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Characterization in the glass menagerie
The glass menagerie essay characters
Characterization in the glass menagerie
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Futile Dreams of Escape in The Glass Menagerie
"I have always been more interested in creating a character that contains something crippled. I think nearly all of us have some kind of defect, anyway, and I suppose I have found it easier to identify with the characters who verge on hysteria, who were frightened of life, who were desperate to reach out to another person" (Rasky 134). This statement of Tennessee Williams supports the idea that he incorporates something crippled into all his major characters. In his play, The Glass Menagerie, Williams portrays a crippling mother and child relationship. He clearly illustrates that none of the characters are capable of living in the present. The characters believe that happiness will be found in their repeated quests for escape from the real world. As such, they retreat into their separate worlds to escape life's brutalities.
Set in Depression-era St. Louis, the overbearing Southern ex-charmer, Amanda Wingfield is the de facto head of the household. A former Southern belle, Amanda is a single mother who behaves as though she still is the high school beauty queen. Williams' still-resonant study reveals her desperate struggle with the forces of fate against her dysfunctional relationship that looms and grows among her adult children. (Gist)
Laura, Amanda, Tom, and Jim resort to various escape mechanisms to avoid reality. Laura, fearful of being denigrated as inferior by virtue of her innate inability to walk, is shy and detaches herself from the unfeeling modern world. Amanda tries every means to integrate her into society, but to no avail. She sends her to business school and invites a gentleman caller to dinner. She is both unable to cope with the contemporary world's mechanization represented by the speed test in typing and unable to make new acquaintances or friends due to her immense inhibition with people. Her life is humdrum and uneventful, yet it is full of dreams and inundated with memories. Whenever the outside world threatens Laura, she seeks solace and retreats to her glass animal world and old phonograph records. Amanda, her mother hints at the alternative of matrimony for fiasco in business careers and Laura "utters a startled, doubtful laugh. She reaches quickly for a piece of glass." (Williams, ). The glass menagerie becomes her tactile consolation.
The little glass ornaments represent Laura's self and characterize her fragility and delicate beauty.
The family dynamics for Tennessee Williams are evident of a lifestyle of despondency and tension within the household. Tennessee Williams mother Edwina Williams she considered herself a Southern Belle, and his sister Rose Williams was a sickly adolescent whom he shared his imaginative dramatizations with as he transcribed his plays. While Williams was in graduate school at the University of Iowa, Rose was institutionalized for schizophrenia and was underwent a pre-font lobotomy. “The symbolization of lobotomy in the “Glass Menagerie” play signifies the hurt that Tennessee Williams felt by his parents by not collaborating to him that his sister underwent surgery. In the play, Williams substitutes the mental illness of his real sister, with a physical limitation “a limp” which Williams substituted for the mental illness of his real sister, Rose. Even the father’s absence reflects periods when his bullying sales man father, Cornelius Coffin Williams, would go on the road, leaving Tom, Edwina and Rose at one another’s mercies (Charles Matthews, 1996-2016).”
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
...socially directed hormonal instructions which specify that females will want to have children and will therefore find themselves relatively helpless and dependent on males for support and protection. The schema claims that males are innately aggressive and competitive and therefore will dominate over females. The social hegemony of this ideology ensures that we are all raised to practice gender roles which will confirm this vision of the nature of the sexes. Fortunately, our training to gender roles is neither complete nor uniform. As a result, it is possible to point to multitudinous exceptions to, and variations on, these themes. Biological evidence is equivocal about the source of gender roles; psychological androgyny is a widely accepted concept. It seems most likely that gender roles are the result of systematic power imbalances based on gender discrimination.9
The Glass Menagerie as a whole serves as a reflection of Tennessee Williams personal life. The character of Tom, who is named after Williams own given name of Thomas, shares the same desire to escape from his demanding family life. Laura, whose nickname Blue Roses is a veiled reference to Tennessee Williams sister Rose. Laura much like Rose also suffers from a disability. While Rose suffered from schizophrenia, Laura’s disability was physical but both women were emotionally fragile and dependent on others to care and provide for them. Amanda Wingfield is very similar to Williams mother Edwina. Both matriarchs deeply care for their children but live in a world of illusion, where their reality is having a life of social poise and grandeur. The Wingfield patriarch abandoned the family years before the events of the play but it can be noted that he is similar to Williams own father who was an alcoholic traveling salesman who was always away from home.
really a place for someone like him and his mind rebelled. Lastly you can see
In today's rough and tough world, there seems to be no room for failure. The pressure to succeed in life sometimes seems unreasonable. Others often set expectations for people too high. This forces that person to develop ways to take the stress and tension out of their lives in their own individual ways. In the plays "The Glass Menagerie" and " A Streetcar Named Desire" written by Tennessee Williams, none of the characters are capable of living in the present and facing reality. Two of the characters are Amanda Wingfield and Blache Dubios. In order for these characters to deal with the problems and hardships in their lives they retreat into their own separate worlds of illusion and lies.
The family in Tennessee Williams’ play, The Glass Menagerie, faces various dilemmas. One of the most prominent is the issue of anxiety. Throughout the play, the family focuses their attention mainly on Laura and her struggle with both her physical disability and social anxiety. However, closer analysis reveals that Laura is not the only character suffering, each family member displays signs of being affected by anxiety. Their interactions with one another trigger feelings of nervousness, unhappiness, and anger. The issue of anxiety extends beyond Laura, affecting the whole family, and ultimately leads to tragedy.
Like the glass menagerie, the only people who see her unique beauty are the ones who take the time to look at her in the right light. One of the first people outside the family to see the more vibrant side of Laura is Jim, a friend of her brother’s as well as an old high school crush of hers. While having dinner at their house, Jim takes interest in Laura’s collection of glass animals and records. They reminisce about high school and when Jim begins to understand why she is so shy, he says, “You know what I judge is the trouble with you? Inferiority complex! Know what that is? That’s what they call it when someone low-rates himself!” Seeing her now as the vibrant creature she is, Jim is intrigued by her exotic beauty. Though Laura’s entire collection represents her personality, the unicorn in particular, symbolizes her unique and rare soul. When she shows Jim her menagerie, she declares the unicorn to be her favorite. “Aren’t those extinct in the modern world?” Jim replies. He also says that the unicorn must be lonely because he is not like the other horses. It seems that the unicorn is Laura’s favorite because she can easily identify with it, its beauty, its distinctiveness, and its solitary
As Winfield 's wife, Amanda is worthy of love and respect. Amanda is a southern lady, when she was young, she had an attractive appearance and graceful in manner, and her families were also quite rich. These favorable conditions made her the admiration of many men. Still, her final choice was a poor boy. She did not hesitate and bravely to choose her own love. Though her marriage was not as good as she had imagined the happiness of life, and the husband, Winfield meager income also drinking heavily, finally abandoned Amanda and two young children, but she still remembered and loved her husband. Her husband 's weakness did not make Amanda fall down; instead, she was brave enough to support the family, raising and educating of their two young children. Daughter Laura was a disability to close her fantasy world, and she was collection of a pile of glass small animals as partners. Amanda knew Laura sensitive, fragile, she was always in the care and encourages her daughter. Because of her shortcomings, Laura sometimes frustrated and Amanda immediately replied that "I 've told you never, never to use that word. Why, you 're not crippled, you just have a little defect". Amanda for the care of the children was more reflected a mother 's strong from the play that Amanda paid money to send Laura to typing school. She hoped daughter have a better future and married a good man to take care of the family, and encouraged her daughter, prompting her to go out of the glass menagerie to experience her real life, but Amanda placed more expectations for his son Tom because her husband left home, Tom is the only man and the mainstay of the family. She wanted Tom to realize that is a kind of family responsibility, also is a kind of essential social
In Tennessee Williams' play, The Glass Menagerie, each member of the Wingfield family has their own fantasy world in which they indulge themselves. Tom escaped temporarily from the fantasy world of Amanda and Laura by hanging out on the fire escape. Suffocating both emotionally and spiritually, Tom eventually sought a more permanent form of escape.
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
The Glass Menagerie is a play written by Tennessee Williams in 1945. The play takes place in the Wingfield’s apartment in St. Louis. Tom is the protagonist in the play and he stays at home with his mother Amanda and his sister Laura. Tom’s Father left the family when he was younger leaving him as the man of the house. His mother Amanda expects him to do everything a man would do. This included working, paying bills, and taking care of herself and Laura. Laura is disabled and she doesn’t work therefore Tom is left providing for his whole family. Being abandoned by Mr. Wingfield left the family distraught. No one seemed to be able to cope with the fact that he was gone even though he left many years ago. Amanda is constantly treating Tom like a child. She tells him how to eat, when to eat, and what he should and should not wear. Tom eventually gets fed up with everything. He can’t stand his factory job, the responsibility of being the man or being treated like a child by his mother. Tom decides to follow in his father’s footsteps and leave the family. It seems as if Tom thinks that running away from his problems will make them go away but things didn’t turn out that way. Although the play was written many years ago, young adults in this day and age can relate to Tom and his actions. The main theme in the play is escape. All of the character use escape in some way. Laura runs to her glass menagerie or phonographs when she can’t handle a situation, Amanda seems to live in the past, and Tom constantly runs away when things aren’t going his way. Escape is a short term fix for a bigger problem. Running away may seem like the easiest thing to do, but in the end the problem is still there and it may be unforgettable. As time goes on esc...
know the Jimmy Choo ones, it's half eight and I am meant to have met
Amanda wants Laura to be happy and successful, but does not understand that Laura is too shy and unmotivated to be either. When Amanda discovers that Laura has stopped going to typing class, she is beyond disappointed. When discovered Amanda yells at her daughter saying, “Fifty dollars’ tuition, all our plans- my hopes and ambitions for you- just gone up the spout, just gone up the spout like that.” Laura quit something as simple as learning how to type; this realization struck Amanda because if she cannot do that there is no way Laura could provide for herself without a husband. Mrs. Wingfield’s worst nightmare is for her children to become dependent on relatives and not being able to take care of themselves.
The role of abandonment in The Glass Menagerie can best be described as the plot element that underlies the overall tone of despondence in the play because it emphasizes the continuous cycle of destruction and hardship that the Wingfield family experiences; indeed, abandonment in the play is a reiterative element that strips the excesses from the three main characters in the play and leaves them in their barest forms, united by a sorrowful reality and clutching each other through the ever-present need to sink into a self-constructed oblivion. The first, and perhaps the most notable and most frequently discussed, example of abandonment in the play would be that of Amanda Wingfield’s husband’s abandonment of his family; he left them at an unspecified time in the past because “he fell in love with long distances,” and evidently forsook any obligations and emotional affiliations that he may have had with his wife and offspring (Williams 5). Having been abandoned by a man who was both husband and father affected Amanda, Tom, and Laura in that it established many of their familial dynamics...