Freudian Psychoanalytic Theory

Sigmund Freud is known for creating the concept of psychoanalysis, also known as psychoanalytic theory, which requires one to explore the unconscious mind. Over time, his theories have been revised as well as criticized in a variety of ways. Be that as it may, they have remained strong influences within the world of psychiatry, as well as in the worlds of film and literature. Many works generally exhibit Freudian influences, balancing the conscious life with the subconscious and dreamlike undertones. Key ideas of Freudian Psychoanalysis are the three psychic zones of id, ego and super-ego, the libido, and the Oedipus complex.
Freud concluded that our desires and our unconscious conflicts give rise to three areas of the mind called the id, the

The oral stage takes place from birth until age 1, which involves the infant’s mouth as the focus of gratification derived from the pleasure of oral exploration of his or her environment and receiving primary nourishment from one’s mother’s breast. In addition to this, the anal phase takes place from age 1 until age 3, which involves the infant’s more erotic zone changing from the mouth to the anus. Finally, the phallic stage takes place from age 3 until age 6, which involves the child’s genitalia becoming his or her primary aphrodisiacal zone. It is in this third infantile development stage that children become aware of their bodies and the bodies of others. They gratify physical curiosity by undressing and exploring each other and their genitals, and so learn the physical and sexual differences between genders. These stages reflect base levels of desire, but they also involve fear of loss and mistreatment. To keep all of this conflict buried in one’s unconscious, Freud argued that one develops defenses: selective perception, selective memory, denial, displacement, projection, regression, fear of intimacy, and fear of death, among

This theory is not only credible in literature, to discuss the intentions of an author, but is also effectively used in film, to discuss the intentions of a director. One benefit of this theory is that it can help with many literary problems. For example, Freudian critics not only “stress distinction between the conscious and the unconscious”, but also uncover “the unconscious motives of characters” as well as see “an embodiment of classic psychoanalytic conditions” within literary works (Barry 101). By drawing connections between concepts in the text, we are able to further enrich our understanding of the work and, if we plan to discuss it with others, are able to yield a meaningful, coherent interpretation of the