Gothic fiction is erotic at the root according to Punter. From your
reading of Frankenstein and Dracula how far would you agree with Punter's
interpretation.
"Gothic fiction is erotic at the root" according to Punter.
From your reading of Frankenstein and Dracula how far would you agree
with Punter's interpretation.
In your essay you
Criticism on the Gothic novel has been plentiful, yet such work tends to view the Gothic novel within the constraints of genre rather than investigating its wider influence in the nineteenth century. “Gothic Archives” will track this influence, arguing that the Gothic novel indicates changing attitudes toward reading, and especially toward reading history, in the nineteenth century. Gothic novels such as Melmoth the Wanderer (1820), and the meta-Gothic of The Antiquary (1816) presume that authentic historical experience is difficult, if not impossible, to represent accurately, emphasizing in their plots the misunderstandings that result from attempts to read and write historical experience. It follows that the Gothic novel typically stages scenes of reading that delve into (often fictional) archival sources. Thus Gothic novels always situate authentic historical knowledge within the archive, requiring characters to excavate obscure source material such as letters, books, portraits, wills, and the like in order to discover what the Gothic construes as historical truth. In so doing, the Gothic novel proffers a historically oriented epistemology of reading, founded upon the affective possibilities of history writing, which challenges the considerations of truth and accuracy that inform traditional historiography.
When a person thinks about gothic today, they might think of a sparkly vampire or a hunky Frankenstein in popularized films. This has led to parodies upon these adaptations of the gothic. This relationship between traditional gothic characters and parodies is not a new subject but a very interesting dynamic. I would like to discuss how the typical gothic novel, The Castle of Otranto by Horace Walpole, and Jane Austen’s parody of the gothic novel in Northanger Abbey work together to illustrate gothic realism through the compare and contrast between some of the main characters.
In many ways the fascination with the gothic style of art, represented by music, literature, film, and others, is nothing more than a way for the observer to escape from real life and its many responsibilities. Gothic art claims to be profound and contain great esoteric meaning with life changing impact, yet the characters and the message are more often weak, unproductive, crippled, or even mad. Examples of this flaw in the argument in favor of the gothic imagination are given in the works by Beethoven, Goethe, Rice, and Gilman. It will be revealed that these authors have been misguided often by their own escapist nature to create a false reality and promote it as meaningful. In truth, the gothic imagination is the imagination of those who are looking for an excuse for their laziness and purpose behind their protective depression.
The supernatural is often characterized as witches or even demons, trying to control you and bend your will to their demands, making you their eternal servants. Gothic themed literature requires certain elements in order for it to send chills down your spine, terror being the key element in all Gothic stories. Adding features such as mystery, supernatural occurrences, monsters that lie in the darkness, and lastly death in order to fuel its meaning. Are these real or are they a figment of a person imagination of those who believe? This theory is questioned in this Gothic romance by M. G. Lewis in the late 18th century. The monk is an evil tale that expresses the most sinful acts of humanity that are committed by the “purest” individuals in society.
When it comes to Southern Gothic literature, most authors that had written in this genres stories were younger such as twenty-one through twenty-four when the stories were created. Southern Gothic Literature has always been around and it will continue being around as long as it remains a popular genre. Now, what is Southern Gothic literature? It is a type of writing that was created in the south. The genre surrounds itself “on grotesque themes. While it may include supernatural elements, it mainly focuses on damaged, even delusional, characters”. (What Is Southern Gothic Literature? 1). The whole point of Southern Gothic Literature was to
was no mother figure spoke of, just her father, which she lived with alone other then
Stephen King is known as one of the greatest horror and gothic writers of our time. The reason for this is his ability to fuse the gothic elements created by stories such as Dracula or Frankenstein and todays horror. King has written hundreds of short stories but two in-particular “The Night Flier” and “Popsy” show his unique ability to combined gothic elements from the old literature with realistic settings and people of our era. One of his greater talents is being able to use gothic element like vampires and make us see them in a different light. Kings unique way of writing with his old gothic ideals, new horror ideas, and use of realistic settings help to put a new spin on what we conceive as gothic story.
All of these titles start with "The"; this is to show it is a more
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
Southern Gothic Literature is a subgenre of Gothic fiction writing, which takes place in the American South. The Southern Gothic style is one of that employs the topics such as death, bizarre, violent, madness, and supernatural. These tools are used “to explore social issues and reveal the cultural character of the American South (Wikipedia).” The view of the South which is self-identified as the “national” or “American” view is basically a colonial Romance, with the rest of the nation identified with the forces of the light and the South with the forces of the darkness (Wacker 107).The authors of Southern Gothic typically use damaged characters to make their stories better, and to show deeper meanings of unpleasant Southern characteristics. These characters are diverse from society due to social, physical or mental disabilities. However, not all characteristics of the characters are bad; it is that a mixture of good and bad is found in most of the characters. Two authors who express the Southern Gothic writing style are William Faulkner, who wrote “A Rose for Emily,” and Flanner O Conner, the author of “Good Country People” and “A Good Man is Hard to Find.”
lived with and was raised by her father and the maid. She never had a
Gothic Conventions in The Bloody Chamber by Angela Carter
The Gothic is often distinguished by an atmosphere of terror,
darkness, mystery, the unexplained and the transgression of
boundaries. This essay will attempt to dissect how Angela Carter uses
Gothic conventions in the passage taken out of her novel, 'The Bloody
Chamber'.
One of the most predominant
Gothic is described as something that is destructive and barbaric which attracts and disrupts what is considered civilised. Therefore to a certain extent Jackson is right. however the “very act of speaking about these socially unspeakable is an ambiguous gesture (Punter p.417).” This is where the element of superstition and the paranormal come in. In Horace Walpole’s The Castle Otranto and Matthew Lewis’ The Monk this element of paranormal and superstition gives way or embodies the contradiction of society which Jackson speaks of, or at least some of them. Its is important to recognise however, that though the message or the plot of these stories are sometimes sarcastic or even impractical they do manage to interrogate society and its social norms. But still, while some things are addressed others are repeated and left unsolved and this is what I will try to explore. What does The Monk and The Castle of Otranto have to say about their society as well as how plot and character might impact on the message the reader ends up receiving.
According to the definitions, mystery is a strong feeling caused by something unknown, unreal and frightening.