It is not a secret that for quite some time now Disney’s animated films have influenced particularly children’s mental identities regarding how they will view to society as well as the status quo. Disney film makers are not the creators of the gender and racial prejudices that are ever present in media, however, they certainly encourage the image of a woman being submissive and almost always white. As it relates to women of color specifically, Disney animated films have been exclusive and biased in terms of representation. For example, the recent Disney animated film The Princess and the Frog featured the very first African American Disney princess, Tiana. This princess, as well as the film itself is peculiar in comparison to those that had come before it; especially those that featured a typical white princess. This is a issue because Disney is one of the Big Six; this means that it is a huge contributor of many media sources. The current Hollywood Commercial film business is ruled primarily by six big companies: Warner Brothers, Paramount, Twentieth Century Fox, Universal, Columbia Pictures, and Disney.” (Campbell, Martin, Fabos, 2014) This is problematic because when big player in media such as Disney perpetuates gender and race stereotypes in its children's movies, it indicates that those stereotypes and biases are alive and well in our society. “Disney touches all people of every age all round the world.”(Campbell, Martin, Fabos, 2014)
In the fall of 2009, Disney’s first African American princess, Tiana, starred in the animated feature film The Princess and the Frog. (Perhaps not shockingly, over seventy years after Snow White graced the big screen as the first Disney feature film animated princess in 1937.) Although the re...
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Sixteen years after premiering as Disney’s thirty-third animated film, Pocahontas still incites excitement and wonder within those who wish for nothing more than to be a Disney princess. As Disney’s most notable attempt at political correctness, Pocahontas was created to entertain while attempting to maintain authenticity in regards to historical accuracy and in its fairness of depicting Native American culture. Jacquelyn Kilpatrick, the author of “Disney’s ‘Politically Correct’ Pocahontas”, feels the movie not only failed at being historically accurate but that it fell far short of being politically correct. The article, which appeared in the Fall, 1995 issue of Cineaste, contends the Disney production was duty bound in preserving the integrity of the Pocahontas legend and being both multiculturally and socially inoffensive. However, if being politically correct and constantly factual within any version of media made for entertainment were the standard, we would be left with documentaries and non-fiction. Artistic license allows for a literal account of events to become an engaging, accessible production.
When we typically think of racial tropes in popular culture, we often don’t look towards animated G-rated movies. The film The Princess and the Frog released by Walt Disney Animated Classics in 2009 created by John Musker, Ron Clements and Rob Edwards is a perfect contemporary example of a film that shows images of pre-constructed racial tropes. Though Disney has produced multiple films based on past fairy tales, The Princess and the Frog was the first animated Disney princess film that featured an African American woman in a leading role. Often times regarded as a turning point in Disney’s movie production career, the film’s representation of African Americans proves to be regressive of racist politics surrounding the 21st century. The design
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We can see that throughout the making of Disney movies the gender images have not evolved to match the changes in our society now, they have stayed stereotypical and similar to when Disney movies were first made in 1937 (Towbin et al 2003). In studies of 16 different Disney movies Mia Towbin (2003) and others
West, Cornel and Salzman, Jack. Encyclopedia of African American Culture and History. New York: Schuster and Simon and the trustees of Columbia University Press, 1996.
Disney is a company that almost everybody has either seen, heard about, or been to. Throughout the years that Disney has been making movies, some people have been saying that Disney shows stereotyping through their movies. Even though some people do not notice these stereotyping images, some people do notice them and do get very offended. Disney has been around since the early 1920`s when “Walt signed a contract with M. J. Winkler to produce a series of Alice Comedies — this date is considered the start of the Disney company first known as The Disney Brothers Studio”(Wikipedia 3). In the past, Disney has had many different claims about stereotyping, but nothing was really done about the issues. Despite claims that Disney invents perfect role models for children, Disney actually creates their characters based upon stereotypes.
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
Disney movies have a very narrow view of what women should be like. Since the arrival of the first Disney movie, Snow White and the Seven Dwarfs in 1937, the idea of it has expanded, but rather marginally. There is a clear distinction of what a young women should be and what she shouldn’t be. Those who do not fit the mold of Disney’s expectations are cast aside to become villains, but those who do, end up becoming the damsel in distress. Ultimately, these stereotypes are what influences young girls who watch these films, and can have devastating effects on their self worth and change their idea of what it means to be a women. Films like Sleeping Beauty, The Little Mermaid, Cinderella, and Snow White and the Seven Dwarfs,
Smith, Caroline. “The Not So Wonderful Word of Disney.” University of Alabama Arts & Sciences Department. Retrieved 13 Dec. 2013 from < http://www.english.uga.ed u/fyc/barnett/smith2006-07.pdf>.
@Coslive. “How Disney’s Zootopia Gets Racism Wrong.” Consequence of Sound, Nico Lang , 10 Mar. 2016, http://consequenceofsound.net/2016/03/how-disneys-zootopia-gets-racism-wrong/. Accessed 24 Oct 1016.
Presently, Disney known for its mass media entertainment and amusement parks technically bring warm feelings to many children and some adults. Personally, Disney elicits magical fantasies that children enjoy and further encourages imagination and creativity. For decades Disney has exist as an unavoidable entity with its famous global sensation and reach. Furthermore, Disney is a multibillion dollar empire with an unlimited grasp on individuals and territories. An empire per se, since they own many media outlets, markets, shops, etc., you name it they got it. However, the film Mickey Mouse Monopoly presents an entirely new perspective on the presumed innocence projected in Disney films. This film exposes certain traits Disney employs and exclusively portrays through its media productions, specifically cartoons for directing and nurturing influence beginning with children. Mickey Mouse Monopoly points out camouflaged messages of class, race, and gender issues in Disney films that occur behind the scenes intended to sway viewers towards adopting Disney values.
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
...ed by its culture just as it affects its culture, but its underlying worldview contains patriarchal and racist dimensions. In addition, the portrayal of Scar and the hyenas as having a dark mane and dark coats in the Lion King seems to be a symbolic coding. Our society has associated it darkness and evil and it has become an issue that is very offensive to AfricanAmericans. In addition to sending conflict messages about valuing all races, Disney implies that in Pocahontas, certain personality types are not considered and valued. Similarly in Hercules, the one and only Muse who is not beautiful stereotypically is the one muse who is the comic. What this means is that only the extremely beautiful and fun loving people are valued in our society (Booker 38). The mixed message brought out is that all people are valued, but really only fun and lively people are valued.
Even though the production of Disney’s film The Frog Princess is a huge step forward to show the equality of all culturals and ethnicities, it just shows that racial components which were once overlooked by most parents and children are now a wide spread controversy. Giroux thoroughly explains the effect Disney films has on the youth, “Rather, it points to the need to address in meaningful and rigorous ways the role of fantasy, desire, and innocence in securing particular ideological interests, legitimating specific social relations, and providing the content of public memory” (Giroux 132).
In society today, there is pressure from all sides to conform to a certain ideal of beauty. People are overwhelmed with the different types of images and media forms that are telling people how to act and what to look like. Media is one of the most powerful tools at our disposal. It has the power to educate, affect social change, and much more, but if taken incorrectly people will take drastic lengths to change something about themselves. There have been many attempts to empower women through different types of media, but many have failed miserably. Over the last couple of years, Disney has struggled greatly with the representation of women throughout Princess movies because young girls are hounded with images of princesses,