"Frality Thy Name is Woman"

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The term “woman” is defined in the dictionary as an adult female human being having characteristics such as courtesy, kindness, gentility, and nurturing abilities. They are bearers of children and so forth on. Women are considered the opposite sex of men and in past times as slaves of men. Women have many rights in these days. Women can work, vote, and handle things just as men can. In the past, women were seen as just mothers and just housekeeper. Women were always taught to respect, listen, and serve their husbands or father if they were not married. In the past, this was considered a standard, therefore women had no choice, but to obey and do as they were told. In Hamlet, Shakespeare portrays a similar relationship between men and women. He allows men to hold the higher position in the drama. Women are treated as lesser people, and the belief that women should listen to them, and do as men tell them to, is upheld throughout the play. Women are portrayed in one of two ways; virtuous or promiscuous. Shakespeare uses the character Hamlet to exhibit how men in this era view women. The two main female characters in this play are Gertrude and Ophelia. Shakespeare and Hamlet portray women as either pure, like Ophelia, or impure, like Gertrude. The real question is why do women seem to impact the actions and thoughts of the main character, Hamlet, so much? This research topic, “Frailty thy name is woman”, asks us to look at Hamlet’s view of these two women.

Hamlet appears to have a lot of serious issues with the important women in his life throughout this drama. Reasonably enough, Hamlet has issues with just about everyone in his life, men or women alike. There are only two female roles in the play; therefore, interpreting whether H...

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... conclusion, Gertrude is seen as a promiscuous and tainted woman and Ophelia is the complete opposite, pure and virtuous. Hamlet sees them both as frail and weak without men to direct them. The surly disposition that Hamlet is positioned in throughout the play depicts his just feelings for women.

Works Cited

• Shakespeare, William, Hamlet. Edited by Barbara A. Mowat, and Paul Werstine New York: Washington Square, 1992.

• Bradley, A.C. Shakespearean Tragedy. New York: St. Martin's Press, 1966.

• Burnett, Mark, ed. New Essays on Hamlet. New York: AMS Press, 1994.

• Evans Lloyd Gareth. Shakespeare IV. London: Oxford university Press, 1967.

• Granville-Barker, Henry. Prefaces to Shakespeare. New York: Hill and Wang, 1970.

• Loske, Olaf. Outrageous Fortune. Oslo: Oslo University Press, 1960.

• Muir, Kenneth. Shakespeare and the Tragic Pattern.

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