The Divine Comedy is a poetic Italian masterpiece by Dante Alighieri composed of three parts which he called respectively: The Inferno, The Purgatorio, and The Paradiso. As this edition’s translator, John Ciardi puts it, originally Dante simply entitled his works as The Comedy, however, in later years, it was renamed The Divine Comedy for the connections that the public saw it had with human behavior and morality (Ciardi, 2003). For the goals and purposes of this review, we will focus specifically on the portion of the book called The Inferno. At a time when religious and secular concerns were at their peak in fourteenth century Italy, a tone of conflict broke out between the church and the government. Beyond the commonalities of corruption
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
Rudd, Jay. Critical Companion to Dante: A Literary Reference to His Life and Work. New York. 2008. Print.
Born in 1265, Dante Alighieri was one of the most famous Italian poets of his time becoming known as “The Supreme Poet.” His masterpiece, The Divine Comedy, is largely considered one of the greatest pieces of literary work ever composed. The Divine Comedy is an epic poem of more than 10000 lines divided into three parts: Inferno, Purgatorio, and Paradiso. It describes Dante’s trip through Hell(Inferno), Purgatory(Purgatorio), and Heaven(Paradiso). Since being originally written in Italian, it has since been translated several times in English and in numerous other languages. However, The Divine Comedy did not begin to flourish until the fifteenth century when the printing press made the work more widely available. Dante’s depiction of Hell in Inferno sparked a change in religious society during its time. Many people flocked to churches in order to avoid going to Dante’s hell.
Dante’s Inferno is the narration told of the life of Dante Alighieri. The narration is done by Dante himself where he explains his life and various encounters. Dante is known for writing various stories and poems which he did after he was exiled from Florence where he was an ambassador. He had lived a life among the middle class, loved and lost his love to death, and gotten into leadership in Florence. His various experiences in life had caused him to have a distorted view of the purity of the Catholic Church in its indulgence in politics. The terms of the exile demanded that his return would be punishable by death.
Among the followers of Christianity, questions arise in order to find the righteous path to Heaven’s gate. On the contrary, there are those who seek answers for what is forsaken. Dante Alighieri fully expresses himself on this dilemma in his written work, The Divine Comedy. The first part of the epic poem is Inferno; Dante defines and constructs Hell, based on the morals and judgments set by common beliefs during his time. Dante also uses Aristotle’s philosophical work to shape the structure of Hell. Undergoing a journey through Hell as himself, Dante places famous literary icons to assist in questioning the acts of justice. Dante builds and contrast between the sinners who are innocent, and those who deliberately perform evil deeds. Virgil, a fellow poet and pagan, exemplifies wisdom and clarity that which Dante must learn through his endeavor. Virgil’s guidance will provide contrast and the necessary guidance to reach Paradise. The change of character Dante experience, is dreadful; pity and remorse must be exempted to honor retribution for the sinners’ defiance against God. All the answers regarding Hell, lies upon meeting the primal sinner, Lucifer, the Fallen Angel. Dante’s journey unfolds a critical analysis in which portrays the human struggle in every individual. There are several implications of the four functions of myth that can be derived from Dante’s Inferno. Dante divides Hell into three dispositions: incontinence, malice and brutality. (Alighieri, Dante, and Longfellow 6.79-82)
...tution in all of Europe was the Roman Catholic Church. The Church affected almost every facet of life: political, cultural, social, and economic. Dante saw the corruption within the Church and wanted to write about what he saw as the consequences for this corruption. His visions of Hell perfectly fit to what he saw in people’s everyday life at that time. Even though he was forced into exile for refusing to pay a fine for a falsified charge the church accused him of, he still believed, kept his faith and was a devout Christian throughout his life. Dante the man clearly influenced Dante the writer and produced a set of ideas concerning the role of the Catholic Church. In his masterpiece Inferno, Dante Alighieri paints a clear and vivid picture to Christians everywhere, then and now, of what Hell must be like, having a permanent impact on Christians all over the world.
In conclusion, “Inferno” by Dante Alighieri is an allegorical epic poem that had a great impact on the Renaissance view of Hell and Christianity in general. This metaphorical narrative filled with symbolism and political commentary. This poem had an enormous impact on religion during the Renaissance as well as the way people thought in general.
In the Inferno, Dante gives his audience the clear view as to what he believes as a Christian follower, that hell has to offer. He shows that worldly sin every single sin has a fair punishment. An example in Dante would be when Cocytus was frozen because he committed the cold crime of fraud. The deeper that Virgil and Dante go into hell, the greater volume of sin is committed. In each level of hell, the criminals are punished equally depending on what their crime was. Dante learns that God's punishment is just and that his power is divine. He sets forth one of the most fully developed Christian understanding of justice on this earth. He describes this justice as what we do as human beings will determine what happens to us when it is our time to go based on Gods judgment. An example of this divine power would be when the Furies will not let Dante and Virgil get past the Gate of Dis.
The Inferno is one of a three part series known as The Divine Comedy, an epic poem written by Dante Alighieri in 1320, a year before his death in 1321. The Inferno tells of the character Dante, and his journey through the nine circles of Hell, with the assistance of the Roman poet Virgil. Each circle of Hell houses different sinners, each being placed according to the severity of their sin. Each punishment in the different pouches of this circle is symbolic in its own way, for instance, fortune tellers walk aimlessly for eternity with their heads twisted around, since they tried to see the future in an unholy manner, they must look back, symbolically into the past not being able to see what’s ahead, for all eternity. Along with normal souls,