Frankenstein Play Review Essay

Frankenstein.

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The drama by Nick Dear is an edition of Frankenstein, a gothic fiction of creation and destruction, initially written by Mary Shelley. Exploring the folklore of Frankenstein demonstrates that the selections made by dramatists and scriptwriters echo cultural beliefs and social concern about the dread of advancement. Benedict Cumberbatch and Jonny Lee Miller, the protagonists in the production, double cast the role-plays of the Creature and the eponymous Victor Frankenstein. In this play review, the focus is to identify multiple elements of the art form, recognize the work’s intention, and assess the quality and success of the production using different elements. Attention is also, on how

In contrast to the original version of the book, the production by Nick Dear chooses to focus on the Creature instead of the doctor, Victor Frankenstein. It questions what humanity is, and the subject of nature versus nurture, evading a distinct classification of what is termed as decent and wicked. The Creature, neonate and deserted, unable to utter words and hardly capable of walking, is obligated to take care of himself. In the emotionless, forbidding world, he endeavors to seek for any compassion and sympathy among the humans. The Creature finally picks up how to walk and communicate, but then again he also grasps rage, hatred and the devious ability of deceit. As the play progresses, there is a demonstration of how the Creature’s soul is distorted by the improper treatment it agonizes. This leaves the audience with the realization of the kind of cruelty that the humans have instilled to the world. Nick Dear’s script maintains the insightful themes of the ethics of science, parental accountabilities, and human beings’ narcissism, inter