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Appropriation in art issues
Appropriation art essay
Appropriation art essay
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INTRODUCTION
Discuss how appropriation relates to postmodern artists.
– How they find their identity
• Introduce the main artists.
• A statement identifying my chosen practitioners and the postmodern characteristics that are evident in their work.
• A statement outlining why the practitioners’ works are relevant to postmodernism.
• An overview of key authorities, their publications and 3 key arguments (main points of difference and similarity between the artist) that will be elaborated on in the essay.
• Different perspectives between various researchers
‘Copying, reinterpreting, quoting, and translating are all terms that have been utilized as alternative descriptions for the phenomenon known as “appropriation”, the action of taking or making use of something without authority or legal right. This practice often involves borrowing, mimicking, or even stealing, and it is highly contested and criticized in the contemporary art world’ (Gorman, C 2013, p. 215).
From Masami Teraoka and Yasumasa Morimura, these contemporary artists depict the appropriation in their art with various concepts.
B1 – HISTORICAL / CULTURAL INFLUENCE OF APPROPRIATION
How these effect to the art movement and artists.
• The effect of globalisation on appropriation
• Studies of acculturation
i) World War 1 and World War 2
ii) Colonialism
iii) Globalisation - Consumerism
Define what appropriation means when applied to the works. And make a general statement about how or why the two artist uses appropriation.
• Different perspectives research
It was a small genre of art, but now this concept represent the post-modern value. Via history, the post-modern appropriation brings various aspects such as cultural appropriation and gend...
... middle of paper ...
...6-269, retrieved 13 April 2014 from http://mind.oxfordjournals.org.libraryproxy.griffith.edu.au/content/119/473/266
List of Images
Fig. 1 Masami Teraoka 31 Flavors Invading Japan / Today’s Special (1982)
Source: MASAMI TERAOKA, retrieved 13 April 2014 from http://www.masamiteraoka.com/print.html
Fig. 2 Masami Teraoka McDonald’s Hamburgers Invading Japan (1982)
Source: MASAMI TERAOKA, retrieved 13 April 2014 from http://www.masamiteraoka.com/print.html
Fig. 3 Yasumasa Morimura Self-Portrait - After Marilyn Monroe (1996)
Source: London Contemporary Art Gallery, retrieved 14 April 2014 from http://www.saatchi-gallery.co.uk/artists/artpages/yasumasa_morimura_marilyn_monroe1.htm
Fig. 4 Marilyn Monroe Wallpaper 2907 (1925-62)
Source: HDWS, retrieved 14 April 2014 from http://hdwallsource.com/marilyn-monroe-wallpaper-2907.html
In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
Many of these artists' works contain subtle hints to the author's opinion on the subject. By analyzing their central compositional effects, the viewer can obtain a greater appreciation and understanding for the art.
The word “original” is often used to describe paintings that have been manufactured by hand, but it is not clear whether hand-made copies of work are still considered so. When an artist copies another’s art, is his own art original now that it has been tainted by the thoughts’ of others? The poem “To A Mouse” by Robert Burns served as inspiration for John Steinbeck when writing the famed tragedy “Of Mice and Men.” Steinbeck, a Nobel prize-winning author, set many of his books during the Great Depression or the California Dustbowl, times when the future seemed bleak. In Of Mice and Men, man-child Lennie and his “father figure” George form an unsuspecting friendship, and set off into the world with their dreams of one day buying land and settling down. The characteristics of these protagonists are directly taken from the Burns’ poem, which describes similar characters. Is such a close emulation detrimental to the value of originality in the work? Steinbeck believed that “only through imitation do we develop toward originality,” a motif seen in Of Mice and Men. Inspiration is necessary for all art, but by exploiting Burns’ poem, Steinbeck bastardizes the innocence of originality.
told a story through their artwork. All the different artists had different mediums and ways of expressing
The young men have, in the course of this night, authored a “piece,” a work of graffiti. In the traditional sense, authorship is defined as the creation of the work. In such a sense, one of these young men is the author of the piece. One of the artists claims the piece as his own, and gives credit to the other two for “assis...
Marx uses the term ‘postcapitalist appropriation’ to denote not theory, but neotheory. However, Lyotard’s analysis of constructivism holds that the media is part of the collapse of art.
Before you begin reading this paper, look through the appendix. Are you shocked? Disgusted? Intrigued? Viewers of such controversial artwork often experience a wide spectrum of reactions ranging from the petrified to the pleased. Questions may arise within the viewer regarding the artistic merit and legitimacy of this unorthodox artwork. However, art's primary purpose, according to Maya Angelou, “is to serve humanity. Art that does not increase our understanding of this particular journey or our ability to withstand this particular journey, which is life, is an exercise in futile indulgence” (Buchwalter 27). To expand on Angelou's analogy, because everyone experiences a different life journey, art is different to everyone. In other words, art is subjective to the viewer. The viewer creates his own definition of what is art and what is not art. Some may recognize the artistic value of a piece of artwork, while others may find it obscene. Some may praise the artwork, while others will protest it. Censorship is derived from these differing perspectives on artwork. Through censorship, communities seek to establish boundaries and criteria that limit an artist's ability to produce “proper” artwork. However, some artists choose to ignore these boundaries in order to expand the scope of art and, in their view, better serve humanity.
Postmodernity is said to be “a reaction against the Modern movement” (Nicol 2009) and has shown a complete disregard for many aspects of art and design that were popularized during modernity, including: legibility, the grid, and use of a clear hierarchy. Postmodernism, as an art movement, aims to create works based on an independent style. Nothing is new in postmodern art, in a sense that something always comes from something else.
The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly debates with art historians and researcher, and objecting to how they claim there is a general state of how art is read. She structures her paragraphs in ways that allows her to present different kinds of evidences from a variety sources while using a formal yet persuasive tone of voice to get her point across to the reader.
In our new age, social media-strained society, you will find different artists expressing their ideas on a controversial topic. One of the controversial topics is Cultural Appropriation. Cultural Appropriation is a “sociological concept which views the adoption of the use of elements of one culture by members of a different culture as a largely negative phenomenon (James Young).” Consequently, many see it as an appreciation of a culture, while others feel it is a degradation of one. However, cultural appropriation should not be used as fashion, or blatant ignorance without knowledge of the culture first hand.
“Cultural appropriation refers to picking and choosing elements of a culture by a member of another culture without permission” (O’Reilly). For example, white people steal certain parts of African American culture. They exploit it, misuse it, and whitewash it. “Exploiting a culture deprives the culture of the credit they rightfully
1. Hunter, Sam and Jacobs, John. Modern Art, 3rd Edition. The Vendome Press, New York, 1992.
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This notion of Abstract Expressionism has become an interesting factor between the Contemporary arts making of Abstract arts, specifically paintings. When approaching Artworks from Contemporary Abstract painters, the subject matter dives deeper in meaning than the actual artwork before the viewer. From an outward appearance, some paintings from artist, such as, James Little, juxtaposed to works by Odili Donald Odita, have a lot of formal similarities within the uses of geometrical shapes and balancing colors. However, understanding the means to why each artist paints the way they do, will actually become rather different from first approaching and accessing the paintings.
Over the years many artists and art historians, such as Giorgio Vasari, Pablo Picasso, Paul Rand and Marcel Duchamp, have explored the definition of art. This essay will look at the opinions of these individuals and explore the concept of art by looking at various art movements, such as Dadaism and Cubism, which have influenced the definition of art, as we know it today. In this essay, I will also discuss the two elements of art; form and content, as well as how they are key to any discussion about what makes “good art” and “bad art”.