (tragedy), was a popular and influential form of drama performed in theatres across ancient Greece. Starting in the late 6th century BCE. A more formal definition is a play in which the protagonist, usually a man of importance and outstanding personal qualities, falls to disaster through the combination of a personal failing and circumstances with which he cannot deal.
Greek theater began in the 6th century BC. Greek theatre lied in the revels
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Theatres were always located in or near sanctuaries. Greek plays were and still are performed in the Epidaurus Theater today. It is approximately 66 feet in diameter. The audience sat in the theatron or the “seeing place,” which was on a semi-circular terrace full of rows of benches. These theatres were usually built in a natural hallow even though the sides were reinforced with stone. There are 55 semi-circle rows which provide about 12,000 to 14,000 seating areas. In seats only part of the way up and from the top rows, the actors would be fairly small and they were only able to see mostly colors and patterns of movement but no details of the costumes or …show more content…
The Greeks took their entertainment very seriously and used drama as a way of investigating the world they lived in and what it meant to them to be human. There are three genres of drama that they used; Greeks used comedy, satyr plays, and the most important was tragedy. The first type were comedies, comedies consisted of satirical and mocked men in power for their vanity and foolishness. The first comedy master was the playwright Aristophanes. Later on, Menander wrote comedies abut ordinary people and made plays more like sit-coms. Next, are the tragedies; tragedy dealt with the big themes of love, loss, pride, abuse of power, and the fraught relationships between men and gods. The point of a tragedy is when the main protagonist commits some terrible crime without realizing how foolish and arrogant he had been. He then slowly comes to terms with his error, the world starts to crumble around him. The three great main playwrights of tragedy were Aeschylus, Sophocles, and Euripides. Aristotle had argued that tragedies cleansed the heart through pity and terror, purging of their petty concerns and worries by making them aware that there could be nobility in suffering. He had called this experience “catharsis.” Lastly, Satyr plays, were short plays that were performed between he acts of tragedies and made fun of the plight of the tragedy’s characters. They are mythical half-human, half-goat figures and actors in
There were two theatres at Pompeii used for a variety of purposes. One of these includes drama performances. The two theatres held a large number of patrons. The largest held 5000 people while the smaller once called the Odeon held approximately 1500 people. The types of performances that where held were usually tragedies, comedies and farces. They took place in the larger theater usually during religious celebrations and in celebration of achievements.. The larger theatre was designed for comfort in mind with facilities for an awning on days that where very hot. Historians including Paul Zanker and Richard Beacham suggest that the theatres of Pompeii were as much as a political venue then a entertaining one. Entry was free in the theatre but social class assigned seating. The lower social class sat in the back of the theatre while the upper class sat at the front where the best view was. The smaller theatre known as the Odeon was ...
The Greek theater was an extravagant event that allowed the people of the city of Athens to release their magic upon the world. They changed the theater and that change will last for many years to come. They set a standard for comedy and tragedy that will entertain and influence people forever.
A play is meant to entertain. A play that amuses the audience is considered a comedy, and a play that saddens is classified as a tragedy. Sophocles wrote tragedies about ordinary people and their interaction with fate. All of Sophocles’ major characters posses a heroic flaw. A heroic flaw is a trait that brings both good and bad events upon the character (Magill 3). Sophocles’ use of heroic flaws, the irony between a prophecy and a characters attempt to avoid it, his definition of what makes someone great, and his view of laws are the reasons why his plays are still read almost two thousand years after they were written.
As an Ancient Greek, one could expect to spend a fair amount of time in theatres for social and religious reasons. Thus, the design and construction of auditoriums was vital to the comfort and experience of viewers.
The antiquated Greek constructed outside theaters where the general population could watch the execution of Greek parody, disaster, and satyr plays they then sent out the thought provinces all through the Aegean with the goal that theaters turned into a regular element of the urban land scape in all Greek urban areas . Roman amphitheaters are extensive roundabout or oval outside settings with raised seating worked by the old romans they were utilized for occasions, for example, fighter battles ,Venationues (creature killing), and execution around 230 roman amphitheaters have been found over the zone of the roman realm .
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
Throughout history, civilizations have evolved in many different facets. One of these components would be communication and in a narrower aspect, entertainment. We will delve in how entertainment has evolved, enlightened, and transformed throughout time. Each era beginning with Thespis in 6th century BC to present will be discussed and detailed to show the impact that entertainment has made upon generations and how it continues to advance: from men being the only performers allowed on stage to women’s entrance into entertainment; performances once held in amphitheaters to now transmitted via satellites and broadcasted live in our homes are only a few of the many topics that will be examined in what you are about to read.
A tragedy is defined as a dramatic composition, often in verse, dealing with a serious or somber theme, typically that of a great person destined through a flaw of character or conflict with some overpowering force, as fate or society, to downfall or destruction. The play Antigone by Sophocles displays many qualities that prove to form into the epitome of a tragedy. Tragedy is usually marked with a person of great standing—in this case, a King—who falls because of hubris, or extreme pride. Antigone proves to live up to both of these definitions which is proven through its themes. Sophocles uses many techniques in this tragedy to contribute to the overall theme. This theme is accomplished by creating emotions in the readers to evoke the understanding of the theme. In the play Antigone, Sophocles uses the themes of pride, power, and femininity to convey his overall theme of tragedy.
Euripides (485-406 BC) is considered a paramount tragedian from Ancient Greek culture. In Medea, Euripides depicts tragedy in an epic play both genders could partake in at that time by signifying drama. To Euripides, tragedy is a revolunatary form of speech to writing, intertwining too cultivate barbaric motifs of dystopian structure in literature. In dystopian Ancient Greek tragedian literature Euripides used powerful theatrical form of art to show everything being unpleasant or in bad standing to Athenian audiences. As the narrator begins to captivate the audience, he separates’ the performance into different episodes where Medea, actors play individuals’ roles, and a chorus of woman whom sings and dance as a group.
Early Greek theatre was most likely performed in areas such as open city spaces, but throughout the centuries as it became more popular it evolved into taking place in large theatres that could seat hundreds or even thousands. These outdoor theatres contained many different areas, including the theatron, where all of the viewers of the play would sit (also where we get the word theater from). The orchestra, literally meaning dancing space, which was where the play was performed. The Skene, meaning tent, was the backstage of the theatre, often decorated
Styles of theatre are essentially based upon different time periods and cultures. There are several different styles throughout the world ranging from as early as 700 BC to present day. The origins of theatre are not fully known but from ancient artifacts, journals, hieroglyphics have shown some history regarding theatre. Since computers and cell phones were unavailable during those time it shows that storytelling and passing down tradition was a big deal back in the day of no technology. Not only was storytelling a big practice among the people they often-exaggerating many of the events that had happened in the stories as well. By sharing these stories to younger
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Theater is a natural outlet for our desire to hear and tell stories, and in some ways it is even more primal and powerful than the written word. At its worst, theater will merely bore; while at its best it will not only entertain but move and shape its audience. Two such genres of theater, or drama, have consistently achieved this effect. Tragedy, represented by the weeping actors’ mask, usually features the title character’s fall from greatness to ruin, guided by the gods or fate. Oedipus Rex, written by Sophocles, is the epitome of classic Tragedy, as defined by Aristotle (96-101). Here, Oedipus falls from kingship to blindness and exile. Drama’s other great genre, Comedy, is represented by the laughing actors’ mask. In Comedy the action is usually propelled by a problem or crisis of some sorts, but unlike tragedy it usually ends well. Lysistrata, written by Aristophanes, is a perfect example of classic Comedy. The farcical story line follows the title character, who rallies the women of Greece to withhold sex from their mates all in the good cause of ending war. At first glance these two genres would seem to have nothing in common with each other. Comedy entails laughter and good feelings while the audience will leave a Tragedy in tears. But the best of Comedy and the best of Tragedy will produce the same affect: catharsis. Catharsis is the purgation and purifying of the emotions, specifically fear or pity. (“Catharsis”) The plays that manage to produce catharsis in their audience are the ones that we return to time and time again. Although catharsis is one of the main objectives of Greek Tragedy (Jacobus 34), Comedy done well will shape and move its audience in the same way. These two classic genres use characters that are co...
In Aristotle’s book, Poetics, he defines tragedy as, “an imitation of an action that is serious, complete, and possessing magnitude; in embellished language, each kind of which is used separately in the different parts; in the mode of action and not narrated; and effecting through pity and fear” (Aristotle 1149). Tragedy creates a cause and effect chain of actions that clearly gives the audience ideas of possible events. The six parts to Aristotle’s elements of tragedy are: Plot, character, language, thought, spectacle, and melody. According to Aristotle, the most important element is the plot. Aristotle writes in Poetics that, “It is not for the purpose of presenting their characters that the agents engage in action, but rather it is for the sake of their actions that they take on the characters they have” (Aristotle 1150). Plots should have a beginning, middle, and end that have a unity of actions throughout the play making it complete. In addition, the plot should be complex making it an effective tragedy. The second most important element is character. Characters...
The tragedy was a large part of people's lives in ancient Greece. Tragedies became prominent long before Christ was born. A tragedy, or goat-song, usually were seen during festivals in ancient Greek times. Tragedies gradually increased in seriousness until they were given utmost importance. Greek tragedies began at a festival in honor of a god, there were three great tragic authors, and all tragedies include a tragic situation.