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Portrayal of black women in the media
Portrayal of black women in the media
Media's impact on black women representation
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The 2011 film Bridesmaids is a female-dominated romantic comedy that exemplifies all of the themes of Margaret W. Matlin’s textbook titled The Psychology of Women. The movie has commonly been referred to as the female version of The Hangover, which is only the first of many gender stereotypes that this movie represents (Savage, 2011). While it might be considered a stereotypical “chick flick,” this movie is a realistic portrayal of the difficulties that many women face in their adult lives. For instance, these women experience the struggles of romantic relationships, the stress of wedding planning, and the challenges of friendship. It revolves around six women: Lillian, the bride, and her five bridesmaids--two of which spend most of the film …show more content…
Bridesmaids is extremely lacking in diversity; out of the six main women, only one of them is not white. The text emphasizes that “women of color are both underrepresented and misrepresented by the media” (Matlin, 2012, p. 47). Unfortunately, for a movie that intends to bring women together, it is guilty of forgetting that women of all backgrounds deserve equal representation. Additionally, it is common for lower-class women to be shown in a negative light in the media, if they are represented at all. The text states that “it’s considered acceptable to include low-income women if they are promiscuous or if they come from dysfunctional families” (Matlin, 2012, p. 47). Annie is not only made to be the target of the jokes against single women, but her lack of income is a primary source of humor throughout the film as well. For instance, when the bridesmaids take a plane to Las Vegas, Annie is the only one who cannot afford a first class ticket, so she is seated in coach by herself. Furthermore, when Annie feels as if she has hit rock bottom, she explains to Megan: “I can't get off the couch. I got fired from my job, I got kicked out of my apartment, I can't pay any of my bills, my car is a piece of shit, I don't have any friends” (Apatow, 2011). Like many women in the media, Annie is shown in an unfavorable way because of her lower-class status, and she is left feeling sorry for herself until Megan helps pick her up off her
Director Paul Feig that is well known for his works in Freaks and Geeks, The Heat, and I am David worked on the movie Bridesmaids. Bridesmaids is one of the examples of Joseph Campbell’s Hero’s Journey, where the hero face through certain challenges in life. Annie Walker will be the main character of this movie that portrays the hero’s journey. She who has been having problems throughout her life, goes through hardships in order to fulfill her friend’s happiness. Her mother always tells her that “Hitting bottom is a good thing. Because there’s nowhere to go but up” (Bridesmaid). Without thinking twice Annie tries her fullest to impress her best friend to become the maid of honor. Even though another woman is trying to take her place, still, she heads forward to where it would be the hero’s treasure. In this case, Annie’s treasure would be her friendship. The goal of the hero’s journey would be getting what the hero aims for. This movie clearly illustrates some of the steps in the hero’s journey; Annie’s treasure, her hard life and her rivalry.
Bridesmaid is a movie about the competition between the maid of honor Annie and Helen another bridesmaid, over who is the bride Lillian’s best friend. The film reflects how class, gender and sexuality intersect in the real life. As the Rolling stone critics the film “ dudes always fear movies that might shrivel their sexual standing when women prioritize. Man up and see Bridesmaid. You just might learn something.”
Heroines in traditional romantic comedies generally show their female charm dominated by the heroes, and docile. However, in Romantic Comedy vs. Screwball Comedy Gehring depicts the screwball comedy as “dripping with eccentrics starting with the archetype zany heroines.” Also, Gerhing says, “heroines assisted by the fact that only she knows a courtship is occurring. ” In other words, he means that heroines in screwball comedies always show their unique nuttiness and try to pursue what they desire as long as they realized that was something they want, which is quite different from the customary docile female in other romantic comedies. These traits are detailed in The Awful Truth and My Favorite Wife; heroines Lucy and Ellen pursue their happiness with apparently daffy behavior, encouragement and their love.
The novel is set in a cultural background wherein women had every reasonable freedom to talk about their marriage and children, but could not carry on what they found it to be good and reasonable because they were restraint by social constructs. Women were bound to their husbands and children and religiously they were conditioned to lots of dos and don'ts. However, a critical look reveals that women were construed to be mere objects of amusement, possessions cared for and displayed. They were expected to be subordinated to their husbands and children (Wyatt, 1995).
Growing up with different social circumstances, attending social mixers was an enlightening experience and once she made the move to Memphis, she gained a continual stream of suitors that accompanied her to such events. New opportunities emerged for Ida, giving her a sense of what life was like being a bachelorette in a land among woman seeking to marry. As an attractive, un-married woman in her mid twenties with an active social life she often generated suspicion and talk. Although Ida struck flings with many persistent suitors, her feelings have never been entirely clear in whom she ever truly loved. It was evident that she was not romanticized by the concept of marriage like many women were at the time.
Society has evolved significantly from its initial gender stereotype of the black and white images of the hard-working husband and the loving, domestic housewife. According to Raewyn Connell in his book Gender (2009) he says that men are or at least should be the ‘producers or breadwinners’ and that women should be the ‘consumers’. However, it was around the middle of the 20thcentury during the onset of the feminist movement when the idea of the perfect woman was featured by glamorous magazines and television. Yet, there has been much controversy about the ways in which the mass media represents women and how they have been affected by these images. In the patriarchal society of the period, there was a decrease in strong women being emotionally and mentally stable, intellectual and sexually attractive. Building on that premise, this paper will examine and analyse the different stereotypical roles the female characters of Desperate Housewives portray, how they are viewed by the audience, and what impact these gender constructions have on society.
In America today the phrase "melting pot" is shown through television, films, music, and art. Diversity is big and is very important to the American people, this is why I have chosen the popular television show "Modern Family" as my focal point. This is a comedy with a family full of diversity in all shapes and forms. This show has a man who gets married to a woman who is Latina, he already has two children which his daughter is the same age as his new wife. The daughter of the man has a husband, two daughters, and a son. His other child is a gay man who is married and has an Asian daughter which they adopted. It is obvious to see that this family is full of variety from gender, age, ethnicity, and even sexual preference. This hints why this
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
movies are about men’s lives, and the few movies about women’s lives, at their core, still
Comedy often allows for a subversion of the status quo that is not tolerated in more serious genres. Beginning in the 1930s, the subgenre of screwball comedy presented female characters who were active and desiring, without evoking negative characterizations as "unfeminine" or "trampish." Screwball comedies represent a specific form of romantic comedy that features a complicated situation--or more often a series of complications--centered around a strong-willed, unpredictable female. The comedy is generally physical as well as verbal. Screwball and other forms of romantic comedy do not just reverse the masculine/active, feminine/passive paradigm--which as E. Ann Kaplan notes accomplishes little in terms of change--but instead strengthens the female and weakens the male just enough to put them on more equal footing.
When you are seen as a negative person you feel negative, and after the many times Annie almost sabotaged Lilian’s wedding most of the bridal party deemed her a negative person that Lily shouldn’t even bother with. Ultimately Annie’s many freak outs landed her out of the bridal party as well as off the weddings guest list. This devastated her, not only was her friendship falling apart she wasn’t doing so well in the relationship department either and was also being forced to move home after losing her job. For Annie it was like hitting “rock bottom” and she became severely depressed over her foolish actions. On the day of Lilian’s wedding Helen visits Annie looking for Lilian and claims no one can find her, instinctually Annie helps find her. After locating her Annie visits her alone and discovers all the things Lilian I dealing with and how hard it has been for her not having her best friends support. During this scene Annie is able to see through Lily how she really is, a great, loyal friend who will always be there even if it makes her uncomfortable. Annie finally understands what is most important to her and how wrong she has been when she sees Lilian get into her honeymoon limo and drive
The movie Bridesmaids is about a single woman named Annie, who has very bad luck in her life. Following failure of her bakery, she lost her boyfriend and now she has a job in jewerly store and lives in one flat with brother and his sister. Annie finds a lover called Ted, but she expects something more from him. Annie has one best friends Lillian from childhood. Lillian is engaged and wants Annie as her maid of honor. On the engagement party she meets Lillian’s good friend. Rich, smart and very beautiful Helen. Annie is jealous of her. It started war about who will be the best friend of Lillian. Meanwhile, she meets a friendly policeman, with whom she is experiencing a bit of luck. In the course of preparation of the wedding Annie and Helen are doing it on purpose, but Helen is in Lillian’s eyes the perfect for that preparation and Annie is the ‘‘black sheep‘‘ so Lillian asks Annie if she can stop helping planning of the wedding. The entire main story of her personal journey to the bottom of a couple of steps back is also a story about how to handle disappointment, b...
The movie of My Big Fat Greek Wedding is a story of a traditional Greek Family and their thirty year old daughter Toula who had pass the age of getting married and starts a family of her own . Toula’s and her family lived in a normal middle class neighbourhood in a traditional Greek home with Greek statues on their front lawn, and owned a nice Greek restaurant name the Dancing Zorbas where she work as a seating hostess (My)
Some people might say that these movies provide entertainment and transport families into the lives of princes and princesses. Many critics have said that the films have amazing soundtracks and have detailed and interesting plots. Still, however entertaining the films may be, the way women are viewed and treated outweigh any enjoyment that a viewer could have. The subliminal lessons young women learn from these films have lifelong repercussions and negatively affect the female
During a review by Vox, of the gender biases in Hollywood that were reported by the data visualization website Polygraph, over 2,000 movies underwent scrutiny in determining why men have more dialogue in movies, even in those that are supposed to be focused on the lead female characters. In what was stated to be one of the largest analyses of script reviews of all time, it was determined that the male characters within the study overrule women in over 78% of the analyzed films. This was concluded through a cross-analysis of character information such as name, gender, and age, with the information reported by the popular movie database, IMDB. The results of their study are astonishing. In the 2,005 screenplays across all movie genres that were reviewed by Polygraph, only two movies were delivered 100% by the lead female character. Conversely, the male dominated list has not only the largest number of results;