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The theme of jealousy in winters tale
The winter's tale shakespeare romance
The winter's tale shakespeare romance
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The Winter's Tale
The Winter's Tale is one of jealousy, betrayal and redemption. While this story involves many characters and opens questions of the flaws in human nature and the power of forgiveness, there are two main characters of particular anomaly. The actions of Leontes and Perdita in this play are unique unto themselves. As King, Leontes' every decision weighs heavily upon the court and his country. As we have seen in several other plays by Shakespeare, when the King is in distress, Nature herself is disrupted. The cosmic connection between Leontes and Nature allows for the supernatural forces that are seen late in the play. He has the opportunity to use these forces to accomplish great things. Instead he chooses to let his own human nature interfere with the order of the Universe. Perdita, as descendent of Leontes, is also connected in a similar way. Perdita, however, does not act against Nature. She represents what was meant to be, what has been divinely decided. Even though they are father and daughter, they are complete opposites. Leontes represents our human ability to exercise free will, and Perdita represents the power of Fate over our lives.
Early in the play, Leontes shows his own fallible nature. He reveals himself to be a jealous, self-doubting tyrant. He brings about the his own demise, curses his family and dooms his own child to death. Though these characteristics are appalling, it is important to remember that Leontes chooses his own path. The actions he takes and the ghastly results they produce are of his own making. Leontes commits these acts of his own volition. Robert Grams Hunter supports these ideas in his book Shakespeare and the Comedy of Forgiveness. He compares Leontes to ...
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...e would have been no resolution. In the end, Hermione forgives his sins against her and the family. With the return of Perdita and the mercy of Hermione, Leontes is also exonerated by Nature. Hermione's act of forgiveness was necessary for his own redemption and also so that the restoration of the order of the Universe.
Bibliography
Brown, James Russell. Shakespeare and his Comedies. London: Methuen, 1962.
Hunter, Robert Grams. "The Winter's Tale." Shakespeare and the Comedy of Forgiveness. New York: Columbia University Press. 1965
James, Max H. Our House is Hell: Shakespeare's Troubled Families. Westport, Ct.:Greenwood Press, 1989.
Knight, G. Wilson. The Crown of Life. London: Methuen & Co. LTD. 1948.
Shakspeare, William. "The Winter's Tale." The Norton Shakespeare. Ed. Stephen Greenblatt, et al. Oxford: Oxford University Press. 1997. 2883-2953
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Jean E. Howard, Katharine Eisaman Maus, and Andrew Gurr. The Norton Shakespeare. Second ed. New York: W.W. Norton, 1997. Print.
Dutton, R., & Howard, J.E. (2003). A Companion to Shakespeare’s Works.(p. 9) Maiden, MA: Blackwell Pub.
Shakespeare, William. Hamlet. The Norton Anthology of World Literature. 2nd ed. Vol. C. Ed. Sarah Lawall. New York: Norton, 2005. Print.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
...he sons: Fortinbras aims to gain honour for his country, Laertes seeks impulsive, cold-blooded killing, and Hamlet mostly ponders the morals of vengeance. Shakespeare’s impeccable characterization illuminates the human desire for revenge, and shows the various ways in which that impulse can be acted upon.
Shakespeare, William. The Tempest. The Norton Shakespeare. Ed. Greenblatt, Stephen. New York: W.W. Norton & Co. Inc., 1997.
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
In the play Hamlet by William Shakespeare, the theme of revenge is very palpable as the reader examines the characters of Hamlet himself, as well as Laertes, son of Polonius, and Fortinbras, prince of Norway and son of the late King Fortinbras. Each of these young characters felt the need to avenge the deaths of their fathers who they felt were untimely killed at the bloody hands of their murderers. However, the way each chose to go about this varies greatly and gives insight into their characters and how they progress throughout the play.
Shakespeare, William. The Three-Text Hamlet. Eds. Paul Bertram and Bernice Kliman. New York: AMS Press, 1991.
Unlike most of Shakespeare's earlier plays, The Winter's Tale moves from tragedy to comedy. The disastrous consequences of Leontes' jealousy and tyranny are resolved by the passing of time. Only after sixteen years can the two royal families come together again. Time also plays a significant role in the reading of the chosen passage. The passage is full of commas, colons, semi-colons, and periods, which force the lines to be slowed and pausing. The frequent punctuations draw the reader's attention to time and its effects on the words being spoken by the characters. The scansion of the passage illustrates Shakespeare's mastery of time as he manipulates the rhythm of the lines using varying foots and meters. Time seems to be the crucial element in not only the scansion of this passage, but in the development of the play as a whole.
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark.” The Riverside Shakespeare. 2nd ed. Boston: Houghton Mifflin, 1997.