Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Existentialism in the stranger albert camus
Albert camus idea existentialism
Albert camus: the outsider analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Existentialism in the stranger albert camus
“He who despairs of the human condition is a coward, but he who has hope for it is a fool” (Wyatt). As this quote by Albert Camus suggests, he was not a very optimistic writer. His gloomy look on life itself can be seen all too clearly in “The Guest”. The story itself deals with Camus’s idea of the futility of human existence: the only rational thing anyone can expect is death. Camus’s underlying philosophy is revealed from the very beginning of the story. The French title, “L’hote”, translates to mean both “guest” and “host” simultaneously, which implies that the mutually respectful relationship between the main characters in the story should be applied to mankind everywhere. The story begins on an auspicious note with the introduction of Daru, a teacher who chooses to work in an isolated school in the Algerian desert to embrace an ascetic life. Daru is content with a simplistic, rural lifestyle. Undoubtedly, Camus wrote this story out of affection for his teacher, Jean Grenier. Without Grenier, Camus would never have developed his political and philosophical ideas. In the story, Daru is an idealistic teacher who believes in just causes and free will, and is most likely a representation of Camus’s past teachers. In contrast, a soldier in the French army named Balducci first appears with an Arab prisoner trailing behind him. When Balducci orders Daru to lead the prisoner to the Tinguit jail, a clear distinction between their attitudes is revealed. Balducci is one to follow his orders, neither questioning nor disapproving of any decision by the authorities. Daru, on the other hand, is torn by his own conscience; he will be sentencing a man to his death if he follows orders. The Arab prisoner appears to be reserved; it see... ... middle of paper ... ...clysmic description of a naïve soldier almost mirrors Daru’s situation in “The Guest". Daru realizes in the end what Billy has known all along: life has no beginning, no end, no purpose; his response to any incident, bad or good, is “So it goes...” (Vonnegut). Modern writers have been profoundly affected by Camus’s writings, even forty years after he died in a car crash. Today, Camus is still highly praised for the works that he deemed "unworthy" of a Nobel Prize. Diana Festa-McCormick comments that “The Guest” "remains one of the most widely read and anthologized…a quarter of the century after the Algerian war and the fierce debates that it aroused in the French intelligentsia, it stands as one of the most deeply touching literary pieces on that war” (Knapp). Camus's legacy is admired by both Arabs and French, a goal he would have been overjoyed to see realized.
Weary, a young fighter Billy traveled with across Nazi lines, was clueless about how he was being perceived. Weary spent so much time living in the real world that he did not know anything about himself, “he was so hot and bundled up, in fact, that he had no sense of danger. His vision of the outside world was limited to what he could see through a narrow slit between the rim of his helmet and his scarf from home…” (p.52) Weary’s view of the world was just a “narrow slit” through which he could not see the reality of his situation, he saw only what he wanted to. Billy is more aware than Weary because his observations are about the way people
By Existentialist belief life is absurd, in The Guest there are materials of explosive action- a revolver, a murderer, a state of undeclared war, an incipient uprising, a revenge note- but nothing happens which only serves to show life actually is absurd. There’s no question Camus was an Existentialist, and I believe Daru is a representation of Camus. A schoolmaster carrying Camus’ wish to be a teacher, Daru a French-Algerian like Camus and also believing himself more an Algerian than a French, and the story takes place in northern Algeria, Camus’ birthplace.
...r has not done makes no essential difference at the end. The nurse at the funeral tells him, "if you walk too slowly, you'll get heat exhaustion, but if you walk too fast, then the cool air in church will give you a chill.” As he kills the Arab, he thinks, "Whether I fire or don't fire is irrelevant; the ending will be the same.” And at the trial, Meursault tells the prosecutor, "I have lived my life thus and did x, but if I had done y or z instead, it wouldn't have mattered.” And, ultimately, Meursault turns out to be correct; he discovers that when death approaches, all men are equal, no matter what their ages or previous lives. Meursault views death as an escape: you can't escape from it, but you can escape into it, and he prepares himself to do so, bit by bit. Each parellel incident is just one more winding round of the rope that will bind him completely.
O’Brien’s unique verisimilitude writing style fills the novel with deep meaning and emotion. Analyzing the novel through a psychological lens only adds to its allure. Understanding why characters act the way they do helps bring this novel to life. The reader begins to empathize with the characters. Every day, the soldiers’ lives hang in the balance. How these soldiers react to life-threatening situations will inspire the reader. Life has an expiration date. Reading about people who are held captive by their minds and who die in the name of war, will inspire the reader to live everyday as if they are currently in the
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
Life can bring unexpected events that individuals might not be prepared to confront. This was the case of O’Brien in the story, “On the Rainy River” from the book The Things They Carried. As an author and character O’Brien describes his experiences about the Vietnam War. In the story, he faces the conflict of whether he should or should not go to war after being drafted. He could not imagine how tough fighting must be, without knowing how to fight, and the reason for such a war. In addition, O’Brien is terrified of the idea of leaving his family, friends and everything he loves behind. He decides to run away from his responsibility with the society. However, a feeling of shame and embarrassment makes him go to war. O’Brien considers himself a coward for doing something he does not agree with; on the other hand, thinking about the outcome of his decision makes him a brave man. Therefore, an individual that considers the consequences of his acts is nobler than a war hero.
Chapter 6 of part I of The Stranger concluded with Meursault’s conscious decision to shoot an Arab because of the physical discomfort the Arab’s knife caused him. The significance of the ending of part I is that it was the first demonstration of Meursault’s awareness of the possible consequences of the act that he committed. This awareness continues into the second part of the novel as he is arrested and trialed. The reason for Meursault’s trial is the murder of the Arab. His insensitivity towards Maman’s death and lack of a social conscientious are factors that contributed to support further investigations, but are not reasons to trial him because they have not ‘harmed’ society on a way that he could be arrested for. For example, if Meursault
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Daru, the schoolteacher in a remote area of Algeria, is torn between duty and what he believes is the right thing to do when he is suddenly forced in the middle of a situation he does not expect. He must escort an Arabic prisoner to the nearest town. It is not that Daru has much sympathy for the man; in fact, he does not, and actually finds himself disliking the Arab for disrupting so many lives. "Daru felt a sudden wrath against the man, against all men with their rotten spite, their tireless hates, their blood lust." Unfortunately, Daru loves his homeland, and cannot bear to think of leaving, despite the chaos that is raging around him between France and the Algerian natives. I believe that Daru makes the right choice in letting the prisoner choose his own fate. Daru has reaso...
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
Firstly, Camus juxtaposes the stories of Meursault and the Czechoslovakian man to create a presage of the denouement of Meursault. The Czechoslovakian man undergoes major life changes, and this ultimately leads to his demise. He goes to make a better life for himself, and he returns to his village with riches in wealth and in family. Unrecognizable to them, the Czechoslovakian man returns to his mother and sister, and he decides to play a simple joke “of taking a room” and “he had shown off his money” (80). This trick ends when “during the night his mother and sister had beaten him to death…in order to rob him” (80). The Czechoslovakian man’s newfound courage results in obstinacy. Contrastingly, until Meursault commits his crime of murder, his life appears nearly painfully simple. ...
Meursault and Daru are both “strangers” because they are not able to understand the other characters, which are each indirectly associated with an aspect of society. Camus uses the actions and words of seemingly unimportant characters to allude to the shortcomings of society. In both texts the protagonists view the other characters in the story from an outsider view, allowing for a new perspective in which society and its problems can be assessed. By making the protagonists detached from society, the underlying issues within society can be explored from an objective viewpoint.
Sometimes reading fiction not only makes us pleasure but also brings many knowledge about history and philosophy of life. ‘The Guest’ by the French writer Albert Camus is a short story and reflects the political situation in French North Africa in 1950s. According to this story, we know the issues between the France and the Arab in Algeria, and the protagonist, Daru, refuses to take sides in the colonial conflict in Algeria. This is not a boring story, because Camus uses a suspenseful way to show the character, conflicts and symbol and irony.
...ter of live or die. I was in no real peril. Almost certainly the young man would have passed me by. And it will always be that way.” This soldier realized that maybe he was the enemy and the other soldier was the hero. Everyone has questions of morality and normal heroes would not show the questions of morality.
The Stranger by Albert Camus focuses largely on the concept of absurdism. Camus uses family and personal relationships, or the lack of it thereof, to show the isolation that the main character, Meursault, undergoes in the novel and it’s effect on him overall. Camus utilizes the protagonists’ character development as a tool to further his plot of the novel. The absence of family and personal relationships tied in with the particular recurring topics of the novel are crucial in both the development of the protagonists’ characters as well as the plot as it affects the portrayal of the main character.