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narrative trsucture in frankenstein
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Frankenstein
The novel begins in a frame narrative: Robert Walton, the captain of a ship, recounts his adventures through a series of letters to his sister back in England. Walton encounters Victor Frankenstein in the seas near the North Pole and is told his story, and the major part of the novel consists of Frankenstein's narration of his strange adventures.
Victor tells Walton of his early life in Geneva and his close relationships with his cousin, Elizabeth Lavenza, who had come to live with his family when her mother died, and his friend Henry Clerval. Victor eventually goes to the university at Ingolstadt and begins to study natural philosophy and chemistry. During this time, he becomes consumed by the desire to discover the secret of life and finally succeeds. He fashions a creature out of old body parts and animates it one night. However, the creature appears so horrible that he runs away, allowing the creature to escape.
Shortly afterwards, Victor is preparing to return to Geneva when he receives a letter from his father telling him that his youngest brother, William, has been murdered.
Victor hurries home and, on the way, sees the monster in the woods and becomes convinced that the creature murdered William. He arrives home to find that Justine Moritz, a girl who had lived for some time in the Frankenstein household, has been accused of the murder. She is tried, condemned, and executed, despite her assertions of innocence, and Victor becomes despondent a...
Before leaving Victor, his mother died of scarlet fever, and the family was left in the care of Frankensteins Elizabeth. Victor zealously took up the study. It turned out that the work of medieval alchemists who was fond of the young man, hopelessly outdated, so he had to study modern science, especially chemistry, with the basics. After two years, Victor has achieved great success. Fascinated by physiology, he decided to identify "where lurk start in life," and soon reached his goal - to open a way to revive the lifeless matter. To apply the knowledge in practice, he gathered from various parts of the body found in the morgues, tombs and in slaughterhouses. Victor dreamed of a perfect being, a new breed of
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
Victor Frankenstein is a 16 year old boy who enjoys his life in Geneva. His family includes: his mother, father, distant cousin and his brothers, the most important being his twin. His twin brother Konrad is much more charismatic, he is loved by all and has won over the heart of Elizabeth, their distant cousin. On a normal sunny day the Victor, his brother and Elizabeth stumble upon a secret library that holds books of alchemy. While searching through the books, they find the elixir of life. They are then scolded for being down there, and they are warned that alchemy is illegal in their time. When his brother suddenly
Compassion and empathy are often described as human-kind's greatest quality. Yet, many things can distract or overpower our compassion to allow room for things like cruelty, selfishness, and the need for vengeance. In Mary Shelley's Frankenstein, Victor Frankenstein has no compassion for his creation; however, his creation is born with large amounts of compassion, but Frankenstein ignores and abuses his monster. Victor’s lack of compassion towards the monster, makes the monster lose his own compassion in a need for vengeance to make his abuser feel the same pain he does.
The plot deals with the conflict that is inside Victor Frankenstein, who produces a monstrous creature. Victor is disgusted at the site of the creature he has created. "I had gazed on him while unfinished; he was ugly then, but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived"(43). After Victor rejects the monster, he meets a family that brings out his sensitive side. When these people reject him, the creature destroys everything in sight. "I was like a wild beast that had broken the toils, destroying the objects that obstructed me and ranging through the wood with a staglike swiftness"(121). The innocent Justine is accused of a murder, committed by the creature, and dies, therefore increasing Victor's feelings of guilt and his need for revenge. Victor makes it his mission to destroy the monster, who has been ruining his life. The monster threatens to be there with Victor on his wedding night. Victor interprets this as a threat against his own life, but instead finds his wife, Elizabeth, murdered. "She was there, lifeless and inanimate, thrown across the bed, her head hanging down and her pale and distorted features half covered by her hair"(179). The next paragraph discusses how loss of innocence was portrayed through setting.
obtain love from something , it is easy and very possible to have love for
because of the way he is just abandoned by Victor and the way in which
In today’s world of genetically engineered hearts and genetically altered glowing rats, the story of Frankenstein, by Mary Shelley, seems as if it could be seen in the newspapers in our near future. The discoveries seen in modern science, as well as in the novel, often have controversy and negative consequences that follow them, the biggest of which being the responsibility the creator of life has to what has been created. Victor Frankenstein suffers from a variety of internal and external conflicts stemming from the creation of his monster, which in return also experiences similar problems. Shelley uses these tumultuous issues to portray the discrepancies between right and wrong, particularly through romanticism and the knowledge of science.
Victor Frankenstein creates a creature that he considers to be treacherous. Since the creature was created it obtains no knowledge of what it is or what is happening. Victor abandons the creature and the creature becomes filled with hate as it is constantly rejected by humans. The creature uses nature to survive. The creature also self teaches himself and becomes aware that he is a monster. He then swears to get revenge on Victor for leaving him alone. He gets his revenge by killing Victor's family. Victor then swears to get revenge on the creature, and decides that the best way to do so is by bringing the creature as far away from human civilization as possible. Thesis?!
What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor Frankenstein. The novel looks at “Monstrosity” and “Humanity” in a deeply analytical way.
Mary Shelley’s Frankenstein opens with Robert Walton’s ship surrounded in ice, and Robert Walton watching, along with his crew, as a huge, malformed "traveller" on a dog sled vanished across the ice. The next morning, the fog lifted and the ice separated and they found a man, that was almost frozen lying on a slab of floating ice. By giving him hot soup and rubbing his body with brandy, the crew restored him to his health. A few days later he was able to speak and the stranger, Victor Frankenstein, seemed distressed to learn that a sled had been sighted prior to his rescue from the ice. Then he began to tell his story.
Victor is jailed because he is suspected of murdering his friend Henry Clerval. The murder occurs the previous night and there are witnesses that say they saw Victor acting suspiciously during the night.
How do people change in times of crisis and tragedy? In the novel “Frankenstein” by Mary Shelley, Victor learns a lesson in thinking before acting. Before creating the monster, he only cares about his studies and is relatively happy. After his creation, his studies become his phobia and his creation (which, while constructing him, used to be his love) became his tormentor. In the end, he learns his lesson and stops himself before committing the same mistake again. In creating life, one learns to live life a little wiser.
Although “Frankenstein” is the story of Victor and his monster, Walton is the most reliable narrator throughout the novel. However, like most narrator’s, even his retelling of Victor’s story is skewed by prejudice and favoritism of the scientist’s point of view. Yet this could be attributed to the only view points he ever gets to truly hear are from Victor himself and not the monster that he only gets to meet after he comes to mourn his fallen master.
Every artist draws inspiration from somewhere, and the inspiration shows in their work. When looking deeper into the life of Mary Shelley, it is easy to say that the inspiration she drew to create her novel Frankenstein, came from her own personal experiences. Frankenstein is riddled parallels to Marry Shelley’s own life. It was not just by mere coincidences either, Mary Shelley makes various references to family members (specifically by name), places she visited, and situations she faced, herself, all of these experiences are documented in her novel Frankenstein.