The main character in Susanna Kaysen’s, “Girl, Interrupted” and Charlotte Perkins Gilman’s, “The Yellow Wallpaper” are similar in the fact that they both were suppressed by male dominants. Be it therapist or physicians who either aided in their mental deformities or created them. They are similar in the sense that they are both restricted to confinement and must endure life under the watchful eye of overseers. However similar their situations may be, their responses are different.
In the stories, there were both positive and negative aspects and characteristics that the two protagonists possessed. Both women were thought insane and although they may not have been originally, being locked up made other characters question their sanity. In, “Girl, Interrupted,” Kaysen’s character was a passive yet promiscuous eighteen year old woman. Ten minutes into her visit with an analyst, Kaysen is being told she’s tired and that she needs a rest. The therapist makes a couple of phone calls, puts Kaysen in a cab and sends her off to the psychiatric ward at McLean Hospital. In the cab, she doesn’t put up a fight or try and escape and once she arrives at the hospital, she signs herself in because she is of age. Even before then, while she was still in the therapists’ office she showed no sign of struggling against the force that was her doctor. Instead she willingly accepted the fact that she was tired and to go then rather than on Friday to the hospital. This passiveness is a dominant characteristic of Kaysen throughout the rest of the story. But I view the trait as both a positive and a negative one. It seems like it would be a positive because Kaysen allowed herself to enjoy her time in the hospital. She made an effort to make the best of the situation. However, it’s also a negative trait to possess for the simple fact that had she fought or argued with the doctor or the cab driver, she would never had to go near McLean. During her taxi ride to the hospital she said, “I let my head fall back against the seat and shut my eyes. I was glad to be riding in a taxi instead of having to wait for the train.” This passive act, not only wins Kaysen a spot at McLean but doesn’t help change her therapist opinions on her.
While reading, “The Yellow Wallpaper,” I realized that Gilman also is a passive person. But I feel Gi...
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... appearances which is why I think she does what her husband and brother prescribe. She even says, “If a physicican of high-standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression – a slight hysterical tendency—what is one to do?” This brings me to the point that women in those times had to follow their husbands orders. Anything else was unheard of!
By the end of both stories, the women had changed. Kaysen for the better and Gilman, I feel changed for the worse. In “Girl, Interrupted,” Kaysen meets friends, learn about life, love, and herself and gets out of McLean. She meets a very wealthy bachelor and they date. I feel she had the more positive ending of the two stories. Gilman in “The Yellow Wallpaper” on the other hand, should be sent to a real phsychiatric hospital. She did not have such a positive outcome. Basically, Gilman had her freedom and sanity stripped from her by her husband. Living in solitary confinement, I would have gone insane two. But in those times, she had no choice but to do what her husband requested. However sad, that was life at the time.
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a story about a woman’s gradual descent into insanity, after the birth of her child. The story was written in 1892 after the author herself suffered from a nervous breakdown, soon after the birth of her daughter in 1885. Gilman did spend a month in a sanitarium with the urging of her physician husband. "The Yellow Wallpaper" is a story about herself, during the timeframe of when Gilman was in the asylum.
The narrator’s words play a strong role in displaying her being the inferior gender in society. Judith A. Allen states that, “Gilman's early brush with madness, fictionalized in her famous short story, "The Yellow Wallpaper," resulted not from a doctor's prescription of the rest cure as the story might suggest, but from the excruciating miseries--sexual, economic and otherwise--of her first marriage” (Allen). One way the narrator shows that her husband was of higher rank is by saying, “There comes John, and I must put this away… he hates to have me write a word” (Gilman 801). Writing in a journal shows her desire to express her thoughts, but if she does she will be punished by her husband. The n...
As people know from her life, Gilman had psychological issues during her life. In addition to that, she wrote a short the short story that is called “ The Yellow Wallpaper” where she talked from a view of a woman who is having psychological problems in her
In "The Yellow Wallpaper," Gilman's point of view is expressed through first person narration, which provides her readers with brief glimpses into the other characters' perception of her and her perceptions of them (which essentially enlightens readers), as well as the main character's active dissemination of what is occurring in her mind. First person narration can at times be considered biased or naive within the context of their perceptions and projections of other characters. Not so with the woman in "The Yellow Wallpaper." She seems to offer an almost unbiased perspective of husband John, which the reader notes from the beginning as she goes back and forth from justifying his attitude and behavior towards her--"Dear John! He loves me dearly, and hates to have me sick" (324)--to eventually becoming mistrustful of him: "The fact is I am getting a little afraid of John" (326). One ends up viewing John as completely oblivious yet superior in his lackadaisical attitude and treatment of his wife. Therefore one has little sympathy for John in the end (which I believe is also intended), when he finally realize...
William Faulkner’s “A Rose for Emily,” and Charlotte Perkins Gilman’s “The Yellow Wallpaper,” are two short stories that incorporate multiple similarities and differences. Both stories’ main characters are females who are isolated from the world by male figures and are eventually driven to insanity. In “The Yellow Wallpaper,” the unidentified narrator moves to a secluded area with her husband and sister-in-law in hopes to overcome her illness. In “A Rose for Emily,” Emily’s father keeps Emily sheltered from the world and when he dies, she is left with nothing. Both stories have many similarities and differences pertaining to the setting, characterization, symbolism, and their isolation from the world by dominant male figures, which leads them to insanity.
... "The Yellow Wallpaper" is not simply a story of a woman whose imagination drives her insane, it is a symbolic story of the woman writer who wishes to free herself from the conventions of the male dominated literary world. Gilman's proposes that women can achieve such status that they deserve, but that they must first acknowledge and see truthfully the "madness" surroundings, the tenets created by men, and become driven by the "madness" to overcome it. It is not impossible, but an uphill battle won by many others. Charlotte Perkins Gilman is proof of this: her work is wholly a part of the literary canon, among the best of her male peers.
There are multiple possible causes for the internal conflict the narrator faces. The first being nervous depression and the other is the fact that her life is being controlled by her husband. Her husband is in full control because in the beginning of the story, John, her husband, influences how she should act. He decides the actions that should be taken in regards to her health and sanctity. Although she finds herself disagreeing with his synopsis, she is confined and does not admit how she feels to him. This also brings about another a major conflict that occurred in the 19th century, men being dominant and woman being categorized as inferior. Evidence can be found when the narrator states, “If a physician of high standing, and one’s own husband assures friends and relatives that there is nothing the matter with o...
Evidence of Gilman's life experiences can be seen all throughout the story. The main character in the story, a slightly neurotic woman, is married to a prominent physician. This husband refuses to believe anything is wrong with his wife's health simply because her physical health is intact. Thus, he prescribes for his wife nothing more than relaxation and cessation of her writings. This character clearly correlates to the doctor who "treated" Gilman for her nervous breakdown. The description of the room and the wallpaper is clearly crucial to the story as a whole. The room itself is described as large and airy, with windows facing towards a "delicious garden." The wallpaper does not fit the room at all. It is a repulsive, pale yellow color. The description of the wallpaper seems to function metaphorically. The wallpaper becomes much more detailed and much more of a fixture in the main characters life as the story progresses. The wallpaper essentially takes on a life of its own. This progression seems to represent mental illness itself. As mental illness progresses, it becomes much more whole and enveloping. Gilman attempts to represent the depth of mental illness through the wallpaper. For example, the woman in the story comes to the conclusion that there is a woman in the wallpaper behind the pattern.
According to research done by the University of Michigan, elementary school students in 1981 spent forty-four minutes a week on homework. Sixteen years later 9-12 year olds had an increase of almost two more hours a week (Ratnesar 313). A 1983 government report, A Nation at Risk, caught the attention of the American Education System. The article explained the failings of the American school. It explained how education is declining, and teachers need to get tough on their students again. This prompted...
Gilman creates a horrific tone that helps explore the idea of freedom and confinement within a certain place. The story is created to follow the situation of the narrator and how slowly she begins to deteriorate psychologically due to the wallpaper. The narrator is never assigned a name, therefore it can be assumed that the story is suppose to serve as a voice for the women who have been in a similar situation and have lost their freedom and say on their own lives. However, the narrator appears to come from a wealthy family with privilege so there cannot be this idea that all women who have been through this form of depression and inequalities have experienced it in the same form. Through the use of imagery, the reader was able to understand and clearly visualize the situation in which the narrator is in and see how she has begun to slowly deteriorate, even though she is finally freed in the end of the story, or at least that is what is assumed. “The Yellow Wallpaper” is indeed a very profound image of what it was like to be a female during the 19th century while emphasizing the themes of freedom and confinement. Even though it illustrates the impact that confinement can have on a person, it restricts the situation to fit only women who had similar social backgrounds as the narrator, which is
Gilman’s narration advocates the slow development into insanity and growing frustration that accompanies it. With each entry the woman writes, it was apparent as to how her mental pain she endured was taking over her mind and behavior as the days passed. “This wallpaper has a kind of sub-pattern in a different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then. But in the places where it isn’t faded and where the sun is just so—I can see a stra...
"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men. Also, the paper will discuss how ignoring oneself and one’s desires is self-destructive, as seen throughout the story as the woman’s condition worsens while she is in isolation, in the room with the yellow wallpaper, and her at the same time as her thoughts are being oppressed by her husband and brother.
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
Object permanence is understanding acquired in infancy that objects exist independently of one self. The child often wanted the remote control, so the parents would hide it under a pillow, but the girl knew it was still there, and attempted to look for it. By 18 months, infants have begun to talk and gesture, using symbols. The girl that was observed pointed to the dogs, and said “hi dog” it is evident that she is hitting her developmental stage, of what she should be doing at this
The Yellow Wallpaper is not just a short story. It was written from Gilman’s perspective with the purpose of telling people that being confined will only make a person more insane. But there’s got to be someone to blame, right? Well, seeing as Gilman was a feminist, it is only logical to blame the person that put her in the sanitarium, right? There’s a deeper meaning to The Yellow Wallpaper and she used symbolism, setting, and character to help the reader better understand this short piece.