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Shakespeare's influence
Shakespeare's views on love
Critical appreciation of sonnet 130 by shakespeare
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Sonnet 130
Shakespeare was obviously a very deep, passionate and learned
man; he was very open with how he felt and was able to express it in a way
that was very exact and easy to comprehend. In his sonnets, which,
to me, are like a little diary, he talks a lot about his life
involving his mistress as well as a male friend that he may or may
not have been involved with. In Sonnet 130 Shakespeare is talking of
his mistress, her faults and his feelings about her an her faults.
the duration of the piece is spent pointing out the faults of
this woman and how he thinks that any other man would be simply
repulsed by this woman.
I feel that the format of this Sonnet in terms of content and
Shakespeare's feelings served two purposes. He first wanted to convey
the image that even though his mistress was not as fair as one would
hope for, they seemed to share some kind of kinship or bond that no
other could share with him, not even his wife. It did not matter to
him that she was not as pretty but only that she is on the same
wavelength that he is.
Secondly, I feel that he is explaining the fact that he does
not necessarily want a "mistress" that is a knockout, and that all of
the qualities that other men see in women are not his own and in fact
repulses him. He says in line 13 that he loves the woman and that
is rare or extraordinary which I think simply means that he cannot
believe that he actually does like another woman that is not beautiful
to every extent but she offers something more than just good looks.
that it is the way to get successful. He wants to get rid of her,
Shakespeare’s play ‘Romeo and Juliet’ is set in Verona Italy. It is a tale of two teenage lovers who risk their lives in order to be united, despite the hatred existing between their families. In both sonnets 116, and the play , love is conveyed as an endless ,everlasting and eternal adventure. Throughout this essay, I aim to evaluate and examine the way the idea of romantic love is presented in Romeo and Juliet and a selection of poetry.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
This is an enjoyable sonnet that uses nature imagery, found extensively in Petrarca, that Shakespeare uses to get his point across. Not much explication is needed, aside the sustained images of nature, to fully understand its intent, but I would like to point out a peculiar allusion. When reading line 3, "the violet past prime" has made me think of Venus and Adonis. In the end, Adonis melts into the earth and a violet sprouts where his body was, which Venus then places in her heart, signifying the love she has for him. Reading this into the poem makes the few following lines more significant. Having Adonis portrayed as the handsome youth, Shakespeare is alluding to the death of youth (in general and to the young man) through the sonnet. In the next line, it is not certain if "sable" is an adjective or a noun and if "curls" is a noun, referring to hair (which is plausible) or a verb modifying "sable." Invoking the allusion to Adonis here, Shakespeare portends that if Adonis did live longer, he too would have greying hair; thus, Shakespeare sees ["behold"] an Adonis figure, the young man, past his youth.
...ies that Alisoun does not believe that men are trustworthy or honorable, and that she believes that men only care about the superficial aspects of life, such as having a young, beautiful wife.
William Shakespeare’s legacy is carried on through many hip-hop artists and writers. Many elements in Shakespeare’s plays and sonnets are still widely used today in some of the most influential and impactful songs. Learning and absorbing Shakespeare can be difficult to understand while still young, but by making connections between Shakespeare and modern day music, it can make it a bit easier to comprehend and follow. J. Cole uses many elements in his song “Apparently” that were also included in Shakespeare’s sonnet thirty, but at the same time, there are a few differences in his music and lyrics, in comparison to Shakespeare’s writing.
behavior and formed a prejudice against him. Even after he fell in love with her
A business known as Mind Works states that "you can think yourself thin" with hypnosis for $25.00 per session" (http://essexct.com/Mndworks/). Mind Works like other advertisers neglects to explain the process by which hypnosis will occur.
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
has the gentle heart of a woman but is not inconsistent as is the way
“Beauty is not in the face; beauty is a light in the heart.”- Kahlil Gibran. I am going to compare and contrast between “Sonnet 130”, by William Shakespeare and “The Harlem Dancer”, by Claude McKay. Both poems and sonnets are English and have fourteen lines or stanzas, and the rhyme scheme of ABABCDCDEFEFGG, which points out beauty in women.
Sonnet 18 and Sonnet 130, by William Shakespeare, are two of the most well known Shakespeare sonnets. Both are similar in theme, however, the two poems are very much contradictory in style, purpose, and the muse to who Shakespeare is writing.
This sonnet appears to be another version of 153 rather than one of a series. These two sonnets, two renderings of the same ides, could either prove or disprove Shakespeare's authorship. Only twice did Shakespeare rewrite any of his sonnets, both 138 and 144 appear slightly modified in _The Passionate Pilgrim_. These are evidence of Shakespeare's rewritings, but the only problem is if one is out to prove the authorship on these grounds, over-revision remains a factor; that is, Shakespeare rewrote the two sonnets changing only a few words and not the entire sonnet. These seem to be the problems with citing Shakespeaare as their author, but equally disproving him as the author. If I were to argue for Shakespeare's authorship, I would correlate "the help of bath" with being an allusion to "The Wife of Bath's Tale" in Chaucer's _Canterbury Tales_. Shakespeare used Chaucer as a source in _A Midsummer Night's Dream_ (from "The Kinght's Tale" and "The Miller's Tale"), _Troilus and Cressida_ (from _Troilus and Criseyde) and _The Two Noble Kinsmen_ (from "The Knight's Tale"). Seeing that Shakespeare used Chaucer as a reference in the past for help, I suppose "the help of bath" could be a tribut to Chaucer and thus a possible source or allusion. But this does remain on unsubstantial grounds due to the possibility of it simply meaning a water-filled basin.
Lackluster love is the subject postulated in both sonnets, Petrarch 90 and Shakespeare 130. This is a love that endures even after beauteous love has worn off, or in Petrarch, a love that never was. The Petrarchan sonnet utilizes fantasy to describe love. It depicts love that is exaggerated and unrealistic. Shakespeare’s sonnet, on the other hand, is very sarcastic but it is more realistic as compared to the Petrarch 90. Petrarchan sonnets, also called Italian sonnets were the first sonnets to be written, and they have remained the most common sonnets (Hollander 28). They were named after the Italian poet Petrarch. Its structure takes the form of two stanzas, the first one an octave, in that, it has eight lines, and the next stanza is a sestet, meaning that it has six lines. The rhyme scheme suits the Italian language, which has the feature of being rhyme rich, and it, can take the forms of abbaabba, cdcdcd, or cdecde. These sonnets present an answerable charge in the first stanza, and a turn in the sestet. The sestet is the counter argument of the octave.
William Shakespeare (1564-1616) lived in a time of religious turbulence. During the Renaissance people began to move away from the Church. Authors began to focus on the morals of the individual and on less lofty ideals than those of the Middle Ages. Shakespeare wrote one-hundred fifty-four sonnets during his lifetime. Within these sonnets he largely explored romantic love, not the love of God. In Sonnet 29 Shakespeare uses specific word choice and rhyme to show the reader that it is easy to be hopeful when life is going well, but love is always there, for rich and poor alike, even when religion fails.