Title: Fly High
Genre: Teenage Coming of Age Drama
Target Audience: The film will be marketed as a youthful experience, geared towards teenagers (12+) and the ‘young at heart’.
Setting/s: New York - Within a boarding school, suburban homes, restaurant, hospital and an urban park.
Characters:
Riley Johnson (protagonist) - A disturbed teenager (17 years old), who experiences constant harassment from his father, who also oppresses him from achieving his dream of becoming a writer. Riley, builds a strong relationship with his step-brother Aaron with whom he escapes his distressful life.
Bennett Johnson - Riley’s tyrant of a father who is a control freak and doesn’t shy away from getting physically abusive to ensure that his point of view
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Purpose, Central Themes and Concerns:
The film is intended to be a youthful experience; One which will expose viewers to the sophisticated nature of ‘growing up’ through an adolescent perspective. It will engage with popular teenage ideologies such as first love, alcohol, drugs and sex, whilst presenting that there is more to a teenager than that which meets the eye. In the film teenagers will be represented to be more sophisticated and self-aware of themselves to what is perceived by society.
The film will be a journey of self discovery. It will explore the idea of individualism as the main characters involve in discovering their identities, experimenting and exploring new experiences. Along with rebellion, the two themes will provide an insight into this emotionally exhausting and confusing period of one’s life.
Everybody's family is different, and never is that more apparent than in young-adult fiction. Fly High will explore many teenage experiences: a troubled, broken family with a single, abusive father and no positive role-models, a lonely disenfranchised boy lacking emotional fulfilment who must learn to assert himself around a man who wants to reshape him into his own
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Personal growth is the most important characteristics of this genre; it relies on emotional responses and dialogue rather than action. Riley is the conventional protagonist of this new teen drama, by closely following his character transformation from a rebellious yet passive teenager to one who stands up for himself, we are able to see him grow into an ‘adult’.
The plot is very realistic and relatable to teenagers from many aspects. Conforming to the generic story line of coming of age films, Fly High will also have a protagonist that faces realistic challenges, a difficult relationship with his parents, the illness/hospitalisation of his brother will occur and towards the end the protagonist will have a realisation, finally breaking free of his negative life.
Notable Audio-Visual Elements:
The film will capitalise on the realistic nature of not only the plot but also the visual and audio elements.
Much of the film will be shot with naturalistic, mood lighting which will highlight the key aspects of each shot. This will be accompanied by a majority of mid, and long shots with the occasional close-up shot to dramatise a particular emotion.
A new acoustic sound track will be recorded to emphasise the realistic yet emotional narrative of this
The main protagonist of the film, Scotty Smalls, is introduced as a straight-A, friendless young boy who has just moved into a new neighborhood in new state. While
Youth Representation in movies Ten Things I Hate About You compared to Stand By Me
Each boy gets nurtured and find outs what is it that they want in life eventually finding it one way or another.
use of the camera the sound and the mise en scene. I will analyze the
The character this film is primarily centered around is Will Hunting. Will lives in a tattered house in a bad neighborhood in the city of Boston. He grew up in foster care where he sustained continual physical abuse as a child. Will has a few close friends he is always with but never opens up about anything below surface level. Will is incredibly gifted with intelligence however he works as a custodian at the highly prestigious school, MIT. Professor Lambeau teaches advanced mathematics at MIT and is the one who discovers Will’s incredible talent for solving advanced mathematical theory. Professor Lambeau has high hopes for Will and pushes him into getting jobs with prestigious employers so that his gift is not wasted working as a custodian. Chuckie Sullivan is one of the closest of Will’s friends. They’ve known each other for years and Chuckie drives Will to work every day. Chuckie cares for Will and realizes the gift that he has and tries to convince Will he should be doing something of greater importance with his life. Skylar is a college stu...
Setting: The setting is the time and place of a narratives actions. The setting in this novel is New Jersey. Three specific details of this setting are: a.) Caitlin and her family live in a small, narrow duplex with 3 bedrooms and one bathroom; b.) their house is central New Jersey and located next to a large park; c.) the house is a light brown with cream coloured shutters and has two large doors in the front. Caitlin and her family live in the duplex with one other family although the duplex has three floors.
The movie chosen to write a character analysis on was The Blind Side. Michael Oher, the protagonist, was a teenage boy who was taken away from his mother at a young age. After being transferred from one foster family to another, he would still run away and go search for his mother. At last, the Tuohy family legally adopts him and provides him with food, shelter, education and all of his needs.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
generate moods, and have great psychological affect. This is just as true for the very first series of shots for the film, and perhaps more important since these first shots will give the audience the initial feeling of the film, and set a tone for the picture. The first shot is highly dramatic in its lighting method, and the audience is drawn in immediately to one single detail. A man begins revealing the details of a tragic incident that befell his daughter. We don’t see who he is talking to. There is a spotlight directly above the man, and this is pretty much 95% of the light used. This really lights up the top of his head, which is bald, but there is no hot spot or reflective element which is good because reflection here would be aesthetically displeasing. The lighting causes dark areas under the man’s eyes, which emphasize the passion and eventually the hatred of what he is talking about. The scene is lit so that the background is completely black, so that the only thing we can see is the man. Even though this is logically unrealistic, the stylistic decision to light in this manner is warranted, since this or any other good film draws heavily upon our expectations and imagination to convey a message or meaning. We as audience accept the unrealistic elements, if they assist in making the story ...
changing childhood, has taught him to always “be on his toes.” Garrett’s hardships in his early years have opened his eyes to see the lighter side of everything to keep his sanity. This sometimes gets in his way of experiencing new things. The lingering insecurities in the back of his mind, which are shadowed by his unsurpassed wit, put a wall in front of anyone trying to get close.
...t this theory in development, Tracy must decide what is truly important in her life and head in the right direction. She still has a lot of growing up to do.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
That was only a brief glimpse into the complicated life of a teenage boy. A boy who reads magazines, wants a car, plays video games, and watches a lot of TV. Every morning he wakes up and picks out his clothes sometimes taking them off and putting on others that match better. His ultimate goal is to look as good and cool as possible, like those guys in the Gap commercials on TV, with their perfect smiles and their arm always around that really hot girl.
One mistake can lead to the audience not believing that the events that are happening could actually happen. By keeping continuity in your film you are letting your viewers become apart of your film. If a hand is touching someone’s head in one shot and in the next shot that hand is somehow holding a cat then that pulls your audience out of the story. You have to let your audience see how that hand went from touching a persons head to holding a cat if not it makes viewer feel jumbled and lost. A films soundtrack can add to a movie by enhancing the world of the characters by making you feel emotions for the characters. Music can inspire you and inspire the characters to overcome their conflict and reach their goals. The production mixer is crucial to making the sounds of the world and bringing to life the world of the characters. The mixer gathers all the sounds of a film diegetic and non-diegetic and mixes them to make the audio levels at a good hearing
give an insight into the film and to be used as a promotional tool to