Impact of the Word on Dickinson
In Donald E. Thackrey’s essay "The Communication of the Word," he talks about how "the power of the individual word, in particular, seems to have inspired her with nothing less than reverence" (51). Dickinson approached her poetry inductively, that is, she combined words to arrive at whatever conclusion the patterns of the words suggested, rather than starting out with a specific theme or message. Instead of purposefully working toward a final philosophical point, Dickinson preferred to use series of "staccato" inspirations (51). Dickinson frequently used words with weight in her work, and as a result her works usually cannot be grasped fully in one reading without dissecting each word individually. Often Dickinson would compile large, alternative word lists for a poetry before she would come to a decision on which word was "just right" for the impact she wished to achieve (52). For example, this poem displays Dickinson’s use of alternative, thesaurus-like lists:
Had but the tale a thrilling, typic,
hearty, bonnie, breathless, spacious,
tropic, warbling, ardent, friendly,
magic, pungent, winning, mellow
teller
All the boys would come—
Orpheus’s sermon captivated,
It did not condemn.
Eventually, Dickinson came to rest on the word "warbling," but one can see the meticulous care that she put into the decision on which word to use.
Another poem of Dickinson’s that shows her compositional method is "Shall I Take Thee?" the Poet Said." In this poem, Dickinson discusses from where the power of the world comes.
"Shall I take thee?" the poet said
To the propounded word.
"Be stationed with the candidates
Till I have further tried."
The poet probed philology
And when about to ring
For the suspended candidate,
There came unsummoned in
That portion of the vision
The word applied to fill.
Not unto nomination
The cherubim reveal.
In the preceding poem, one can see the artistic style come through her composition. The best representation of that particular idea comes from the author Donald Thackrey when he says:
It is significant that the revealed word comes "unsummoned" in a flash of intuition….and yet the implication of the poem is that the revealing of the word must be preceded by the preparatory, conscious, rational effort of probing philology…She [Dickinson] herself was well aware that inspiration, while all-sufficient when present, seldom came even to a great poet.
In “A Rose for Emily”, Charles Faulkner used a series of flashbacks and foreshadowing to tell Miss Emily’s story. Miss Emily is an interesting character, to say the least. In such a short story of her life, as told from the prospective of a townsperson, who had been nearly eighty as Miss Emily had been, in order to tell the story from their own perspective. Faulkner set up the story in Mississippi, in a world he knew of in his own lifetime. Inspired by a southern outlook that had been touched by the Civil War memory, the touch of what we would now look at as racism, gives the southern aroma of the period. It sets up Miss Emily’s southern belle status and social standing she had been born into, loner or not.
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...being 27-24 (Colangelo, Henson, Cook 15). Their winning game against Purdue was 25-19, and against peoria 38-19 was the score (Colangelo, Henson, Cook 15). The Illini had many of both wins and losses.
life and looked for a way to gain her freedom. Emily must endure her fathers
Emily’s father rose her with lots of authority, he might had ruined her life by not giving her the opportunity to live a normal lady/woman life; but he build a personality, character and a psycho woman. Mister Grierson was the responsible for Emily’s behavior, he thought her to always make others respect her. Homer’s actions of using her as a cover to his sexuality was not respectful at all, Emily did not know any better and poison him to death.
When her father passed away, it was a devastating loss for Miss Emily. The lines from the story 'She told them her father was not dead. She did that for three days,' (Charter 171) conveys the message that she tried to hold on to him, even after his death. Even though, this was a sad moment for Emily, but she was liberated from the control of her father. Instead of going on with her life, her life halted after death of her father. Miss Emily found love in a guy named Homer Barron, who came as a contractor for paving the sidewalks in town. Miss Emily was seen in buggy on Sunday afternoons with Homer Barron. The whole town thought they would get married. One could know this by the sentences in the story ?She will marry him,? ?She will persuade him yet,? (Charter 173).
is clear that Emily had no real grasp of a family unit, or how it should function. There
Dickinson begins the first line of her poem by writing in iambic tetrameter. In the second line she switches to iambic trimeter and proceeds to alternate between the two. This rhyme scheme proves to be particularly effective in complimenting the subject of the poem-- the ocean. When a reader looks at the poem it is easy to see the lines lengthening then shortening, almost in the same fashion that the tide of the ocean flows and ebbs.
Life is sad and tragic; some of which is made for us and some of which we make ourselves. Emily had a hard life. Everything that she loved left her. Her father probably impressed upon her that every man she met was no good for her. The townspeople even state “when her father died, it got about that the house was all that was left to her; and in a way, people were glad…being left alone…She had become humanized” (219). This sounds as if her father’s death was sort of liberation for Emily. In a way it was, she could begin to date and court men of her choice and liking. Her father couldn’t chase them off any more. But then again, did she have the know-how to do this, after all those years of her father’s past actions? It also sounds as if the townspeople thought Emily was above the law because of her high-class stature. Now since the passing of her father she may be like them, a middle class working person. Unfortunately, for Emily she became home bound.
The protagonist of this story is Miss Emily Grierson, an old maid spinster without family who becomes a “tradition” and a “sort of hereditary obligation upon the town” (Faulkner 299). The story begins with the death of Miss Emily, so I will rearrange my analysis of the character to begin with what we first know about Miss Emily.
Emily was kept confined from all that surrounded her. Her father had given the town folks a large amount of money which caused Emily and her father to feel superior to others. “Grierson’s held themselves a little too high for what they really were” (Faulkner). Emily’s attitude had developed as a stuck-up and stubborn girl and her father was to blame for this attitude. Emily was a normal girl with aspirations of growing up and finding a mate that she could soon marry and start a family, but this was all impossible because of her father. The father believed that, “none of the younger man were quite good enough for Miss Emily,” because of this Miss Emily was alone. Emily was in her father’s shadow for a very long time. She lived her li...
Miss Emily’s isolation is able to benefit her as well. She has the entire town believing she is a frail and weak woman, but she is very strong indeed. Everyone is convinced that she could not even hurt a fly, but instead she is capable a horrible crime, murder. Miss Emily’s actions range from eccentric to absurd. After the death of her father, and the estrangement from the Yankee, Homer Barron, she becomes reclusive and introverted. The reader can find that Miss Emily did what was necessary to keep her secret from the town. “Already we knew that there was one room in that region above stairs which no one had seen in forty years” (247).
After all the tragic events in her life, Emily became extremely introverted. After killing Homer, Emily locked herself in and blocked everyone else out. It was mentioned, “…that was the last time we saw of Homer Barron. And of Miss Emily for some time” (628). In fact, no one in town really got to know Miss Emily personally as she always kept her doors closed, which reflects on how she kept herself closed for all those years. Many of the town’s women came to her funeral with curiosity about how she lived, as no one had ever known her well enough to know. This was revealed at the beginning of the story when the narrator mentioned, “the women mostly out of curiosity to see the inside of her house, which no one save an old manservant… had seen in the last ten years”(623). Everyone in town knew of her but did not know her because she kept to herself for all those years.
Miss Emily’s refusal to change all started when her father had passed away and when asked about it she was in denial and “she told them her father was not dead.” She didn’t want to come to the realization that the only person in her life that loved her and protected her was gone. The fact that he was so controlling of her life and how she lived made Miss Emily afraid of what was going to happen next. She wasn’t used to making her own life choices.
In 1830 Michael Faraday predicted a relationship between the charge passed and the amount of a substance oxidized or reduced at an electrode. His proposal was based on two main arguments related to electrolytic processes: