In Flannery O’Connor’s stories, “Good Country People”, “Everything that Rises Must Converge”, ”A Good Man is Hard to Find”, and “The Life You Save May Be Your Own”, there are many similar characters and situations. Few, if any of the characters are likeable, and most of them are grotesque. Two of the stories have characters that view themselves as superior in one way or another to those around them, and in some cases these characters experience a downfall, illustrating the old proverb, “Pride goeth before a fall” (King James Bible ,Proverbs 16:18). Two of the stories include a character that has some type of disability, three of the stories showcase a very turbulent relationship between a parent and child, and three of the stories contain a character that could easily be described as evil. In “Good Country People” there are two characters who believe that they are superior to others. Mrs. Hopewell describes herself as having “no bad qualities of her own” (DiYanni pg.189). She also takes it upon herself to categorize the people she meets as either, “good country people” or “trash,” (pg.188, 189).There do not seem to be any shades of grey in her thinking. Joy/Hulga Hopewell also sees herself as superior, but her superiority lies in her intellect. She makes it known that were it not for her ill health she would be at a university teaching people who “knew what she was talking about” (pg. 191). Although Joy/Hulga believes herself to be intellectually superior she is fooled by the Bible salesman to such an extent that he is able to steal her wooden leg (pg. 200). “Everything that Rises Must Converge” also contains two supposedly superior characters, Julian and his mother. Julian’s mother believes that she is superior because her grandfather was a former governor, a prosperous landowner with two-hundred slaves. She also believes that being white makes her superior to people of other races. She believes that those people should rise, but “on their own side of the fence” (pg. 214). Later in the story she offends a “Negro” woman by her patronizing treatment of the woman’s child. This woman is so upset that she physically attacks Julian’s mother (pg. 221). Julian also sees himself as superior. He feels superior to his mother because he does not see himself as racist. In reality he is as much a racist as his mother, but he shows his racism in a different way, seeking out those who he terms “some of the better types” to befriend (pg.
In the stories, the characters believe they are better than the others in one form or another, either through class or race. In “Everything that Rises Must Converge” Julian’s mother believed that she and every other white person are better than ...
Flannery O’Connor’s “Good Country People” explores the consequences of hypocrisy and gullibility. O’Connor shows how this terrible combination of hypocrisy and gullibility can affect average families. She intergrades strict Roman Catholic upbringing into all of her character flaws. Every character in the story believes that they are on a higher moral ground, but none of them leads an ethical life. When in actuality, they are all hypocrites that claim they have the honor and higher moral values than they actually do. Throughout the story, the men illustrate the only receptive hypocrisy that is displayed, and the gullibility that is illustrated is by the women.
Religion is a pervasive theme in most of the literary works of the late Georgia writer Flannery O'Connor. Four of her short stories in particular deal with the relationship between Christianity and society in the Southern Bible Belt: "A Good Man Is Hard to Find," "The River," "Good Country People," and "Revelation." Louis D. Rubin, Jr. believes that the mixture of "the primitive fundamentalism of her region, [and] the Roman Catholicism of her faith . . ." makes her religious fiction both well-refined and entertaining (70-71). O'Connor's stories give a grotesque and often stark vision of the clash between traditional Southern Christian values and the ever-changing social scene of the twentieth century. Three of the main religious ingredients that lend to this effect are the presence of divine meanings, revelations of God, and the struggle between the powers of Satan and God.
In Good Country People, Flannery O’Connor explores the complexities of human behavior and how common stereotypes shape the response that these behaviors receive. The title, Good Country People, suggests this work of fiction will tell a tale of modest people living in the countryside as they display neighborly etiquette by performing a series of good deeds for one another. The expectation is that the characters will set an admirable example of how one should conduct his or her life, and thus challenge the reader to embark on a journey of personal improvement. However, this is not a tale of such inspiration, instead it presents characters whose lives (and actions) are quite complicated. None of the characters can be classified exclusively
... Although Flannery O’Connor didn’t even live to see her 40th birthday, her fiction endures to this day. In “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” O’Connor effectively deals with the two huge themes of religion and racism. These two themes are crucial to understanding much of O’Connor’s great works and are relevant to all readers of O’Connor throughout all ages.
In the short story A Good Man Is Hard to Find, written by Flannery O’Connor, the theme that the definition of a ‘good man’ is mysterious and flawed is apparent. The reader must realize that it is difficult to universalize the definition of a good man because every person goes through different experiences. Thus, these experiences affect his or her viewpoint and in turn flaw ones view on a good man. O’Connor conveys this theme through her excellent use of diction, imagery, foreshadowing, and symbolism as well as through a creative use of repetition and an omniscient point of view.
In “Good Country People” by Flannery O’Connor, O’Connor uses many different types of symbolism. The symbolism that is used in each of the characters’ names not only gives another layer to the literal descriptions that can be found throughout the story, but it also tells the reader about the characters. O’Connor uses the characters’ names as a way of showing the personality of each character, while also giving the reader insight to help them to understand the plot of the story. Mrs. Freeman, Mrs. Hopewell, Hulga (Joy), and Manley Pointer are more then just names; they help the reader understand the message that O’Connor in trying to portray.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
All of O’Connor’s writings are done in a Southern scene with a Christian theme, but they end in tragedy. As Di Renzo stated “her procession of unsavory characters “conjures up, in her own words, “an image of Gothic monstrosities”… (2). Flannery O’Connor was highly criticized for her work as a writer, because of her style of writing, and her use of God. It was stated that “…whatever the stories may have meant to her, they often send a quite different message to the reader”… (Bandy). But the stories of O’Connor take a look at the way people depict themselves on the outside, but inside they are
...she has also lost the foundation of her identity, her leg. She is faced with the realization that she has been naïve all along. In her pattern of being quick to make assumptions to build her own self esteem, Joy-Hulga has not used her intelligence in a socially beneficial way.
Flannery O’Connor’s short story “A Good Man Is Hard to Find” is about the misfortunes a family experiences while embarking on a vacation, but it goes further to depict the divergence between the superficial conflict in everyday life and the true battles in life threatening situations. O’Connor’s use of tone, syntax, and diction helps to develop the characters and illustrate the struggle of good versus evil, shedding light on the harsh reality of the prevalence and depth of real evil.
Violence, Humanity, Grace. These are three reoccurring themes throughout Flannery O’Connors short stories. As one looks at O’Connor’s stories one starts to see a pattern, or a similarity between each of the stories. One might describe it as “getting to know a personality” (Mays 419). As we focus on three stories, A Good Man is Hard to Find, Everything That Rises Must Converge, and “Good Country People”, by American fiction writer Flannery O’Connor we start to see distinct characteristics. O’Connor’s stories are set in the deep south where racism is often times prevalent. O’Connor’s characters often find themselves in difficult situations which can even be tragic. Most of her stories start out on a happier
The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.
In Flannery O 'Connor 's short story, A Good Man is Hard to Find, the theme of good vs. evil unravels throughout the series of tragic events. The Grandmother’s epiphany introduces the idea of morality and the validity is left to the interpretation of the reader. By questioning the characteristics of right and wrong, morality and religion become subjective to personal reality and the idea of what makes individuals character good or bad becomes less defined.
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.