An analysis of women being victims in Othello: Othello is a play written by William Shakespeare in the 1600s, this essay is from a feminist perspective. The main ideas of Othello are jealousy and revenge. In this play there are only three women in the entire play. The three women are Desdemona, Emilia, and Bianca. Desdemona is the wife of Othello and the daughter of Brabantio; she is one of the main characters in the play. Emilia is the wife of Iago and Desdemona handmaiden. Bianca is a prostitute, Cassio visits her very often, and it is said that they have a relationship, but no one’s certain about it. All these women are used to help Iago get revenge.
In Shakespeare’s “Othello”, the role of women is deeply emphasized; the significant characters of the play Othello, Iago, and Casio, each have a lady that stands behind him. These women each have commitment to remain faithful and respect their husband's needs, especially Desdemona and Emilia.
Within Shakespeare’s Othello there is an analysis into the context of the female. Brabantio’s rhyming couplet “Look to her, Moor, If thou hast eyes to see/ She has deceived her father, and may thee,” demonstrates his domineering and patronising attitude, as the Elizabethan era was a patriarchal society and the role of the female was to be ‘obedient’ to their father or husband. Brabantio also endeavours into placing a seed of doubt in Othello’s mind as a result of his jealousy. Consequentially Brabantio objectifies Desdemona when he states, “Where has thou stow’d my daughter?” exemplifying how he deems her as a possession, which can be stolen like any other. Othello prolongs this objectification through asserting that he “won his daughter” portraying Desdemona as a prize to be won, and a possession to be owned and argued over by husband and father. Desdemona is depicted early on in the play as the “angel” wi...
In the era that Shakespeare lived, there was a universal hierarchy that men were superior to women. In his play, Othello, this social hierarchy that was in place at the time was challenged. Othello’s wife, Desdemona, does not follow this assumption that women are not independent. She is not a wimp; she is a soldier’s wife and fit to be so. In Othello, Iago is frustrated with his commanding officer, Othello, who promotes Cassio over him and plots to ruin Othello’s life. Iago appears honest and trustworthy, but through his actions causes Othello’s misery, suicide, and death of his wife, Desdemona. Despite the status of women at the time, Desdemona exhibits maturity and independence, expresses her own ideas, and stands up for herself to Othello.
During this time period, the men would work to support their family. Additionally, the woman would stay at home and care for her husband and children. This society thought of women as weaker than men. They were often treated as possessions of their husbands, “This concurs with Othello 's own insight when he describes murderous jealousy as innate in the husband-wife relationship which posits the wife as the exclusive possession of the husband and is thus at odds with the human condition wherein one can never know another person 's inmost thoughts and desires” (Vanita 342).The language Shakespeare uses in the play supports that men seemed freer than women. When Brabantio speaks of his daughter he describes her as obedient. Likewise, Desdemona obeyed Othello’s orders and stated she is indeed obedient to him. When Othello was convinced Desdemona was cheating on him he proceeded to murder
Masculinity and the male-dominated Venetian society play a major role in Othello's jealousy. During the sixteenth century, men typically ruled society, especially in Italy. Women were typically submissive. Desdemona and Emilia, the two main women in the play, are both benevolent figures. Desdemona must deal with Othello's jealousy and Emilia must deal with Iago and all of his hatred. The gender roles can be clearly noticed during the interactions between Desdemona and her father and between her and Othello. Desdemona is berated for going behind her father's back and marrying her love. She is scolded and branded as a whore by Othello despite doing anything wrong. This culture creates social tensions that "produce the masculine subject"
In Othello men see women as objects to control, first by their father, and then by their husband. When Iago yells to Brabantio, telling him his daughter has gone off to marry Othello, he yells "Thieves, thieves! / Look to your house, your daughter, and your bags! / Thieves, thieves!" (Othello I.i.79-80). Othello has taken away Brabantio's property, his daughter, and is called a thief because of it. Desdemona refuses to be treated like property, however and makes "A gross revolt, / tying her duty, beauty, wit and fortunes" (Othello I.i.134-135) to Othello. Her marriage to Othello is not an act of a free woman, but a revolt by Brabantio's property. Desdemona is also incapable of independent feelings or thoughts. Othello must have "Enchanted her" (Othello I.ii.63), "In chains of magic" (Othello I.ii.65), because she could never make such a choice on her own. In Brabantio's mind, only he can know what is in Desdemona's best interest and then choose it for her. Brabantio tries to guard her, but Desdemona has "Run from her guardage" (Othello I.ii.70). In Othello the culture of the time treats women as objects to be guarded and watched over, too tender and gentle to fend for themselves in a dang...
Gender plays a considerable role between Othello and Desdemona. Bishop states, “He [Othello] is a dominating and powerful man. She [Desdemona] is a dutiful and passive wife” (¶2). Those characteristics come together as an understanding love for one another. Othello feels undeserving of his wife. She is a powerful aristocrat and his is a Moor. Brabantio, Desdemona’s father, disapproves of their marriage. Othello seems to apologize for his love to his daughter. In the time period of the play, a Moor had about the same amount of rights as a woman would have had. Shakespeare chose to write about an integrated marriage. The relationship between Desdemona and Othello is equal because of this. For once the man wasn 't the dominating figure. They married each other willingly without the approval of others.“My love doth so approved him that even his stubbornness, his cheeks, his frowns--have grace and favor in them” (4.3.18-21). Desdemona is blinded by love and remains loyal. The gender roles between Iago and Emilia are much different. They are mismatched. “Iago’s distrust and disdain towards women is apparent in how he treats his wife, calling her foolish and a wench” (Bishop ¶7). Emilia views men as scoundrels who treat their wives poorly. This may be the case for Iago and even her own father. She only knows cruel men, therefore she dislikes them all. Even though they have their
In sixteenth century literature, women rarely were given substantial roles. Often women were depicted as having great folly or the source of the main character’s downfall. Even in the twenty-first century, many critics still believe that Shakespeare’s Desdemona in Othello has no other purpose than to be a puppet in Iago’s diabolical plan. However, to draw such a conclusion would be a mistake. Shakespeare used Desdemona to personify a Christ-like figure, a representation of good in the battle of good versus evil, and an independent warrior to prove that she is a round character in Othello.
Power, job occupation, and ethics of a person were what made them into a certain social class. Woman were seen as insignificant and helpless. Overall, woman in Othello were treated with such little respect and social expectancy they could be compared to other possessions such as animals or objects. Marriage was not about love, but about power and possession. Women in this century were often referred to as trophies as Iago rants about Othello “'Faith, he to-night hath boarded a land carack: If it prove lawful prize, he's made for ever “(1.2. 60). This quotation exhibits Iago’s view on Othello’s marriage, he sees Desdemona as a trophy, he does not love her for who she