Doing the Right Thing in Their Eyes Were Watching God
When faced with urgent moral conflicts such as during the hurricane in Zora Hurston's Their Eyes Were Watching God, men generally have two choices: help others or help themselves. Hurston's characters choose to they help others before attending to their own needs for survival.
The characters' actions are typical of Immanuel Kant's philosophy of the categorical imperative: actions are intrinsically good and do not find justification in their effects, nor does one expect compensation for his actions. In short, one could say that the very lack of thought on the part of Hurston's characters indicates the characters unyielding confidence in their beliefs and the basic moral goodness they possess.
The first event in Hurston's story is the evacuation of the muck as Lake Okechobee overtakes the characters' village. Hurston's characters could run away as fast as their legs can carry them, but they instead notify neighbors without delay. As Hurston describes it, "They cried out as best they could, `De lake is comin'!' and barred doors flew open and others joined them in flight..." (154). They expect nothing for their actions, but they inevitably save many families.
Moreover, although Motor Boat refuses to leave the high house, he still makes an offer to his friends which is as selfless as he can make it: "Mah mamma's house is yours" (155). Motor Boat acknowledges his friends' trouble, as well as his own, but he offers his mother's house as a lodging simply because it is the right thing to do.
Contrary to what might be contended, the white people on the Six Mile Bend bridge, however, are not necessarily demonstrating egoism. A finite area of bridge exists, and if white people were there first (156), then the white people can claim its use. On the other hand, they could be charitable by moving on after a rest and allowing the weary blacks to rest before continuing the journey to Palm Beach or high ground. Hurston could be again demonstrating her perceived differences between the races, but the degree of racism depends on readers' viewpoints.
Not too long afterwards, Tea Cake demonstrates benevolence as he notices a man trapped between an electrified tin roof and a rattlesnake. Tea Cake notices the man's predicament and stops to urge him to move to his left. Readers can presume the man was freed by taking Tea Cake's advice, but in the spirit of the categorical imperative, Tea Cake does not wait in expectation of laurels.
Zora Neale was an early 20th century American novelist, short story writer, folklorist, and anthropologist. In her best known novel Their eyes were watching God, Hurston integrated her own first-hand knowledge of African American oral culture into her characters dialogue and the novels descriptive passages. By combing folklore, folk language and traditional literary techniques; Hurston created a truly unique literary voice and viewpoint. Zora Neale Hurston's underlying theme of self-expression and search for one’s independence was truly revolutionary for its time. She explored marginal issues ahead of her time using the oral tradition to explore contentious debates. In this essay I will explore Hurston narrative in her depiction of biblical imagery, oppression of African women and her use of colloquial dialect.
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
Their Eyes Were Watching God is a novel that presents a happy ending through the moral development of Janie, the protagonist. The novel divulges Janie’s reflection on her life’s adventures, by narrating the novel in flashback form. Her story is disclosed to Janie’s best friend Phoebe who comes to learn the motive for Janie’s return to Eatonville. By writing the novel in this style they witness Janie’s childhood, marriages, and present life, to observe Janie’s growth into a dynamic character and achievement of her quest to discover identity and spirit.
Ethnic group is a settled mannerism for many people during their lives. Both Zora Neale Hurston, author of “How It Feels to Be Colored Me; and Brent Staples, author of “Just Walk On By: A Black Man Ponders His Power to Alter Public Space,” realize that their life will be influenced when they are black; however, they take it in pace and don’t reside on it. They grew up in different places which make their form differently; however, in the end, It does not matter to them as they both find ways to match the different sexes and still have productivity in their lives.. Hurston was raised in Eatonville, Florida, a quiet black town with only white passer-by from time-to-time, while Staples grew up in Chester, Pennsylvania, surrounded by gang activity from the beginning. Both Hurston and Staples share similar and contrasting views about the effect of the color of their
Hurston begins the essay in her birth town: Eatonville, Florida; an exclusively Negro town where whites were a rarity, only occasionally passing by as a tourist. Hurston, sitting on her porch imagines it to be a theatre as she narrates her perspective of the passing white people. She finds a thin line separating the spectator from the viewer. Exchanging stances at will and whim. Her front porch becomes a metaphor for a theater seat and the passers
“She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight,” (11). The novel, Their Eyes Were Watching, God by Zora Neale Hurston, tells a story of a woman, Janie Crawford’s quest to find her true identity that takes her on a journey and back in which she finally comes to learn who she is. These lessons of love and life that Janie comes to attain about herself are endowed from the relationships she has with Logan Killicks, Joe Starks, and Tea Cake.
In the novel “Their Eyes Were Watching God”, by Zora Neale Hurston there were many contrasting places that were used to represent opposed forces or ideas that are central to the meaning of this work.
to a Los Angeles attorney. In 1906, Jeffers went with his family to live in Europe. At this
Academy. Doyle was accepted for enrollment into Stonyhurst and remained there for about five more years. While
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
In Zora Neale Hurston’s romantic novel Their Eyes Were Watching God, two settings are contrasted to reinforce the author’s theme of a search for true love. The setting of Eatonville, Florida, where main character Janie experiences life as the mayor’s wife, is contrasted with the Florida Everglades, where Janie lives with Tea Cake in a much more relaxed atmosphere.
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
Zora Neale Hurston’s writing embodies the modernism themes of alienation and the reaffirmation of racial and social identity. She has a subjective style of writing in which comes from the inside of the character’s mind and heart, rather than from an external point of view. Hurston addresses the themes of race relations, discrimination, and racial and social identity. At a time when it is not considered beneficial to be “colored,” Hurston steps out of the norm and embraces her racial identity.
Some would say the attempt to make a robot is an attempt to 'play god' and to recreate man. Others would argue that robots might become so intelligent that they would take over and replace humans. There is no better example of this than the movie Terminator, which begins with a world ruled by machines who are trying to kill the remaining human population. The actual field of robotics however, has produced many products which we take for granted. The clock is a household item that was developed in the beginning stages of machine ...
The perennial pursuit of humankind is finding and establishing a unique identity while still maintaining enough in common with others to avoid isolation. This is the central pursuit of many of the characters in Charles Dickens’ Great Expectations, and it shapes the way that characters feel and interact in profound ways. Those who are certain of their selfhood are the most successful, and the acquisition of an identity is fundamental to achieve happiness and satisfaction for characters in Great Expectations.