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Genre fiction during 1890 – 1918 challenges ideas of gender to some extent. During this period, known as the ‘age of transition’ or fin de siècle, Victorian writers were ‘in active rebellion against virtually everything the previous generation represented’ (Keating, pg4). Such rebellion can be seen in terms of gender. Sir Arthur Conan Doyle and H.G. Wells challenged ideas of gender. This paper will argue that these writers challenged ideas of genders through their genre fiction by examining Doyle’s The Adventures of Sherlock Holmes and Wells’ War of the Worlds. Firstly, the role of observation will be discussed in reference to gender. In both Doyle and Wells’ novel, observations play a large role – Holmes uses observations in order to solve cases. Yet, in ‘Scandal in Bohemia’, Holmes’ observation fails him when he comes across Irene Adler by falling victim to established gender ideas. The narrator in War of the Worlds uses observations as well. The use of the scientific observations makes all that it observes feminine (Attebery, pg52). This affects the perception of the Martians which leads to the downfall of the civilisation. Through this, Wells demonstrates the treatment of women and brings it to the attention of the audience. Secondly, Doyle conveys the instability of the male patriarchy of the previous generation in ‘The Speckled Band’. This shall be discussed in relation to the Woman’s Property Act of 1870-1882 (Hall, pg296), but also to how Holmes represents a new age man of rationalisation and the scientific ideas. Finally, the androgynous Martians will be discussed as posing a threat to the gender ideas and hierarchies within Wells’ novel. Since the Martians fail to fit in with the narrator’s view of gender, it perturbs hi...
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... through 1890 – 1918. Both novels discussed used observation conveyed as a masculine trait to highlight how observations can mislead. Within Doyle’s ‘Scandal in Bohemia’, Holmes’ observation misleads him as he bases his observation on the superficial, seeing Adler as only a woman, not seeing her intelligence which leads to her tricking him. Observation has a role in War of the Worlds, it places the observes into a false sense of security as observation places the observed as feminine. Secondly, Doyle conveys the dying nature of the old patriarchy through Dr Roylott and highlights the physical dominance of it. Holmes manages to defeat this but women are made silent, placed into care of another male. Finally, Wells uses androgyny to convey how masculine figures fear a genderless society as this means there would be no hierarchy as no gender roles could be established.
The women in both Hardy’s Tess of the D’Urbervilles and Conrad’s Heart of Darkness are seemingly presented with traditional feminine qualities of inferiority, weakness and sexual objectification. However, the power that they hold in male-female relationships, and their embodiment of traditional male roles, contests the chauvinistic views of society during Conrad and Hardy’s era. While Conrad presents powerful female characters through their influences over men, the reversal of traditional gender roles is exemplified more by Hardy’s character, Tess, yet both authors present revolutionary ideas of feminism, and enlighten readers to challenge the patriarchal views of society towards women.
For centuries women have been perceived as overshadowed figures who remain in a separate sphere from men. The term “separate spheres” refers to the distinct, conventional characteristics associated with gender differences. The public sphere of men is associated with commerce whereas the domestic sphere for women is linked with the household. However, there is more than just one perspective on feminism. The feminist view is influenced by three main voices: the French, American, and British. French feminists focus their attention on language; American feminists analyze the literary aspects; and British feminists examine the historical processes (Murfin 296-299). Using these perspectives, we can see the oppression of women conveyed in many different texts throughout literature and in history. Mary Shelley’s Frankenstein, for instance, exhibits not only a feminist view in the text, but also in society during Shelley’s time period as displayed by her negotiations with the separate spheres. Voltaire’s Candide also conveys powerful gender differences and reveals the oppression of women throughout the novel. Therefore, a correlation can be seen between the view of women in the two novels and how it reflects the culture and time period in which the novels were written.
Sir Arthur Conan Doyle was a man of genius intellect with impeccable writing abilities. He was an absolutely mundane medical doctor until a passion for writing and adventure overtook him. Doyle is most noted for being the author of the four novels and fifty-six short stories of Sherlock Holmes (Geherin 295). He despised writing these detective stories, but wrote them anyway to earn his income and appease his fans. Doyle made writing these stories bearable by making a relatable narrator for the character that he based off his old medical school teacher and using his writing to persuade British citizens that their sense of imperialism was foolish and was tainting their country. Writing about his adventures in war and his indulgence into Spiritualism allowed Doyle to break away slightly from his Sherlock Holmes novels and branch out into the works he truly wanted to write. Even though Doyle may not have liked everything that he had written, he tried to convey his experiences and viewpoints of religion, imperialism, and war into the stories that are still avidly read today.
The two main approaches to this type of criticism are very different, but help make distinctions in the text. Essentialists focus on the biologically determined sex of a character in literature, while others focus on constructivism or the qualities determined by society as strictly male or female. Constructivists argue that patriarchal gender roles harm women’s confidence and assertiveness, promoting stereotypes and false binaries. Gender constructivism favors the idea that gender and sexual categories are a societal construct that prefers men and restricts women. The application of this literary criticism to a text looks into the character and their relevance to the plot. Focusing on how the character promotes or rejects the imposed gender roles is a significant part in the use of this lens (Hildreth January
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
This novel was one of the most radical books of the Victorian Era. It portrayed women as equals to men. It showed that it was possible that men could even be worse than women, through John and Jane. It taught the Victorians never to judge a book by its cover. The novel would not be as successful were it not for Charlotte Brontë’s talent in writing, and were it not for the literary devices employed.
Pykett, Lyn. "Gender. Degeneration, Renovation: Some Contexts of the Modern." In Engendering Fiction (London: Arnold, 1995): 14-
Victorian literature reflects society's restrictions on women, but also shows their resistance to patriarchal norms.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
Sir Arthur Conan Doyle’s The Adventures of Sherlock Holmes: A Scandal in Bohemia, demonstrates how a specific character can be used to expand upon the complexity of the story’s main character. Specifically in the case of Irene Adler, Conan Doyle does not go into much detail about her, as much as he uses her as a contrast to Holmes. Adler’s presence in the story is the antagonist, but seems much more than that to Holmes’. Sir Arthur Conan Doyle’s use of Adler seems to be very unique and creative compared to some of his other works, though after her appearance, Conan Doyle’s works with Sherlock all come to a similar structure, that Sherlock seems to come to adore the villains, more so the villains intellect, and put up with the people that hire him.
There is no doubt that the literary written by men and women is different. One source of difference is the sex. A woman is born a woman in the same sense as a man is born a man. Certainly one source of difference is biological, by virtue of which we are male and female. “A woman´s writing is always femenine” says Virginia Woolf
In an essay on feminist criticism, Linda Peterson of Yale University explains how literature can "reflect and shape the attitudes that have held women back" (330). From the viewpoint of a feminist critic, "The Lady of Shalott" provides its reader with an analysis of the Victorian woman's conflict between her place in the interior, domestic role of society and her desire to break into the exterior, public sphere which generally had been the domain of men. Read as a commentary on women's roles in Victorian society, "The Lady of Shalott" may be interpreted in different ways. Thus, the speaker's commentary is ambiguous: Does he seek to reinforce the institution of patriarchal society as he "punishes" the Lady with her death for her venture into the public world of men, or does he sympathize with her yearnings for a more colorful, active life? Close reading reveals more than one possible answer to this question, but the overriding theme seems sympathetic to the Lady. By applying "the feminist critique" (Peterson 333-334) to Tennyson's famous poem, one may begin to understand how "The Lady of Shalott" not only analyzes, but actually critiques the attitudes that held women back and, in the end, makes a hopeful, less patriarchal statement about the place of women in Victorian society.
Agress, Lynne. The Feminine Irony: Women on Women in Early-Nineteenth-Century English Literature. London: Associated UP, 1978.
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
(5) Aeron Haynie, Imperialism and the Construction of Femininity in Mid-Victorian Fiction(Gainesville: University of Florida, Ph.D. dissertation, 1994).