George Cooper Stevens was born in Oakland California on December 18, 1904. His parents were Landers Stevens and Georgia Cooper who at the time had their own theatrical company called Ye Liberty Playhouse based out of Oakland. In 1922 his parents decided to make a change and move their family to Glendale California, leaving behind their company of live theater to find work in the movie industry. After moving, his parents were able to find little parts in low budget films getting their feet wet in the movie industry. George was inspired at a young age and growing up in a family where theater was there lively hood he left behind his education to pursue a career in film. George at age 17 got a job as an assistant cameraman at the Hal Roach studios. After two years of learning and shooting low budget western films he became a director of photography. After some time Stevens had his first credited film at Roach Studios called Roughest Africa (1923) (Hopwood, 2014). Later on in life he took all the knowledge he had learned and spent over a year editing his film Shane. His films were popular and in the late 1930’s as he became his own producer/ director. He had also enlisted in the army and with his own 16mm camera filmed many famous events such as the Normandy Landings, the liberation of Paris and of the liberation of Nazi extermination camp Dachau. It was said that the post war films he made when he returned had a “somber and deeply personal tone” (Hopwood, 2014) and many think this was a result of the terrible things he saw while overseas.
Stevens was famous for “shooting from an underdeveloped screenplay that was ever in flux, finding the film as he shot it and later edited it.” (Hopwood, 2014) He preferred to take his time and jus...
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.../producer. He didn’t over look the little things and I feel like this makes his films feel more alive almost as if you were there experiencing the action with the characters. We also see the use of extreme long shots where Shane is riding into the distance. As he gets smaller we see the wide-open desert terrain grow larger. We also see some use of low-key lighting when he gets into a shoot out with two men. I believe at the time George Stevens was one of the best director/producers in his era and his films will stay known for years to come.
Works Cited
Cronin, P. (2005, July 13). George Stevens - About George Stevens | American Masters | PBS. Retrieved from http://www.pbs.org/wnet/americanmasters/episodes/george-stevens/about-george-stevens/710/
IMDb (2014, March 1). George Stevens - IMDb. Retrieved from http://www.imdb.com/name/nm0828419/?ref_=tt_ov_dr
...t have an ultimate goal to express something they care about on film. They must not only express this in their script, but carry through on it by directing, producing and pulling together many other aspects of the film by themselves. Three filmmakers that fit this description to a “t” are Kevin Smith, Spike Lee and Alfred Hitchcock. These three men all went out with the same goal: To express their views of life in extraordinary films. They all went above and beyond their call of duty and are now ranked among the top filmmakers of history, the rank of film auteurs.
Movie makers have agendas. They get their ideas across by using cinematic techniques and styles which make us view a certain subject in the light that they put it in. I will discuss the differing techniques used by the makers of "Stepping Razor" and describe what the overall impression of the movie has on the viewer, and what the agenda of the director is.
I thought Sling Blade was written and filmed well. It did get slow in parts, but overall it kept my attention. I picked up on minute details that on a regular basis I wouldn’t have. This paper made me see the underlying aspects such as the music, lighting, and script. It made me pay attention to what the characters were saying and how they were relating. I now look at film in a new light. I don’t just watch the surface. I dig deeper and watch for everything.
[7] DeWitt Bodeen. "Preface: Hollywood and the Screenwriter", Fiction, Film, and F. Scott Fitzgerald. Chicago: Loyola University Press, 1986 (xviii).
Thaddeus Stevens was a congressman from Pennsylvania who was a member of the House of Representatives during of the time of the Civil War and Reconstruction. He was the leader of a radical wing of the Republican Party called the Radical Republicans. Stevens was one of the most powerful members of the House of Representatives who focused much of his political life on civil rights. He believed in equality for all men whether they were rich or poor, no matter what color their skin. Stevens was instrumental in drafting the 14th Amendment to the Constitution which was meant to protect the civil right of all Americans regardless of their race or gender. He was nicknamed the “Great Commoner” because he championed the plight of the everyday man. Stevens also advocated very harsh policies toward the southern states during the time of Reconstruction. Even though many of his ideas were controversial, he was regarded as a very important national figure during and immediately following the Civil War.
In cinema, lighting, blocking and panning drastically influence what an audience will notice and take away from a scene. Orson Welles’s 1941 Citizen Kane has numerous examples of effectively using these aspects within mise-en-scène, cinematography and editing to portray the importance of specific events and items in the film. The scene where Kane writes and then publishes his “Declaration of Principles” (37:42-39:42) in the New York Daily Inquirer after buying them focuses on important elements of the film, aiding the audience by combining lighting, blocking and panning to define significant roles and objects that further the movie as a whole.
Shelton Jackson Lee was born in Atlanta, Georgia March 20, 1957. Born to teacher Jacqueline Carroll and jazz musician William James Edward Lee, Shelton grew up in Brooklyn, New York where he was provided with a rich cultural upbringing that included plays, movies, and music (Gale 1). At a young age, Lee was nicknamed “Spike” by his mother who noticed his rough nature and the nickname stuck well into his adult life. He attended Morehouse College in Atlanta, Georgia where he gained an interest in film and then graduated with a Bachelors degree in Mass Communication. Lee went on to attend New York University’s Tisch School of the Arts where he created his first student film and graduated in 1982 with a Master of Fine Arts in Film and Television. Being one of the few black students to attend Tisch School of the Arts, the aspiring filmmaker’s first year at New York University was a particularly difficult one. Lee’s experiences, race, and upbringing have all led him to create controversial films to provide audiences with an insight into racial issues.
An example in the film that highlights the demise of the studio system is when Joe pitches a script idea to a producer of Paramount. Joe is quick to say that the film only needs one main character, has many outdoor locations and can be made ‘for under a million dollars’ (Joe Gillis, Sunset Boulevard, 1950), which highlights the idea of saving money on a s...
Paul Thomas Anderson is one of today’s most acclaimed and essential young filmmakers. He has swept the motion picture industry with a powerhouse trio of films that have breathed life and exuberance into an industry that is all too often ladened with films exhibiting massive deficiencies of originality and thought. PTA’s genuine love of filmmaking sets him apart from so many others.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
Ondaatje, M. (2004). The Conversations: Walter Murch and the Art of Editing Film. New York: Alfred A. Knopf.
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
The development of editing - Editing - actor, film, voice, cinema, scene, story. 2014. The development of editing - Editing - actor, film, voice, cinema, scene, story. [ONLINE] Available at:http://www.filmreference.com/encyclopedia/Criticism-Ideology/Editing-THE-DEVELOPMENT-OF-EDITING.html#ixzz2sNiIEQqt. [Accessed 10 February 2014].
Best known for his unique and non-linear style and to many people as the best director of the past decade, Christopher Jonathan James Nolan or just simply Christopher Nolan, is one of the most talented and influential film directors and screenwriters of our time. He, like most directors have never studied film and is a self-taught filmmaker. In this essay I am going to write about his early life and how he got into filmmaking. His early career and his rise to fame with Batman movies, his personal life and the influences he have had on the film industry which makes him one of the best directors of all time and my personal favorite.