Collins and Griffin (2007) discuss the fact that these fashion designers are using the same materials and luxuries as if they are designing a dress. Armani Casa and Versace Home are two examples that they mention (Collins and Griffin, 2007). Armani Casa embodies the same luxury materials that they use for a suit in their furnishings (Design Blog, 2011). Armani Casa nowadays also caters an extravagant and sophisticated hotel in Dubai (Luxury Society, 2012). Versace Home is also a stylish brand that features sheets, pillows, cushions and porcelain tableware. In recent year Versace Home collaborated with other companies and together they opened ‘Palazzo Versace’ in Australia (Luxury Society, 2012). Giancarlo Di Riso (Design Blog, 2009) states that this ‘Palazzo’ is a true example of what a Versace lifestyle should be.
Many fashion designers claim that although they are designing and collaborating with interiors, they still love fashion design. They also mention the fact that nowadays consumers can enjoy more of their work because they are increasing the works in areas; that for some never thought about (The Independent, 2010). Melanie Porter clearly doesn’t agree with most of the fashion designers, because of her interior design is so much better (The Independent, 2010). Porter (The Independent, 2010) believes that you can be more creative with interior spaces than fashion design; she also argues the fact that people are willing to take risks more in their homes than with their dresses.
In further research Aubuchon (Freshome, n.d) discusses the fact that nowadays designers are looking more on blogs and websites for inspirations, so everyone is reading the same thing and seeing the same trends and styles; therefore she concludes ...
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...uette and balance details in both fashion and interior design. Another point that this essay concluded is the fact that although critics, bloggers and authors are writing about this phenomenon in the past decade, it is clear that this cross over was happening in previous years. Patrick Lelievre ( Interior Design, 2013) also believe this thing and he can’t understand why people now are making such fuss where clearly in the 18th Century, fabrics in fashion and fabrics in interiors were quite similar. Another thing that it was concluded in this essay is that although people out are agreeing or disagreeing with this trend, we clearly going to see more of these happening in the future. Like many other things in life, this development for some may be controversial but for others it may be an opportunity to have an extra glimpse of the brands they love in their lives.
Lawson, Bryan. How Designers Think: The Design Process Demystified. 4th ed. Oxford: Architectural Press, 2006.
Berry, Hannah. “The Fashion Industry: Free to Be an Individual.” The Norton Field Guide to
Graphic designer and typographer Stefan Sagmeister has always had a unique way of viewing the world, therefore has created designs that are both inventive and controversial. He is an Austrian designer, who works in New York but draws his design inspiration while traveling all over the world. While a sense of humor consistently appears in his designs as a frequent motif, Sagmeister is nonetheless very serious about his work. He has created projects in the most diverse and extreme of ways as a form of expression. This report will analyse three of Stefan’s most influential designs, including the motives and messages behind each piece.
Lawson, Bryan. How Designers Think: The Design Process Demystified. NY: Architectural Press, 1980, 2007. Massachusetts: NECSI Knowledge Press, 2004.
This essay will discuss Fast Fashion and the Impact of Technology. I will focus on the different levels of the market, the effect of fast fashion on fashion design, how copying effects high end designer brands and the impact of technology on the fashion industry.
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
Hegeman, J. (2008). The Thinking Behind Design. Master Thesis submitted to the school of design, Carngie Mellon University. Retrieved from: http://jamin.org/portfolio/thesis-paper/thinking-behind-design.pdf.
Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the rich to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creators of haute couture, and how the following designers developed couture, as well as leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers in the modern fashion industry.
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.
His research and publications address environmental thought, cultural inquiry, philosophy of art and culture, holistic well-being, and, applied philosophy and ethics. His book Fashion Myths: A Cultural Critique, discusses advertisements of fashion, and fashion-related goods from a philosophic-anthropological perspective within a contemporary cultural context. In other words, understanding the thoughts of consumers when watching advertisements and making purchases. Understanding the matter from an anthropological perspective, as well as from a design perspective, allows for insight into the matter through an interdisciplinary approach, aiding in understanding the situation from both sides: designer and
“When it comes to interior design styles, give yourself the permission to think outside the box. There are so many wonderful ways to define who you are by creating a magnificent living space. Allow yourself to be creative. Be stylish. And when I say outside the box, I don’t necessarily mean go crazy, I simply suggest you take some steps to create the type of home that you really want or that your client is asking you to create” (Yule 1). Looking into interior design there are many elements that contribute to the way people view the room or area, such as the color, flooring, furniture, fabrics, and accessories in every room. Within the following research paper, interior design will be discussed by the interior design styles, the effects of color, and the trends of bathrooms.
Design has major impact with concerns to environmental qualities. This field is a direct study of the relationship between behaviouristic actions of its inhabitants. Designers constantly interact with people and communicate to solve the needs of their clients regardless of large or small scale projects. Analysis is key in combining creativity with managerial design solutions. These outside-of-the-box designers have the ability to create beautiful, safe and functional and aesthetically pleasing spaces using common factors, designing for communities as well as,
Inside Design is an thrilling and quickly rising field and evidently curiosity on this explicit career is increasing in popularity. Inside designers are licensed design professionals qualified by education, work expertise and time. In the Sixties and 70s unbiased organizations have been established to evaluate qualifications for inside designers and their programs. There are literally many dedicated individuals in organizations reminiscent of CIDA and NCIDQ who presently work diligently to extend public consciousness of interior design whereas creating the profession to the place it's
Fashion takes on many different facets and concerns many subsets— a model sashaying down the runway in a gown encrusted in real gems, Lady Gaga’s infamous dress made of cuts of raw beef, a teenage girl obsessing over the season’s latest styles— it is all an expression of our minds and who we are or want to be, made tangible. It is a medium just like any other, for while artists wield brushes and paints, designers use thread and cloth to illustrate their vision. The artistry is none more so apparent than in the exclusive world of haute couture, a world of extravagance that caters to aesthetics, producing one-of-a-kind wearable masterpieces that are made to be admired rather than worn. It is without doubt, high fashion and its design is an art.
Designer handbags are both envied and enjoyed by women across the country. With prices ranging from a few hundred dollars to well over $15,000, handbags can be seen as a representation of wealth and social status. In 2014, handbag sales amounted to approximately 9.2 billion dollars, 30% of all revenue generated by women’s accessories (Statista). As sales increase, industry leaders, such as Louis Vuitton, Coach, and Dior, must ensure their marketing strategies attract consumers to their brand and handbag styles. Louis Vuitton, Coach, and Dior’s advertisements portray the need for prominence, autonomy, and aesthetic sensations to depict a luxurious lifestyle.