The concept of good against evil is relevant in today’s society because our actions define and reflect our morals. People constantly face the battle between making good and bad choices, and culture greatly influences our decision making. We are raised to establish right from wrong, good from evil. Our ability to recognize acts of evil and corruption is developed from our experiences in life and from the environment in which we are raised. In The Road, the boy and the man struggle to survive as they embark on a treacherous journey to the south, where they believe they will find warmth and safety. Their will to keep living in a dark, post-apocalyptic world symbolizes perseverance and determination, along with the idea of good through destruction. Cormac McCarthy was raised as Roman Catholic but doesn’t consider himself religious despite his writing containing religious references. The man and the boy struggle to live up to moral code and also question God as they live in a world where there is little to no life, “The pivotal questions at the heart of the grail narrative represent the idea that healing is found in an act of genuine compassion - thus illuminates the boy’s formulation of his moral code through a series of questions that never seem to receive the answers he needs.” (Cooper). They have to scavenge for food, warmth, shelter and protection which strengthens their doubt of God’s existence. There are various references to Christianity through biblical allusions and religious imagery. The man acknowledges God and feels anger towards him, “Are you there?’ he whispered. ‘Will I see you at last? Have you a neck by which to throttle you? Have you a heart? Damn you eternally have you a soul? Oh God, he whispered. Oh God.’” (McCarthy 10). The boy is presented as a divine, Christ-like figure through his actions which resemble those of God. The boy is innocent, kind, generous, and moral which serves as a sign of hope to the reader. “Insert quote where boy wants to
The battle of good versus evil is present in all aspects of life. Actions taken by people can determine how others view them. Some choose to do what is right and good, while others choose what is wrong and evil. Many characters are forced to choose between the two, and some do not foresee the consequences of their actions. In the book Peace Like a River by Leif Enger, actions committed by the Davy, Jeremiah, and Jeremiah’s friends, both good and evil, always have consequences.
In the work The Road by Cormac McCarthy a father and son struggle to survive in a post-apocalyptic world with evil surrounding them. They always refer to themselves as, “The good guys,” (McCarthy 66) and try to not become evil. They see things like cannibalism as evil, and would rather go hungry than succumb to this evil. The father constantly tries to keep the child’s eyes away from the gruesome scenes that characterize this environment.
Cormac McCarthy's The Road, is an award-winning novel about an unidentifiable man who is traveling with his son. The protagonists are trapped in a post-apocalyptic world that has been besieged by nothingness and entirely stripped of life, food, and most of all, morality. They travel a treacherous road leading south where they encounter cannibals, burnt bodies, and the ruins of former houses. The world and people around them has turned amoral and unforgiving. For the protagonists, however, morality and goodness still exist. With each day, they are able to maintain faith, hope, and goodness which gives them the motivation to continue their journey. McCarthy's novel shows that even during the worst of times, love and morality will prevail and goodness will be found.
Imagine a devastating event that does not just change the world but alters all aspects of life to the point of being unrecognizable. How does one keep hope alive in a world where everything is either dying or has turned evil? In Cormac McCarthy’s novel The Road, this is the daily struggle that confronts the man and boy. This remarkable story is about a father and son's attempts to survive in a barren landscape, faced with the constant threat of starvation, murder, exposure, and illness; they must continually decipher between good and evil, preserve the goodness of civilization, and find a purpose to continue their journey, especially when the existence of God is questionable. McCarthy's thematic purpose is to show that the qualities that mankind
According to the critics of Rotten Tomato (2009), “The (movie) Road's commitment to Cormac McCarthy's dark vision may prove too unyielding for some”. The Road by Cormac McCarthy is about a father and son trying to survive in a post-apocalyptic world and portrays how humans have taken a horrific turn by losing morals and traditional values. A world of destruction sometimes leads individuals to (essentially) lose their humanity.
Losing a phone compared to being raped, starved, killed, and eaten in pieces makes everyday life seem not so excruciating. Cormac McCarthy was born July 20, 1933 and is one of the most influencing writers of this era. McCarthy was once so poor he could not even afford toothpaste. Of course this was before he became famous. His lifestyle was hotel to hotel. One time he got thrown out of a $40 dollar a month hotel and even became homeless. This is a man who from experience knows what should be appreciated. McCarthy published a novel that would give readers just that message called The Road. Placed in a world of poverty the story is about a man and his son. They travel to a warmer place in hopes of finding something more than the scattered decomposing bodies and ashes. The father and son face hunger, death, and distrust on their long journey. 15 year old Lawrence King was shot for being gay. Known as a common hate crime, the murderer obviously thought he was more superior to keep his life and to take someone’s life. Believing ideas in a possible accepting world with no conditions is dangerous thought to that person’s immunity to the facts of reality.
The boy constantly begs his father to be sympathetic and charitable to the drifters that they encounter on the road, but the father usually refuses or either puts up an argument before finally giving into the boy, and handing over one or two cans of food to the stranger. Although “the man” is in survival mode, he expresses no compassion for humanity and therefore represents “the bad guys”. “They came upon him shuffling along the road before them, dragging one leg slightly and stopping from time to time to stand stooped and uncertain before setting out again.”(McCarthy 49). “They followed him a good ways but at his pace they were losing the day and finally he just sat down in the road and did not get up again.”(McCarthy 49). “He was burntlooking as the country, his clothing scorched and black.” “One of his eyes was burnt shut and his hair was but a nitty wig of ash upon his blackened skull.”(McCarthy 49, 50). “What is wrong with the man?” “He’s been struck by lightning.” “Can’t we help him?” “Papa?” “No.” “We cant help him.” “The boy kept pulling at his coat.” “Papa?” “Stop it.” “Cant we help him Papa?” “No.” “We can’t help him.” “There’s nothing to be done for him.” “They went on. “The boy was crying” “He kept looking back.” (McCarthy 50). I was agitated with “the man” during this part of the novel, because I feel that he should have at least stopped and checked on the fee...
In Cormac McCarthy’s Sci-Fi novel, “The Road”, two mysterious people, a father and his curious son, contact survival of the fittest during tragic apocalyptic times. With a shopping cart of food and supplies, they excavate into the remains of tattered houses, torn buildings and other sheltering places, while averting from troublesome communes. In the duration of the novel, they’re plagued with sickness that temporarily unable them to proceed onward. Due to the inopportune events occurring before the apocalypse, the wife of the son and father committed suicide due to these anonymous survivors lurking the remains of earth. The last people on earth could be the ‘bad guys’ as the young boy describes them. In page 47, the wife reacted to this, stating, “Sooner or later they will catch us and they will kill us. They will rape me. They'll rape him. They are going to rape us and kill us and eat us and you won't face it. You'd rather wait for it to happen. But I can't.”
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
The Chicago World Fair brought about through the 400th anniversary of Christopher Columbus landing in America has posed significant value and worth to the city of Chicago. Over a six-month period, more than 26 million visitors from all over the world would flock to the fairgrounds to experience the rebuilt and vibrant city of Chicago. The 600-acre fairground would have housed 200 buildings that showcased new food, art, technology, and entertainment. Chicago became known as the White City, a place of freedom, grandeur, and security. But unbeknownst to fairgoers, there was a serial killer among them. While Dr. H.H. Holmes lured his innocent victims to his “Castle”, just blocks away architect Daniel Burnham built up the dream city of Chicago. Both these men operated at the same time in history, simply blocks apart, both creating legacies that carry to this day. Burnham and Holmes are two side of the coin of human nature. In “The Devil in White City” Erik Larson’s juxtaposition of Burnham and Holmes, and the Black City and the White City, contributes to the understanding of human nature, that one cannot be good without having done evil, and that good and evil are viewed as complementary in their mutual dependence.
The Power Of Good And Evil in Flannery O'Connor's A Good Man is Hard to Find
In Khaled Hosseini’s novel “The Kite Runner,” he illustrates a fine line between what is defined as morally good and evil. During their lives as kids, Amir and Hassan had always been close, but there had always been one problem. Amir was the son of a rich and powerful Pashtun man who was almost always given everything he wanted, while Hassan was a Hazara boy who had spent his life serving Amir and his family with his father. Although the two of them seemed to always be inseparable when they played games or flew kites, there was always the defining factor of who they really are, a servant and his master.
The lines that define good and evil are not written in black and white; these lines tend to blur into many shades of grey allowing good and evil to intermingle with each another in a single human being. Man is not inherently good or evil but they are born innocent without any values or sense of morality until people impart their philosophies of life to them. In the words of John Locke:
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
At first the relationship between a father and his son can be perceived as a simple companionship. However, this bond can potentially evolve into more of a dynamic fitting relationship. In The Road The Man and his son have to depend on one another because they each hold a piece of each other. The Man holds his sons sense of adulthood while the son posses his father’s innocence. This reliance between the father and son create a relationship where they need each other in order to stay alive. “The boy was all that stood between him and death.” (McCarthy 29) It is evident that without a reason to live, in this case his son, The Man has no motivation to continue living his life. It essentially proves how the boy needs his father to love and protect him, while the father needs the boy to fuel ...