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Character of Victor in Frankenstein
Frankenstein literary analysis
Essay on victor frankenstein's character
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Recommended: Character of Victor in Frankenstein
Before meeting Frankenstein’s creature, I was convinced there were two possible answers to the question of whether Frankenstein, his creature, or neither existed. After I had finished reading the novel I was left with the conclusion that Victor Frankenstein is real, but his creature, and thus most of his story, is not.
First, I want to explain why Frankenstein would have a reason to make up this story/envision a creature. The first and most prevalent reason is the death of his mother and then his brother. While he was not a child when his mother died he was rather young: 17 (chapter 3). From the text, we learn about the utter despair Frankenstein feels as he states that “the void that presents itself to the soul; and the despair that is exhibited
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He then throws himself into his work so much so that he rarely even writes to his family, as he is supposed to do. This new world of university far from home, which can perturb even the most well-mannered students, slowly and surely wears down Frankenstein (which I will touch on further in a moment). There is no reconciliation with the death of his mother and instead we just see Frankenstein get more and more involved with his work until he inevitably gets sick and halts his “project” with his creature. Since Frankenstein’s obsession with bringing a creature to life occurs after his mother passes, it may be likely that he wishes to bring his mother back from the dead and the project of his creature is an ode to that. Not soon after he is better from an illness does his brother die. Yet again, he is affected by this death as he recounts Clerval’s reaction to the letter as Frankenstein’s countenance changes from “the despair that succeeded to the joy I at first expressed” (chapter 7). Both deaths weigh heavily on Frankenstein’s mind and, I believe, contribute to his hallucinations of a creature. Greif is a powerful emotion and can even cause hallucinations, though …show more content…
After spending months researching, and gathering objects, Frankenstein begins his experiment at “one in the morning” on “a dreary night” (chapter 5). Upon electrifying the body parts, Frankenstein claims to see “the dull yellow eye of the creature open” (chapter 5). I believe that this is all a hallucination of Frankenstein. First, it is late at night and the room is dimly lit. Dim lighting paired with a late night could easily cause Frankenstein to see things that are not there. Plus, after seeing this he immediately falls ill. It is possible that he was even sick before the experiment begins as he notes in the chapter before that “Every night I was oppressed by a slow fever” which of course can cause hallucinations (chapter 4). From this point on, most of his encounters with the creature can be discredited from Frankenstein himself who claims that “this state of mind preyed upon my health, which had perhaps never entirely recovered from the first shock it had sustained” (chapter 9). Not to mention, that before most of his encounters with the creature he is both alone and usually remarks about his own grief/issues as in this chapter where he states that “as I drew nearer home, grief and fear again overcame me” before he sees the monster on the following page (which is preceded by commenting on how gloomy and dark it is that night)
As Frankenstein is enroute to his pursuit of gaining more knowledge, he states, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). Frankenstein’s decision in allowing his intellectual ambitions to overpower everything else in his life leads him to be blinded to the dangers of creating life. He isolates himself from his society when creating the monster, letting himself be immersed in his creation while being driven by his passions, allowing nobody to be near him. The fact that he allows this creation of a monster to consume his total being reveals how blinded he is to the immorality of stepping outside the boundaries of science and defying nature. His goal in striving to achieve what wants to in placing man over nature makes him lose his sense of self as all he is focused on is the final product of his creation. He starts to realize his own faults as after he has created the monster, he becomes very ill and states, “The form of the monster on whom I had bestowed existence was forever before my eyes, and I raved incessantly concerning him” (48). His impulsive decision to make the monster leads him to abhorring it as it does not turn out to be what he has expected. Because he chooses to isolate himself in creating the
... When the Monster had not seen anything from Frankenstein for a while he went to go find him. He ended up on Walton’s ship standing in front of Frankenstein’s dead body (Shelley, 221). After the Monster realized that Frankenstein had died he no longer felt the need that he should live. He stated that if the one who had created him died then there will never be a creature like him to be made, so there is no reason for him to live (Shelley, 225). From here the Monster jumped out of the window and went to kill himself. The Monster knew that if Frankenstein died all hopes for another creature being created were gone. The Monster knew that if he did not have another creature like himself there was no point in living, so killing himself was the only other alternative in his eyes.
In Frankenstein, Victor Frankenstein creates a corpse from the body parts of random men. On a dreary November night, Frankenstein successfully reanimates the corpse. In a panic, Frankenstein leaves the newborn corpse and retreats to his room. Comparable to a child missing its parent, Frankenstein’s creation- henceforth referred to as “the creation”- hovers over him while he sleeps. Terrified, Frankenstein leaves his apartment and finds refuge in the city. The following day Frankenstein returns to his apartment to find it empty. Two years later, Frankenstein is in the wilderness and sees a figure moving
In Mary Shelley’s novel Frankenstein, Victor and his creature share many characteristics although they are opposing forces because of their differences. Even though our perception of Frankenstein is a creature created by a mad scientist during dark stormy day, waiting for a lightning bolt to strike the creature and yelling “It’s Alive!” the actual story in Mary Shelley’s novel, Frankenstein, has more depth and meaning to what Frankenstein and his creature really is. The story takes place during the late 18th century during Robert Wilson voyage through the Arctic Ocean. After many weeks at sea his ship suddenly gets stuck in ice, and becomes stranded as they wait for the ice to thaw out Wilson and his crew see a man on the verge of death on
The creature was created with the intention of goodness and purity but because of this, he wasn’t equipped to deal with the rejection of his creator. After Victor Frankenstein’s death, Robert Walton walks in to see the creature standing over his friend’s lifeless body.
Mary Shelley’s Frankenstein describes a mad scientist by the name of Victor Frankenstein and the initially amiable creature assembled by him. Through questionable means of experimentation, this monster is constructed through the reattachment of several cadavers and a bolt of lightning. Upon achieving the magnificent feat of reanimation, Victor, rather than revelling in his creation, is appalled, abandoning the creature. The physical appearance of the monster terrorizes everyone he meets and is unfortunately shunned from the world. The newborn monster develops a nomadic lifestyle after being ostracized by nearly every community he travels to, but eventually finds refuge near a secluded cottage. While returning from a nearby forest, the creature
If someone were to ask people who Frankenstein is they would probably describe a tall, hideous monster with bolts sticking out of its neck. But long before movies reinvented their version of the monster, there was a novel by Mary Shelley entitled Frankenstein. In her novel, the monster is shown as child-like and uneducated. But what really makes someone a monster? Who is the true monster of Mary Shelley’s novel? Victor and the Creature present similarities and differences in their action and character throughout the novel.
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
We again view his ignorance and irresponsibility when after spending two years of work on his creature he disowns and abandons the creature. He runs out of the room after seeing the creature come to life. He fled the room because he thought the creature was so hideous, even though he had chosen all the best body parts for its creation. When Frankenstein returns to the house when he “became assured that my enemy had indeed fled, I clapped my hands for joy”(55). Even after all his work he is ecstatic that this horrible beast has left him.
People’s impression of the Creature has become so twisted and turned by time and decades of false film posters and article titles that most use the name “Frankenstein” to refer to the Creature itself, rather than the scientist who created him! It’s a shame, he said! An understanding of literary history is a necessity to comprehend the truth of the Creature’s tragic history and how decades of film adaptations changed him into the hulking beast most people know him as today. Illustration from the frontispiece of the 1831 edition of Shelley’s Frankenstein novel by Theodor von Holst. First of all, Mary Shelley describes the Creature as "yellow skin scarcely covering the work of muscles and arteries beneath; his hair was luxurious black, and flowing; his teeth of pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight Despite his appearance of a "monster" the original Creature portrayal is that of a sensitive, intelligent being rather than a nonspeaking idiot and killing machine.
After his mother dies, Frankenstein attends a university in Ingolstadt, where Professor M. Krempe influences him to change his major from alchemy to the study of natural philosophy. Throughout Frankenstein's study of natural philosophy, he becomes "acquainted with the science of anatomy: but this was not sufficient, [he] must also observe the natural decay and corruption of the human body" (Shelley 30). Frankenstein's obsession with the study of anatomy causes him to isolate himself in his apartment from family, friends, and society and slowly develop the creation of a creature, imagining the creation of a new race of wonderful beings. The creation of the monster to Frankenstein is an "initial romantic animation slowly eroded by the materialism of his construction, alienating him from the rest of humanity and transforming him into nothing more than a metaphor of the rampant scienti...
Imagine an eight-foot-tall, misshapen human child. You might complain that this is contradictory - but do it anyway. Imagine some sort of humanoid being with the mind of a human child in an eight-foot body, green with a nail in its head if you want. This is what Frankenstein's creature is. Frankenstein's creature is mentally a child, and we see its evolution through traditional child development in the course of its narrative. But the creature is the only member of its species, and therefore its narrative can be taken to represent the history of an entire species - the creature's first experiences can be viewed as an amalgam of creation myths.
A monster is usually viewed to be a supernatural creature that humans judge based on looks and not necessarily on personality. In the novel, Frankenstein written by Mary Shelley, the monster is a creature Victor creates but abandons immediately because he is horrified by his own creation. Due to the monster’s appearance, society does not give the creature a chance to show his true self. Therefore, the monster faces an external conflict because of Frankenstein’s and society's rejection, making it difficult for him to blend into his new life. Victor creates the monster because of his unusual compulsion of aspiring to be like God. However, Victor does not know how to treat or be responsible for his creature. Victor Frankenstein is the true monster
For Frankenstein created a monster who had no identity, and was willing to murder all of Frankenstein's loved ones if Frankenstein did not create another female creature. Victor Frankenstein refused to create another female monster to accompany his monster. Thus, the monster felt that he had no choice but to take away Frankenstein's family, just to show how Victor Frankenstein would feel being alone in the world. The murder of William Frankenstein (Victor's younger brother) caused Victor to believe that his own creature had murdered his younger brother because "nothing in human shape could have destroyed that fair child." (Frankenstein, pg.74) Frankenstein knew from then on that he had "turned loose into the world a depraved wretch, whose delight was in carnage and misery." (Frankenstein, pg.74) Frankenstein's monster caused "the death Frankenstein not only blamed the murders of his loved ones on his monster, he blamed himself for creating the monster. Throughout Frankenstein, the words "friend, monster, daemon, vile insect, enemy, and abhorred devil" were used by Frankenstein to describe the monster he had created.
“The doctor [Victor Frankenstein] and his monster represent of one another and their relationship mirrors that of the head and the heart, or the intellect and the emotion. In this context, the monster’s actions have been viewed as manifestations of the doctor’s—and Shelley’s—repressed desires” (Bomarito and Whitaker). The motif of doppelgänger is established when Victor created the creature. As Victor is alone and obsessed with science, he resorts to creating a “being of a gigantic stature, that is to say, about eight feet in height, and proportionally large” (Shelley 38). Whenever the creature comes to life, Victor is frightened and flees from the creature, even though he does not realize, that he has subsequently created a double of himself.