Gawain's Departure from the Peregrinatio
The journey that Gawain takes from Arthur's court to Bertilak's castle, then to the Green Chapel, and back to Arthur's court clearly fits the pattern of a medieval peregrinatio. Writers of the Middle Ages used the peregrinatio or pilgrimage to describe spiritual progress through a worldly metaphor. The motif is used by Dante in the Divine Comedy (where the narrator, on his "journey through life," is diverted from the earthly world to a pilgrimage through Hell, Purgatory, and Paradise); and Chaucer uses it in the movement of his pilgrimage from London to Canterbury. Dante's journey to Beatrice and Chaucer's from the sinful Tabard Inn to the tomb of St. Thomas Beckett a place where the pilgrims can receive absolution for their sins obviously represent spiritual as well as literal movements in the traditional peregrinatio. The Gawain-Poet, clearly familiar with the tradition of peregrinatio as we can see by his use of it in Pearl, uses it here not to demonstrate his hero's movement toward spiritual perfection (which was traditionally the aim of the itinerant), but rather to parody the notion of the possibility of such progress. Gawain is supposedly the purest of Arthur's knights, yet his preoccupation with Christian doctrine and with Mary (both shown in the device on his shield and inhis frequent Christian prayers) is undercut by his more urgent concerns retaining his life and his worldly reputation. In the Gawain-Poet' s handling of the peregrinatio motif, Gawain falls short of his reputation as a faultless knight and fails in the goal of his journey. Yet as he comes less to embody knightly ideals, he becomes more individual and finally can represent, if anything, only a picture of a solitary human being in a difficult world.
In the disjunction between the conventions of the peregrinatio and the actual events of Gawain's journey is revealed a shift away from the pilgrimage fable towards realism, a movement also discernable (as Sacvan Bercovitch shows1) in the romance elements of the poem.
It will be useful here to sketch briefly the traits and various ramifications of the peregrinatio motif in the Middle Ages. Though the motif was used literally, it was more often described in moral terms. Every man's life is a journey from birth to death, from the temptations of the world to one's symbolic reward, from a bodily to a spiritual existence, from sin to salvation (or damnation).
The poem’s intricately balanced structure challenges the reader to seek out a resolution coherent with his or her own ethics. An admirable knight of King Arthur's renowned court, Sir Gawain is directed by a complex set of ethos, a collaboration of principles symbolized by the mystical pentangle. A five-pointed star composed of five interlocking lines; the figure represents a multitude of guiding tenets, representing both religious and knightly ideals. One can recognize that “the pentangle cognizance is explicated by the poet to signal Gawain’s complete Christian perfection, and for the reader to be aware of contemporary concerns about magical protective practices, hinting at human frailty” (Hardman 251).
When Arthur's court was challenged by the Green Knight, Gawain alone offered to take the cup from Arthur's hands. He showed pride and courage greater than all - by coming forward. The poem is filled with opportunities in which Gawain inevitably was forced to face difficult decisions. During his travels he had every opportunity to turn around, especially when the rain and cold and desolation became fierce. Gawain, however, continued on his way. Three times did the lady tempt him and twice he managed to neither offend her with discourteousness nor accept her amorous advances and defile his chastity.
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
Teye, Victor, Ercan Sirakaya, and Sevil F. Sönmez. "Residents' Attitudes toward Tourism Development." Annals of Tourism Research 29.3 (2002): 668-88. Science Direct. Web.
In the anonymous poem Sir Gawain and the Green Knight, the character of Sir Gawain is portrayed as the imperfect hero. His flaws create interest and intrigue. Such qualities of imperfection cannot be found in the symbol of the pentangle, which he displays on his shield. This contrast between character and symbol is exposed a number of times throughout the poem allowing human qualities to emerge from Gawain’s knightly portrayal. The expectations the pentangle presents proves too much for Gawain as he falls victim to black magic, strays from God, is seduced by an adulterous woman, and ultimately breaks the chivalric code by lying to the Green Knight.
For moreover, Daniel Goleman (2004) explained that emotional intelligence plays an integral role in defining character and determining both our individual and group densities. It involves the ability in monitoring one’s own and others emotion, to discriminate among them, and to use the information to guide one’s thinking and action. It means to embrace the power of emotion intelligently, it involves abilities that may be categorized, into five (5) domains: (1) self-awareness, (2) emotional maturity, (3) self-motivation, (4) emphatic understanding, and (5) quality communication.
Gawain's travels in Sir Gawain and the Green Knight suggest a world in which home--i.e., Camelot--is "normal," while away--the opposing castle of Hautdesert where Gawain perforce spends his Christmas vacation--is "other," characterized by unfamiliarity, dislocation, perversity. And in fact the atmosphere at Hautdesert appears somewhat peculiar, with various challenges to "normal" sexual identity, and with permutations of physical intimacy, or at least the suggestion of such intimacy, that are, to say the least, surprising. The typical journey of medieval romance juxtaposes a "real" world where things and people behave according to expectation with a "magical" world in which the usual rules are suspended. According to this paradigm, we might expect that this poem would place Hautdesert outside the bounds of tradition, separated by its difference from the expectations that govern Camelot and the remainder of the Arthurian world.
Gawain's actions reflect the social mores of 14th century England, where a good knight was expected to adhere firmly to the code of chivalry. Gawain is the model knight, gallant and valorous, not to mention a devout Christian. Gawain's superb character traits are bolstered by his status as a member of King Arthur's court. The Gawain poet writes of Camelot: "With all delights on earth they housed there together, / ...
In this brief monograph, we shall be hunting down and examining various creatures from the bestiary of Medieval/Renaissance thought. Among these are the fierce lion of imperious, egotistical power, a pair of fantastic peacocks, one of vanity, one of preening social status, and the docile lamb of humility. The lion and the peacocks are of the species known as pride, while the lamb is of an entirely different, in fact antithetical race, that of humility and forgiveness. The textual regions we shall be exploring include the diverse expanses, from palace to heath, of William Shakespeare, the dark, sinister Italy of John Webster, and the perfumed lady's chambers of Ben Jonson and Robert Herrick.
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.
In Gawain and the Green Knight, the poet used the narrative to point out how Gawain was the embodiment of what it was to be Christian but also show that he wasn 't perfect. He had his moment of weakness where he doubted God. This also shows how the mortality of man could be man 's biggest downfall because fear for his life
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
Sir Gawain is a poem of heroism, chivalry, brave knights and even romance. The story itself is so engaging that all too easily the reader may miss many of the symbols present within. Here we will consider the symbolism and importance of the hunting scenes and how they help develop and enhance the plot.
The Quest of the Holy Grail is an exciting tale that follows the adventures of King Arthur's knights as they scour the countryside for the legendary Holy Grail. Throughout their journeys, the knights engage in many exciting jousts and sword fights with a variety of enemies. The author of The Quest of the Holy Grail intends for the story to be more than just entertainment: the knights' search for the Holy Grail is analogous to the pursuit of morality and spiritual chivalry, showing success through asceticism, confession, chastity, and faith.
The two neighborhoods that I chose to use for this assignment are vastly different. The main reason is because they are on opposite sides of the country. The first neighborhood that I visited is the one that I grew up in. This neighborhood is in Connecticut, on the East Coast, all the way across the country from the neighborhood that I currently live in here in West Hollywood. Most of my family lives in Connecticut and Massachusetts and I’m the only one who lives on the West Coast. A big difference is that the neighborhood in Connecticut has houses that are more spaced out, have larger lawns, and very many more trees. There are very few apartments there, unlike where I live now where my entire street is almost all apartment buildings.