Through out time tragedy has been occurring. It is seen in our everyday lives and has been portrayed in writings, plays, and movies and within those tragedies there is a tragic hero. When the word hero come to mind people tend to think of someone like Superman or Batman, someone courageous and has heroic quality, performing heroic deeds. But a tragic hero could not be farther from that. A tragic hero is usually someone of high status or a member of royalty. They have a tragic flaw or personal weakness that lead to their downfall. The idea of a tragic hero comes from ancient greek plays, which were developed from their religious stories. Many of these play were written by Sophocles; an ancient greek playwright. Sophocles’ work mostly consisted of tragedies, Aristotle - a Greek philosopher - observed Sophocles’ plays and defined tragedy and tragic hero. In the play Antigone by Sophocles, the headstrong King Creon is the tragic hero. His stubbornness and his concern of what other think of him leads to his disgrace. Whereas in The Tragedy of Julius Caesar by William Shakespeare The honorable Brutus is the tragic hero. Brutus’ honesty and being overly trusting leads to his demise. In these two plays the tragic hero are very different, but they are both still considered tragic heros. They both have tragic flaws, but Brutus is still considered a integrable man inspite of his flaw, whereas Creon is considered to be dishonourable by his flaw. Both Brutus and Creon stood up for what they believed was but right but Brutus is the most tragic of the two.
In the play Antigone King Creon is the tragic hero. His tragic flaw is his stubbornness and pride. His stubbornness leads to the imprisonment and eventually the suicide of Antigone. ...
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...ut. They feel bad for him because his stubbornness caused the death’s of his family members, but they also feel fear because of what happened to him. They think If Creon was a king and something this horrible could happen to his , what is there to say that something this horrible can not happen to an average citizen, They will try to adjust their lives so that something like this will not happen to them. It makes them look at the Moral aspects of their life and make them want to change, so they will not be stubborn and prideful and will not end up like King Creon, and that is exactly what a tragic hero is meant to do. Sophocles wrote the play Antigone tache the audience morals and that what a tragic hero is supposed to so, and King Creon accomplishes this the best, That is why Cron is the beAt illustration of a tragic hero.
The Tragedy of Julius Caesar by William Shakespeare is the story about the men who conspired and followed through with the assassination of the great Julius Caesar. These men fear that Caesar will take the crown and become the next king of Rome. The roman people had a true averse feeling toward the idea of monarchy. So in order to prevent this they come up with a plan to end Caesars life, which is duly followed through on March 15, 44 B.C. Out of these conspirators there is one man that stands out to be a tragic hero, and that is a man by the name of Brutus. He was a great friend of Caesar who ultimately became one of Caesars worst adversaries. He betrayed Caesars trust and friendship when he agreed to be part of the assassination plot. A tragic hero is someone who is in a place of high standings or a place of power. This leads to a huge fall from greatness to death. A tragic hero must have many deep complex character flaws that are revealed throughout the course of the story. They then must ultimately accept responsibility for their mistakes; along with being humbled and enlightened. Brutus demonstrates all of the attributes of a tragic hero.
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
The tragic hero is one of literatures most used (and sometimes abused) characters. The classical definition of a tragic hero is, “a person with heroic or potentially heroic qualities. The person is doomed by the Gods or some other supernatural force to destruction or suffering. The hero struggles against the fate, but due to a personal flaw, ultimately fails in the battle against fate. It is my personal opinion that Brutus,as he is portrayed in Shakespeare’s Julius Caesar, is a tragic hero by this definition. I came to this conclusion due to the fact that Brutus shares many similarities with other tragic heroes in literature such as Oedipus, Hamlet, and Ralph from Lord of the Flies. All four characters share the two critical traits that are needed to be tragic heroes: a tragic flaw that eventually leads to a tragic downfall. The tragic hero was defined by Aristotle, yet the “invention” of the tragic hero goes to Sophocles.
In the world today people consider a hero to be someone like Superman or Spider-Man. In the dictionary a hero is considered or defined as a person of distinguished courage or ability, admired for their brave deeds and noble qualities. Though a hero is thought to be free of mistakes they all have tragic flaws like everyone else. A tragic flaw is explained by Aristotle’s definition, which says that: a tragic hero as a character of great reputation and prosperity whose misfortune is not due to depravity or vice, for the hero is a virtuous man or woman but to an error in judgment resulting from a tragic flaw. Sometimes this flaw is an excess of virtue. In The Tragedy of Julius Caesar by William Shakespeare people are arguing over who is the perfect tragic hero Julius Caesar or Marcus Brutus. They both fit the criteria of a tragic hero, but Marcus Brutus proves to be the better and more fit of the two.
A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero, but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end. In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
A tragic hero is defined as a person of high social rank, who has a tragic flaw or flaws that lead to their downfall. These heroes’ downfalls are usually either complete ruin or death. Tragic heroes face their downfall with courage and dignity. While many characters in Julius Caesar could fit these conditions, the person who fits the role of a tragic hero the best is Marcus Brutus. Brutus develops into a tragic hero throughout the play, and this is shown though his qualifications of a tragic hero, his high status, his tragic flaws, and his courage in the face of his death.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
Antigone could also be referred to as a tragedy sub-genre. Tragedy "recounts casually related series of events in the life of a person of significance, culminating in an unhappy catastrophe, the whole treated with dignity and seriousness" (554). Antigone is one of Sophocles' many famous tragedies. It is centered around the tragic outcome that may take place in the occurrence of being prideful. Sophocles portrays that pride can result in tragedy and in disaster. In the story, Creon is prideful as his position of King and he ultimately brings his city to ruins. "Tragedy" played a major role in the story.
The definition of a tragic hero is perceived as on who is neither wicked nor purely innocent, one who “is brave and noble but guilty of the tragic flaw of assuming that honorable ends justify dishonorable means”. In The Tragedy of Julius Caesar, Brutus takes the role of the tragic hero. Brutus’s honor, nobility, and self-righteousness makes him “a tragic figure, if not the hero” (Catherine C. Dominic).
In Sophocles’ play Antigone, the character of Creon exemplifies a tragic hero more than the characters of Antigone or Medea because he experiences a fall from grace and his prosperous position, possesses a tragic flaw, and accepts the responsibility of his actions in a way that does not blame anyone and “shows enlightenment and growth”, all in accordance with Aristotle’s definition of a tragic hero. (“Connections: A Theory,” 2000).