Both Allen Ginsberg’s “America” and Amiri Baraka's “Somebody Blew up America” are controversial in their own rights. Ginsberg’s piece for it’s espousing of Communist ideals and Baraka’s for its assertion that Jews were in someway aware of the terrorist attacks on September 11th, 2001. As Ginsberg berates and jeers at America and Baraka questions voraciously it becomes apparent that both pieces, in their own ways, are anti-American. Despite the way Ginsberg begins his piece, almost like a spurned lover, he quickly shifts into posing a sort of grand charge against the concept of America itself. In his one-on-one discourse with America Ginsberg slowly parts from his relatively innocuous sentiments. Sentiments such as his distaste of newspapers
terrorist acts of a more homegrown variety. Stern interviews American terrorists here in the United
Rosenthal, M.L. "Poet of the New Violence". On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Throughout the words and the lives of the Beat Generation, one theme is apparent: America, everywhere from Allen Ginsberg’s “America,” to Jack Kerouac’s love for Thomas Wolfe. Although the views of America differ, they all find some reason to focus in on this land. Ginsberg, in his poem “America,” makes a point that not many of us can see as obvious: “It occurs to me that I am America. I am talking to myself again.” Each and every one of us make up America, and when we complain about something that is wrong, we are complaining about ourselves. Being raised by his mother as a Communist, and being homosexual, Ginsberg found many things wrong with America, and he does his fare share of complaining, but at the end he decides, “America I’m putting my queer shoulder to the wheel.” Ginsberg didn’t want to sit and watch everything go wrong. He was going to do something, despite the fact that he was not the ideal American.
The book begins by giving a brief background into the setting of America at the onset of the war. It details an anti-Semitic America. It also explains most of the anti-Semitism as passive, which ordinarily would do little harm, but during a holocaust crisis became a reason for America’s inaction.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
For a second, the U.S. stood still. Looking up at the towers, one can only imagine the calm before the storm in the moment when thousands of pounds of steel went hurdling into its once smooth, glassy frame. People ran around screaming and rubble fell as the massive metal structure folded in on itself like an accordion. Wounded and limping from the 9/11 attacks on the World Trade Center, America carried on, not without anger and fear against a group of innocent Americans, Muslim Americans. Nietzsche’s error of imaginary cause is present in the treatment of Muslim Americans since 9/11 through prejudice in the media, disregard of Muslim civil liberties, racial profiling, violence, disrespect, and the lack of truthful public information about Islam. In this case, the imaginary cause against Muslims is terrorism. The wound has healed in the heart of the U.S. but the aching throb of terrorism continues to distress citizens every day.
The tone of the short story “America and I” changed dramatically over the course of the narrative. The author, Anzia Yezierska, started the story with a hopeful and anxious tone. She was so enthusiastic about arriving in America and finding her dream. Yezierska felt her “heart and soul pregnant with the unlived lives of generations clamouring for expression.” Her dream was to be free from the monotonous work for living that she experienced back in her homeland. As a first step, she started to work for an “Americanized” family. She was well welcomed by the family she was working for. They provided the shelter Yezierska need. She has her own bed and provided her with three meals a day, but after a month of working, she didn’t receive the wage she was so
The poem America by Claude McKay is on its surface a poem combining what America should be and what this country stands for, with what it actually is, and the attitude it projects amongst the people. Mckay uses the form of poetry to express how he, as a Jamaican immigrant, feels about America. He characterizes the bittersweet relationship between striving for the American dream, and being denied that dream due to racism. While the America we are meant to see is a beautiful land of opportunity, McKay see’s as an ugly, flawed, system that crushes the hopes and dreams of the African-American people.
After a close analysis of “America” by Tony Hoagland, the poem warns and points out the problems with our consumerism. Hoagland uses metaphors and imagery to describe the actions of American, while throwing in counteracting themes. And uses thoughts and dreams to bring in metaphors that complex the poem.
Amir notes the change he and Baba experienced in American—“For me, America was a place to bury my memories. For Baba, a place to mourn his” (129).
Amir’s conquest in the art of writing indicates how the opportunities he has found in America have better shaped him to reach his entire capabilities, than in Kabul. When Amir marvels over how life in America has been better for him, he ponders o...
[3] Fueled by hundreds of years of Western propaganda, our nation created the American Dream from the realities of an American Holocaust. By refusing to recognize the desecration of the native population, an atrocity is ignored: a crime doesn’t exist without a victim.
Ginsberg’s “A Supermarket in California” criticizes America during the midst of the twentieth century in which society had acquired an attitude that heavily valued the materialistic aspects of life. In order to efficiently express the speaker’s discontent with society, he paints images by using vivid detail throughout the entire poem to allow the reader to experience what the speaker experiences himself. He begins by describing the setting on the streets of California, “I walked down the sidestreets under the trees…/… looking at the full moon” (2-3) and had thoughts of Walt Whitman, a nineteenth century poet whom Ginsberg deeply admired. The setting is essential as it describes the two worlds in which the speaker lives in; one represented by the metropolitan landscape of downtown California and another represented by nature, which the speaker longs to be a part of. The speaker describes himself as a lost soul in search of satisfaction in conventional America, a place where he does no...
American poetry, unlike other nations’ poetry, is still in the nascent stage because of the absence of a history in comparison to other nations’ poetry humming with matured voices. Nevertheless, in the past century, American poetry has received the recognition it deserves from the creative poetic compositions of Walt Whitman, who has been called “the father of American poetry.” His dynamic style and uncommon content is well exhibited in his famous poem “Song of Myself,” giving a direction to the American writers of posterity. In addition, his distinct use of the line and breath has had a huge impression on the compositions of a number of poets, especially on the works of the present-day poet Allen Ginsberg, whose debatable poem “Howl” reverberates with the traits of Whitman’s poetry. Nevertheless, while the form and content of “Howl” may have been impressed by “Song of Myself,” Ginsberg’s poem expresses a change from Whitman’s use of the line, his first-person recital, and his vision of America. As Whitman’s seamless lines are open-ended, speaking the voice of a universal speaker presenting a positive outlook of America, Ginsberg’s poem, on the contrary, uses long lines that end inward to present the uneasiness and madness that feature the vision of America that Ginsberg exhibits through the voice of a prophetic speaker.
...an philosopher. "And the west, encumbered by crippling alliances, and burdened with a morality too rigid to accommodate itself to the swing of events, must… eventually… fall." (174) Albee suggests that, behind the façade of the American dream, behind the pretense of American ideals, behind the false front of the tranquility of American society in the early 60's, America's internal corruption and emptiness threatened, and perhaps continue to threaten, the country with a similar fall.