In A Raisin in the Sun by Lorraine Hansberry and “Phenomenal Woman” by Maya Angelou, both Hansberry and Angelou use gender to show two different perspectives women brought forth in the 1920s through the 1950s. Hansberry displays in Ruth, a woman of good faith and loyalty to her family, and Beneatha represents Maya Angelou’s phenomenal woman, a woman of poise, class, and dreams. Hansberry and Angelou use characterization, dialogue, archetype, and juxtaposition to compare and contrast a woman’s changing role in society.
There are several generations of women that reside in the Younger apartment. Hansberry uses characterization to demonstrate each generation’s different perspective of themselves as a woman. Mama is a faithful wife, who believes a woman should always listen to her husband because he is the provider for the family and the head of the household. Ruth is also characterized as a woman of good faith. She is vocal enough to tell Mama to follow her dreams, but she does not have enough self-assurance to tell herself to do the same. Beneatha is the complete antithesis of the two older Younger women. Bennie is feisty, Afrocentric, and self-righteous. “Beneatha has embraced some of the frivolous values and activities frequently associated with those American college students who are immature and pampered” (Turner). She has evolved from a woman of good faith into a woman without morals and responds to male instruction as if they were all imbeciles. While Bennie is parading around in her natural attire, George Murchison superciliously says, “Oh, don’t be so proud of yourself, Bennie—just because you look eccentric. Get dressed.”(Hansberry 984). Immediately, Bennie thrashes through Murchison with words, challenging his response to...
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Reading Chapter 11, “Genders and Sexualities,” written by Carrie Hintz was to construct and enact alternatives for these two traditional categories. Data is clearly indicated that sexual material is some of the most controversial content in literature. Children’s literature that is involved with adolescent’s childhood are key battlegrounds for attitudes about gender and sexuality. The significance of gender and sexuality in children’s literature is the persistent investment in what is perceived to be the innocence of children. Innocence is defined in part by children’s enforced ignorance of sexual matters. According to James Kincaid, “Youth and innocence are two of the most eroticized constructions of the past two centuries. Innocence was that
The story also focuses in on Ruth Younger the wife of Walter Lee, it shows the place she holds in the house and the position she holds to her husband. Walter looks at Ruth as though he is her superior; he only goes to her for help when he wants to sweet talk his mama into giving him the money. Mama on the other hand holds power over her son and doesn’t allow him to treat her or any women like the way he tries to with Ruth. Women in this story show progress in women equality, but when reading you can tell there isn’t much hope and support in their fight. For example Beneatha is going to college to become a doctor and she is often doubted in succeeding all due to the fact that she is black African American woman, her going to college in general was odd in most people’s eyes at the time “a waste of money” they would say, at least that’s what her brother would say. Another example where Beneatha is degraded is when she’s with her boyfriend George Murchison whom merely just looks at her as arm
Hansberry, Lorraine. "A Raisin in the Sun." Ed. Nellie Y. McKay. The Norton Anthology of African American Literature. Comp. Henry Louis. Gates. 2nd ed. New York: W.W. Norton &, 2004. 1771-830. Print.
During the 1960s, the African-American people were in racial situations due to their “lowered status”. They had no control over the strong beliefs in segregation, which “is characterized by a mixture of hope and despair.” (Nordholt) African-Americans, like normal people, had strived to achieve set goals. Unfortunately, their ethnicity was what inhibited them from accomplishing their dreams. In Lorraine Hansberry’s A Raisin in the Sun, the author conveys the theme of the seemingly trivial efforts of the African-American people in their individual pursuits for a satisfactory life lead each person down a road of self-discovery that reveals an indefinite amount of truths, which transform their promising hopes into unachievable fantasies. By using powerful characterization, Hansberry creates characters with contrasting personalities dividing their familial hopes into different dreams. With the use of symbolism, each character’s road is shown to inevitably end in a state where dreams are deferred.
In the play A Raisin in the Sun, by Lorraine Hansberry (1959), the author depicts an African American family whom struggles with the agonizing inferiority present during the 1950s. Hansberry illustrates the constant discrimination that colored people, as a whole, endured in communities across the nation. Mama, who is the family’s foundation, is the driving force behind the family on the search for a better life. With the family living in extreme poverty, their family bond is crucial in order to withstand the repression. Hansberry effectively portrays the racism within society, and how it reinforced unity amongst the family members.
Walter and Beneatha’s relationship is very complex. The spiraling tension between the two siblings causes confrontation to form and creep into the Younger household. Walter needs his family to respect him as the man of the family, but his sister is constantly belittling him in front of his mother, wife, and son. This denigrating treatment taints Walter’s view of himself as a man, which carries into his decisions and actions. Beneatha also subconsciously deals with the dysfunctional relationship with her brother. She desires to have her brother’s support for her dream of becoming a doctor, yet Walter tends to taunt her aspiration and condemns her for having such a selfish dream. Mama as the head of the family is heartbroken by the juvenile hostility of her adult children, so in hopes to keep her family together she makes the brave move of purchasing a house. Mama’s reasoning for the bold purchase was,“ I—I just seen my family falling apart….just falling to pieces in front of my eyes…We couldn’t have gone on like we was today. We was going backwards ‘stead of forw...
Even though south side chicago had a low amount of hope, the characters of Lorraine Hansberry’s A Raisin in the Sun, Walter, Beneatha, and Mama found a way to dream big. It led them to doing what they thought was right, eventually molding Walter into a greedy man during most of the play, Beneatha into an aspiring woman that demands respect, and Mama into an improvising woman who loves her
Ernest Hemingway’s 1927 short story “Hills Like White Elements” explores the way a couple discuss an ‘operation’ (42) which the woman is to receive, which is implied to be abortion without actually mentioning the word itself. It is set at a table at a train station somewhere between Barcelona and Madrid in Spain. The couple consists of an American male and a ‘girl’ (5), whose name is later revealed to be Jig (42), which might imply that perhaps she is younger, but not a local of Spain since she asks the American to translate for her in the first few lines of their conversation (15). Jig resists the idea of aborting the child throughout the course of the story and the American tries to convince her by
Lorraine Hansberry’s play, A Raisin in the Sun, centers on an African American family in the late 1950s. Hansberry directs her work towards specifically the struggles faced by African Americans during the late 1950s. Through the dialogue and actions of her characters, she encourages not only a sense of pride in heritage, but a national and self-pride in African Americans as well.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
“Girl” written by Jamaica Kincaid is essentially a set of instructions given by an adult, who is assumed to be the mother of the girl, who is laying out the rules of womanhood, in Caribbean society, as expected by the daughter’s gender. These instructions set out by the mother are related to topics including household chores, manners, cooking, social conduct, and relationships. The reader may see these instructions as demanding, but these are a mother’s attempt, out of care for the daughter, to help the daughter to grow up properly. The daughter does not appear to have yet reached adolescence, however, her mother believes that her current behavior will lead her to a life of promiscuity. The mother postulates that her daughter can be saved from a life of promiscuity and ruin by having domestic knowledge that would, in turn also, empower her as a productive member in their community and the head of her future household. This is because the mother assumes that a woman’s reputation and respectability predisposes the quality of a woman’s life in the community.
Society has redefined the role of woman by their works thru poetry that has changed their life
BENEATHA: “I know – because that’s what it says in all the novels that men write. But it isn’t. Go ahead and laugh – but I’m not interested in being someone’s little episode in America or –” (With feminine vengeance)” – one of them!” (ASAGAI has burst into laughter again) “That’s funny as hell, huh!”(Hansberry).
Traditional gender roles exist in Gabriel Garcia Marquez’ novel One Hundred Years of Solitude, but traditional distribution of power between the genders does not. In analyzing each character and their life, it’s easy to see how Marquez presented each in terms of his own view on gender constructs. Marquez portrays femininity and masculinity very differently. But why would Marquez choose to make such a clear distinction between the roles of each gender? Marquez sees women as spiritual and overpowered by traditional standards, and men doomed by their own obsessions. Men are wily and therefore vulnerable, whereas women are dignified and durable, and survive for much longer.
Feminism has made a major change in not just women’s lives but in the world. Throughout the world, women have always been considered “second class citizens” yet as the years have passed, proven facts show that women are capable of working just as good as men and even do more duties at the same time. In the early centuries most women weren’t able to get any type of credit without a male cosigner and in certain countries their husbands had complete control not only for their property but for their earnings as well. Men created a false public sentiment by giving to the world a different code of morals for men and women, by which delinquencies which exclude women from society, are not only tolerated, but deemed of little account in man. Women