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fun home a family tragicomic analysis
text examples of father/son relationship from the kite runner
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Fun Home: A Family Tragicomic, by Alison Bechdel, is a memoir dealing with how a father can live a normal life with his family despite being mentally unstable. Bechdel believes that her father was in her life but “his absence resonated retrospectively, echoing back through all the years…” (23). The memoir is told through a graphic novel to show readers that a person can look and act and be normal on the outside, but be suffering on the inside. Bechdel’s father wasn’t necessarily unstable his entire life, but most psychological problems start in childhood. In this memoir, Father is portrayed to the world as a normal guy. He has a wife that he loves, he has a job, he has children, he has a big house, and he has a passion. Father loved restoring
The myth of Icarus and Daedalus sums up to be; a father and son were trapped in a labyrinth, built by the father, so to escape the father built wings. The wings were made with wax so Icarus was warned to stay away from the sun, Icarus ignored this warning, his wings melted and he drowned in the ocean. Bechdel refers to Father as Icarus because “it was not me (Bechdel) but my father who was to plummet from the sky” (4). This is the first indication from Bechdel that something is wrong with Father, even with this being said the reader pays no attention to it because Father is then defined as Daedalus because he was “that skillful artificer, that mad scientist who built the wings for his son… and [he] who answered not to the laws of society, but to those of his craft” (7). Father 's craft was the restoration of his house; “He was… a Daedalus of Decor” (6), “He would perform, as Daedalus did, dazzling displays of artfulness” (9) but Father like Daedalus “was indifferent to the human cost of his projects” (11). Father had no recognition to the fact that he was using his children as slaves, and extensions of himself. Psychologically, a person who takes no interest in what others believe or feel is defined as having antisocial personality disorder, which Father displayed all the signs
“...maybe he felt that he’d become too inured to death…” (44). “You would think that the long nights employed in this scutwork of the flesh would make anyone reconsider the logic of not postponing the inevitable” (49) , you would think that knowing exactly what happens after death and seeing that life just ends and a body just exists in a lifeless way would make a man not want to die. You would think that, but for Father it didn’t matter. Bechdel describes Father as a confused man who threw himself at his work to cover up the fact that he was never happy. They had a full family, they did family things, but Father was missing something in his life; he was missing a lover, a male lover. The main reason Father killed himself is because he was depressed and had antisocial personality disorder. A person can live with these disorders but only with the help of loved
Every family has secrets. Taboo secrets are typically the one's we'd like to keep hidden the most. Unfortunately, what's done in the dark always finds itself resurfacing to the light. In Allison Bechdel "Fun Home", she recollects the memories that impacted her life the most when she was in the stage of discovering her true self. The memories we remember the most tend to play a major role in our life development. For Allison, one well-kept secret that her father contained well from her, unraveled many memories of the truth that laid before her eyes.
Alison Bechdel wrote Fun Home as a memoir so that people understood the impact her father had on her. She went into great detail in this memoir about her childhood and moments after her father’s death. Which she claims her dad was a suicidal. During the memoir, she describes her relationship with her father. All issues, lessons, and arguments she had with her father are really significant to her. She uses her relationship with her father as the main point in the memoir. Their relationship had its ups and downs but she had very strong feelings for her father. Even though her father did not treat her as a girl most of the time, she managed to get over the fact of her father’s behavior.
8: Why is this book becoming more common in college classes-why do you think that is? Alison Bechdel’s best-selling graphic memoir, Fun Home: A Family Tragicomic is
In the memoir, Fun Home, Alison Bechdel effectively depicted her life as a child all the way up to age nineteen when she finally decided to come out to her family. Growing up Alison’s path crossed paths with struggles that try to hinder her while she attempts to grasp on to the identity of being homosexual. Even though Bechdel encounter struggles she is able to overcome those struggles in a supportive environment. Despite her father, Bruce Bechdel homosexuality, which was unknown to Alison for the majority of her life could possibly be the emotional core of Fun Home. In actuality, it is Alison 's personal coming out party that assists her mother, Helen Bechdel, to expose Bruce 's hidden relationships to Alison. Effectively, the process of writing the memoir has really permitted Bechdel to reminisce about her father through the spectacles of her experiences, later giving her the chance to reveal clues about her father 's undercover desires that she was incapable of interpreting at the moment. In a scene where Bruce takes his openly queer daughter to a gay bar embodies the dissimilarities amongst Bruce and Alison 's attitudes of dealing with their homosexuality. Bruce tussles with the shame of hiding his
Throughout chapter one of Fun Home, Alison Bechdel portrays artifice and art as two very similar but distinct things; both overlapping and making it hard to differentiate between what is what. Art, in her view, is the truth, and a skill that has to be mastered. On the other hand, artifice contains partial, or full, amounts of falsehood; it covers up the truth in some way but contains art in itself. Artifice can be, like art, something mastered, but can also be a coping mechanism to cover up something good or bad. Bechdel turns both art and artifice into a very interlinked, combined, version of the two forms. When truth and falsehood are combined, after awhile, it becomes a challenge to distinguish between the two; evidently true to herself.
Fun Home shows how as the reader we can become educated and heal from the stories like that of Alison Bechdel’s childhood. We also can see Alison’s journey of healing as well. This full circle journey is why literature is so versatile and important to our society and culture. We depend on the creation and growth of literary themes like the ones we see in Fun House to help us grow and deal with the real world.
In the graphic novel Fun Home, by Allison Bechdel, sexual self-discovery plays a critical role in the development of the main character, Allison Bechdel herself; furthermore, Bechdel depicts the plethora of factors that are pivotal in the shaping of who she is before, during and after her sexual self-development. Bechdel’s anguish and pain begins with all of her accounts that she encountered at home, with her respective family member – most importantly her father – at school, and the community she grew up within. Bechdel’s arduous process of her queer sexual self-development is throughout the novel as complex as her subjectivity itself. Main points highlight the difficulties behind which are all mostly focused on the dynamics between her and her father. Throughout the novel, she spotlights many accounts where she felt lost and ashamed of her coming out and having the proper courage to express this to her parents. Many events and factors contributed to this development that many seem to fear.
...establishing a “home” has essentially been transferred from the parent to the child, and the traditional home, and consequently family, has all but disappeared in our society. This shift undermines the roles of the parents, and forces the child to take on adult responsibilities at a premature age. We live in an on-the-go day and age where nothing seems to remain constant for any time at all, and with this lack of continuity we have lost a great deal of what was once an integral part of society. The thought of a child ascribing to a “home” devoid of anything infallible is not a pleasant one. If every parent would spare a moment in their busy, fast-paced lives to consider the impact of the dissolution of the traditional home upon our children, we might not need films such as “Milo and Otis” to instruct our children to dissociate home from the world around them.
In Fun Home: A Family Tragic Comic, Alison Bechdel uses the graphic novel technique of bringing visuals and concise text to her audience to reveal the relationship with her father in a perspective that can not be modified through the readers perspective and interpretation. Bechdel employs this type of writing style to help visualize a better interpretation of how she describes the differences in both her and her fathers’ gender roles throughout the novel. This tactic helps discuss and show how these gender roles were depicted as opposite from one another. But, in this case being opposite from one another made them gain a stronger relationship of understanding and reviling that these differences were actually similarities they also shared.
In most of my classes I’ve always heard that your parents are the most important people in your life and I truly believe this. People are affected by everything their parents say and do both in childhood and later on in adulthood. If a child is constantly looked down upon and made to believe that nothing they do is good enough, chances are they will grow up believing this and having low confidence. It is remarkable that a child David’s age fought himself from breaking down, dissolving into tears and giving up hope for a better future. David constantly worked towards or rather survived because of a dream, a dream t hat he was a prince and that every...
It is an emotional and heart-rending chronicle about raising in the dirt-poor of the Alabama hills--and all about moving on with the life but never actually being capable to leave (Bragg, 1997, p. 183). The exceptional blessing for evocation and thoughtful insight and the dramatic voice for the account--notifying readers that author has gained a Pulitzer Award for this featured writing. It is a wrenching account of his own upbringing and family. The story moves around a war haunted, alcoholic person (Bragg's father) and a determined and loving mother who made hard efforts to safeguard her children from the harsh effects of poverty and ignorance, which has constricted her own living standard. In this account, author was talented enough to create for himself on the strength of his mother's support and strong conviction. He left house only to follow his dreams and pursue a respectable career in life, however he is strongly linked to his ancestry. In addition, the memoir shows the efforts of Bragg in which he has both compensated and took revenge from the cruelties of his early childhood. Author's approach towards his past seems quite ambivalent and
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
In Alison Bechdel’s Fun Home, Bechdel uses the theme of appearance versus reality to highlight her relationship with her father. Bechdel utilizes her illustrations and short sentences to reveal these things about herself and her father. Bechdel opens her memoir with a chapter entitled “Old Father, Old Artificer”. Bechdel refers to her father, Bruce Bechdel, as an artificer because she sees him as a skilled craftsman. Bechdel describes, “His greatest achievement, arguably, was his monomaniacal restoration of our old house.” (Bechdel 4). Her father restored their old house to make it look like a huge mansion. Bechdel knows that this is just the appearance of their household because it is not an accurate representation of their family life inside the house. Bruce created an appearance that was the opposite of reality to cover up the actual wealth of their family. He hides the fact that his family may not be as wealthy and perfect as they appear to be. In this case, Bruce reveals he believes that appearance is more important than the reality of a situation. Appearance is also important on the inside of the home as well. Bechdel mentions, “Sometimes, when things were going well, I
In Alison Bechdel’s graphic novel entitled Fun Home, the author expresses her life in a comical manner where she explains the relationship between her and her family, pointedly her father who acts as a father figure to the family as she undergoes her exhaustive search for sexuality. Furthermore, the story describes the relationship between a daughter and a father with inversed gender roles as sexuality is questioned. Throughout the novel, the author suggests that one’s identity is impacted by their environment because one’s true self is created through the ability of a person to distinguish reality from fictional despotism.
Throughout Edgar Allan Poe’s life, death was a frequent visitor to those he loved around him. When Poe was only 3 years old, his loving mother died of Tuberculosis. Because Poe’s father left when he was an infant, he was now an orphan and went to live with the Allan’s. His stepmother was very affectionate towards Edgar and was a very prominent figure in his life. However, years later she also died from Tuberculosis, leaving Poe lonely and forlorn. Also, later on, when Poe was 26, he married his cousin 13-year-old Virginia, whom he adored. But, his happiness did not last long, and Virginia also died of Tuberculosis, otherwise known as the Red Death, a few years later. After Virginia’s death, Poe turned to alcohol and became isolated and reckless. Due to Edgar Allan Poe’s loss of those he cared for throughout his life, Poe’s obsession with death is evident in his works of “The Tell-Tale Heart”, “The Black Cat”, and “The Fall of the House of Usher”, in which in all three death is used to produce guilt.