“Like many movie versions of novels, Frankenstein featuring the actor Boris Karloff altered the story” (Hermansson). The movies that were made shows that this story is a big deal. When novels are turned into movies they are true classics. By looking at the main gothic elements and breaking them apart it will show that this is truly a gothic story. For example theme and setting are very important elements for this story.
Such scenes as the creation of the creature and the frequently occurring deaths all help to analyse the novel. The novel contains internal and external horror that is cleverly used to make the novel more exciting and satisfying. Works Cited Shelley, Mary. Frankenstein. New York: Bedford Press, 1992.
So in an odd way then, Shelley leaves us to decide whether we think ‘the monster’ IS human or NOT and the ways our experiences shape us into the people we become. In addition to this-the story of Victor Frankenstein and his great creation is much more than a typical horror story. It is an insight to Mary Shelley’s life and a way of describing her pain and loneliness. So, to conclude Frankenstein is a ‘horror’ story which in fact is enormously realistic and covers everyday issues and a diverse amount of themes.
Frankenstein Often times an author’s background shapes their writing thus instilling a sense of curiosity in the audience. In her work, Frankenstein, Mary Shelley exposes the grotesque aspects of life as it resonates with her past. Considered a Gothic novel, and one of the first Science Fictions, Frankenstein also contains several components of the Romantic Movement. The Romantic Movement was a period in British history when people felt a deep connection to nature, science, and their emotions. Shelley uses the foundation of a Romantic novel to construct a work unlike any other of its time period.
All of these examples are in the novel which just proves that Shelley wrote a gothic novel. Shelley uses supernatural and scary elements to set up a bridge between the natural world and the supernatural world. Whenever someone is dealing with raising the dead people will be scared. Shelley brings together science and fear when creating this aspect of gothic literature. Frankenstein creating the creature is huge when setting up the “Supernatural and natural world”, this scene is pivotal because it makes the creature seem like he is already
“All things totally wicked start from innocence” (BrainyQuote.com). Throughout the beginning of Frankenstein, Victor tries to do good by creating a “monster” to stop people from dying. It is through these actions the Gothic elements can be seen. Mary Shelley wrote Frankenstein with such an eerie feeling, critics still value her work. “It is a hair-raising, chilling story of terror that more than an century and a half after Mary put down her pen still has the power to fascinate, frighten, and haunt its reader” (askwillonline.com).
The Enduring Appeal of Mary Shelley's Frankenstein "Frankenstein" is a gothic novel written in the 19th century by nineteen year old Mary Shelley. It was written in 1816 during a time of great social, political and cultural change. Science was seen as the means for progress and Shelley lived in a time of great scientific development and discovery. This is reflected in her novel where Victor Frankenstein is a young and idealistic scientist whose obsession with the nature of human existence drives him to pursue science to it's ultimate possibilities regardless of moral or ethical considerations. He rejects his creation and the creature takes revenge on him by destroying everything Frankenstein has ever loved and finally killing him.
These authors really set the foundation for the movies to draw inspiration from, one of the earliest examples being The Haunted Castle (1896) by George Méliès. This short film explores the idea of vampires, set up by Bram Stokers Dracula. Since then the idea of vampires has been a popular subject throughout history, capturing the imagination of blood and gore for men and dark romances for women. Some more recent and popular examples of this being The Lost Boys (1987) and Interview With the Vampire (1994). Throughout the years, however, peoples ideas of horror change.
Bram Stoker’s Dracula Bram Stoker’s Dracula is a classic example of Gothic writing. Gothic writing was very popular in the 18th and 19th centuries. In the early centuries, Gothic writing would frighten the audience and it was also used as a style of architecture. Dracula, which was first published in 1897, would definitely cause a shock as there was a supernatural being, roaming around sucking people’s blood by the neck. Gothic literature usually includes vampires, monsters or some type of ancient mystical creature.
Driven by filmgoers’ fascination for thrills and chills, the horror genre has continued to scare, entertain and induce nightmares into all that succumb to the genre. Taking influence from the Victorian gothic novel, Mary Shelly’s Frankenstein (1819), horror is one of the most recognisable film genres thanks, in part, to the codes and conventions practiced during the production process of horror filmmaking. Film codes and conventions refer to ‘the rules by the which narrative is governed’ (Hayward, p 68), how film techniques are implemented to distinguish a films genre. This critical analysis aims to analyse one sequence from Sam Raimi’s 1982-film, ‘The Evil Dead’, and James Watkins 2012-film, ‘The Woman in Black’. Discussions will be made relating to the codes and conventions found in each film in which includes: iconography, mise-en-scene, cinematography, montage and sound, to emphasize that both films as fitting representations of the horror genre.