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Recommended: Baroque period essay
This research deals with the Baroque style of the seventeenth and early eighteenth century and its influence on French courts and culture, and how the French court exemplified this style. Many studies have been done on this style period, and it still has a strong influence art and interior design today. The Metropolitan Museum of art has countless articles pertaining to this time period and fashion, and Karla Neilson references its influence in her book about interior textiles. This iconic style took hold of Europe and would be in vogue for more than one hundred years. France became a powerhouse of Baroque style and with the help of its monarch at the time, Louis XIV, helped it establish its place in history.
French Baroque: Exemplifying
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It is also a term describing a time period that Karla Neilson notes “is marked with flamboyance, drama, and boisterous ornamentation” and is an “energetic continuation of the renaissance style” (313). Depending on the source exact dates vary, but Neilson states that the Baroque period dates from around 1580-1750. It is the dominant style of what is known as the Counter Reformation . Italy is to be credited with being the birthplace of the ostentatious style known as Baroque, but its footprints are seen all throughout Italy, France, Spain and England. It first originated in the St. peter’s cathedral in Rome, around 1506, but the style had not reached its pinnacle until around 1650 when it slowly began to make its way to Spain and …show more content…
Elaborate window treatments were common for those who could afford them. Opulent draperies were paired with valances or otherwise known as a pelments and were often tied back. Pelments were embellished with embroidery and passementerie which was made up of fringe, ropes and tassels. They also sometimes featured Louis XIV’s motifs of back-to-back L’s and sunbursts in the center. Beds were also made lavishly and featured the same style of tie-back draperies hanging from a canopy or upholstered pelment. Many of the beds included textiles that were embroidered with gold thread. Louis XIV’s bed was so ornate that sometimes when foreign dignitaries were visiting, he would use his as his throne. Oriental and French rugs would be used as floor
Daum, Gary. "Chapter 12 The Baroque Era (1600-1750)." Georgetown Prep. 1994. Georgetown University. 12 July 2005 .
As the late Baroque period morphed into the new period known as the classical period, technological advances and new compositional techniques and ideas created new opportunities for the musicians of the period. The changes allowed for new performance techniques, forms, performance venues, and newly available compositional orchestrations to be improved and evolved into something new and improved for the new period.
This book by John Rupert Martin is a good introductory book in the understanding of Baroque artists and their tremendous variety. Martin defines the Baroque characteristics, but only very broadly leaving a significant amount of room for the reader to make his own deductions. In general, Martin believes that the typical definitions of the Baroque are "too restrictive and hence likely to create more problems of classification and interpretation than it solves." Even the time of the Baroque is left open to the reader when Martin says the Baroque is roughly comprehended by the seventeenth century. It is important to note at the outset that this is only a convenient approximation; for epoch as a whole can certainly not be fitted into such a strait-jacket." This helps to define the Baroque much more generally as a gradual change which can much easily be noticed from the present than the past.
Baroque has been called a theatrical style, one that deals with spectacle, grandeur, and dramatic contrast. Test these concepts in an essay that discusses the baroque as an expression of the Catholic Reformation, Protestant devotionalism, the Scientific Revolution, and the Age of Absolutism. Define your general statements with specific examples. The following essay will discuss the Baroque period and how the Catholic Reformation, Protestant devotionalism, and the Scientific Revolution influenced it. The Baroque period generally refers to the years 1600 to 1750.
"Louis XIV." Arts and Humanities Through the Eras. Ed. Edward I. Bleiberg, Et Al. Vol. 5: The Age of the Baroque and Enlightenment 1600-1800. Detroit: Gale, 2005. 64-66. Gale Virtual Reference Library. Web. 8 Jan. 2014.
Baroque era covers the period between 1600 and 1750 beginning with Monte Verdi (birth of opera) and ended with deaths of Bach and Handel. The term baroque music is borrowed from the art history. It follows the Renaissance era (1400-1600). It was initially considered to be a corrupt way of Renaissance by conservatives. The dominant trends in Baroque music correspond to those in Baroque art and literature. Some features of Baroque art included a sense of movement, energy, and tension (whether real or implied). Strong contrasts of light and shadow enhance the effects of paintings and sculptures. Opera is one of the types of music in the Baroque era. It represented melodic freedom. Baroque era was usually referred to as the thorough-bass period. In early Baroque era no tonal direction existed, but experiments in pre-tonal harmony led to the creation of tonality. [1] Baroque genre included instrumental suite, ritornello, Concerto grosso and chant. There were important composers of the Baroque period such as Johann Sebastian Bach, George Frideric Handel, Antonio Vivaldi William Byrd Henry Purcell and George Phillip Telemann. Starting in northern Italy, the hierarchical state -- led by either the urban bourgeoisie or despotic nobles -- replaced the fluid and chaotic feudal system of the middle Ages. [2] For this reason, some historians refer to the Renaissance as the Early Modern Era. Sculptors, building on the techniques of artists such as Giovanni Bernini (1598-1680), found ways to create the illusion of energetic and even violent movement in their works. Painters created larger and more crowded canvases. Virtuosity was used in all the arts. The arts became an important measure of learning and culture. Music moved from the science of number to an expressive art viewed as an equal to rhetoric.
Northern and Italian Baroque art were unique in their own ways but were also similar as well. While Northern Baroque Art aimed for excitement and move viewers in an emotional sense, Italian Baroque art was more detailed and captured the personality of the figure. The arts compared to one another by the use of self-portraits and the famous feature of light and dark as well. Art back in the 17th and 18th century was the center of everything and much more important back then compared to how it is now.
Roseman, Ronald. "Baroque Ornamentation." The Journal of the International Double Reed Society Number 3. 1975. IDRS. [17 October 2003] .
The Chronicle of Western Fashion: From Ancient times to the Present Day.
One of the characteristics of the Italian Baroque is the realistic depiction of human figures, vivid use of color and foreshadowing techniques, especially in the paintings. In addition, the figures of the paintings seem to emerge from the background, giving huge differences between light and dark. The Italian baroque structure has a sense of movement and that of energy when in static form. The sculptures make the observers to have multiple viewpoints. The Baroque architecture has characteristic domes, colonnades, giving an impression of volume and void.
This idea of the primary importance of the human form as a measure of all proportions is basic to the Renaissance. Much of these classical features remained popular in the period to follow, the Baroque period; however, the difference between the two periods has a lot to do...
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
When the Chateau was first constructed in 1623, it was constructed as a hunting lodge made of brick, stone, and slate (3-1 Internet 3). When the New Chateau was constructed around 1631 and it was decorated in the Baroque style. The style expressed the power and authority of the head of state. Baroque architecture combined in new ways as classical and renaissance elements as columns, arches, and capitals. Sweeping curved areas replace orderly rectangular areas and sculpture and painting played a greater part in building design, helping create an illusion of great space. Interest in the relationship between buildings and their surroundings led to a greater emphasis on city planning and landscape design. This emphasis was used greatly in the construction of the palace at Versailles. Baroque buildings in Austria, Spain, and Latin America were especially ornate and elaborate. The baroque architecture in France was more classical and ordered (pg 85, World...
Lawson, David "History Of Renaissance Clothing - How Today's Fashion Is Affected." 6 Jul. 2011 EzineArticles.com. 16 Nov. 2011
Haute Couture is the French term for high fashion, and it relates to the dressmaking, sewing, or needlework of a garment. In 1886, Charles Frédéric Worth founded an association of couture houses dedicated to regulate and protect the work of Parisian couturiers, and it later evolved to La Chambre Syndicale de la Couture Parisienne. (Mackenzie 47). The term Haute Couture is protected by law in which one must adhere to specific criteria’s stated by the Syndical Chamber for Haute Couture in order to be categorized under its name. The criterion to be categorized as Haute Couture is a minimum of fifteen people employed at the house, producing one-of-a-kind garments of the highest craftsmanship and quality, as well as it has to be presented to the press in Paris each season.