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Bram Stoker’s Dracula Bram Stoker’s Dracula is a classic example of Gothic writing. Gothic writing was very popular in the 18th and 19th centuries. In the early centuries, Gothic writing would frighten the audience and it was also used as a style of architecture. Dracula, which was first published in 1897, would definitely cause a shock as there was a supernatural being, roaming around sucking people’s blood by the neck. Gothic literature usually includes vampires, monsters or some type of ancient mystical creature.
Gothic novels have many different characteristics: they evoke terror both physical and psychological, they have character that keep themselves isolated in time or space from contemporary l... ... middle of paper ... ... Shelley’s Frankenstein truly displays the true essence of what a Gothic novel should represent through the many different characteristics of a Gothic novel. Mary Shelley takes these few basic characteristic and transforms them into a true representation of a Gothic novel. The transformations of these basic Gothic characteristics are what allowed Mary Shelley to create her outstanding and prominent Gothic novel, Frankenstein. Works Cited “Gothic Novels.” The World Book Encyclopedia. Ed.
19 Mar. 2014. http://annajazz.hubpages.com/hub/Frankenstein-Invention-vs-Inventor Shelley, Mary. "A Great Book Study." : Playing God in Frankenstein by Mary Shelley. GreatBookStudy, 29 Oct. 2013.
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Frankenstein's Monster: The Victim of a Self-Fulfilling Prophecy. N.p., n.d. Web. 10 Dec. 2017. Shelley, Mary Wollstonecraft.
MasterFILE Premier. Web. 4 May 2014. Lunsford, Lars. “The Devaluing of Life in Shelley’s FRANKENSTEIN.” EBSCO Host.
Frankenstein and Prometheus: Exposed as Creators. WordPress, 27 Feb. 2011. Web. 31 Mar. 2014. frankenstein-and-prometheus-exposed-as-creators/>.
1995, "Making Monsters: Mary Shelley's Frankenstein" Skin Show: gothic horror and the technology of monstors, Durham: Duke University Press, pp28-49 JOHNSON, B. 1996. “My Monster/My Self.” In Paul HUNTER (Ed), Frankenstein. Norton Critical Edition. New York; London: Norton; 241-250.