Finding Truth in Lies in A Farewell to Arms
The foundation of Hemingway's A Farewell to Arms is based on lies. Hemingway exposes the reality, or truth, of love and war by presenting the story of Lieutenant Henry and Catherine Barkley, lives ironically entrenched in lies. Henry in particular assumes a different role at every turn, pretending, for example, to be a soldier, a civilian, a doctor or Barkley's dead fiancé.
The lies in Henry's life begin when he joins the Italian army. Here, he pretends to be "one of the guys," silently siding with their bawdy humor and macho activities and not the morality of the priest. Hemingway best displays this conflict in the scene where the priest urges Henry to visit Abruzzi while the captain insists Henry visit Naples' whorehouses. Henry says nothing during this conversation. However, his silence shows Henry does side with the priest. Ultimately, Henry joins the captain at the bordello, the equivalent of conceding to peer pressure. The soldiers traditionally see sexual conquests as a prerequisite for the lifestyle of war and violence, and by following this precedent, Henry plays along with this stereotype even though he would rather be in the comfort of Capracotta, welcomed by the priest's family.
Just as Henry pretends to be a soldier, he later pretends to be a civilian. When mistaken for a spy during the retreat, Henry escapes but hides his identity as a soldier as not to be recognized and punished as a deserter. A proprietor of a wine shop warns Henry "Do not go out with that coat. ... On the sleeves it shows very plainly where the stars have been cut away" (Hemingway, A Farewell to Arms, 239). Henry has made an effort to veil his rank and avoid capture. Later, ...
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... room," Henry changes his mind (318). Now that Henry plays the role of a doctor, if the doctor can eat, so can he: "At two o'clock I went out and had lunch" (318). Henry even goes so far as to say he looks "like a fake doctor with a beard" and begins giving orders to the nurse when the real doctor is absent such as "get another cylinder" (319, 322). Henry pretends to be a doctor, thrown into this role by the situation and playing it very convincingly.
After reading this novel, I still do not have a true understanding of the character of Henry. He plays so many different roles, I do not know whether to view him as an authentic lost soul or the ultimate con man. Every aspect of his life is a great game of "let's pretend" - when do the lies stop?
Works Cited
Hemingway, Ernest. A Farewell to Arms. New York: Simon & Schuster, 1995.
Henry's first-person narrative is the most important element of these stories. Through it he recounts the events of his life, his experiences with others, his accomplishments and troubles. The great achievement of this narrative voice is how effortlessly it reveals Henry's limited education while simultaneously demonstrating his quick intelligence, all in an entertaining and convincing fashion. Henry introduces himself by introducing his home-town of Perkinsville, New York, whereupon his woeful g...
The first time Henry's flaw gets him in trouble is in chapter 10 and when he gets his chance to go into battle he flees. He at first thinks the war is boring but he soon learns that war is very frightening. When Henry flees he also shows insecurity when he tries to make up an excuse for why he wasn't with the rest of the regiment. Henry thinks very poorly of himself at this point and really anyone would run from a war, I don't think he was ready.
In conclusion, I think Henry was not a hero in this novel, in fact I thought he acted more like a coward. Though during brief periods of time Henry physically acted heroically, his moral character was weak, trying to cover up his psychological wounds with self-justification and delusion. I think towards the end of the novel Henry abandons the notion of becoming a hero, mostly because it is unrealistic. Instead, he settles with a more humble title of being a man.
Shirley Jackson’s “The Lottery" is all about how an old tradition as the lottery exceeds our expectations. First by giving us the readers the believe that the price of the lottery would be something great. Making us questioning the results and why to do this with no explanation at the end. Teaching us how traditions are that don’t make sense are killing because Society is clinging to this traditions and practices.
Shirley Jackson's, The Lottery, has raised questions in the back of every reader's mind towards the destructive yet blind rituals of mankind. A reflection of ourselves is what we see when looking through the pond of Jackson's mind. The Lottery clearly expressed Jackson's feelings concerning traditional rituals through her story, opened the eyes of its readers to properly classify and question some of today's traditions as cruel, and allowed room to foretell the outcome of these unusual traditions. Jackson's feelings towards the misuse of tradition as an excuse to cause harm have triggered her creativity for the creation of The Lottery. Jackson obviously saw examples of this misuse of tradition and ingeniously placed it into an exaggerated situation to let us see how barbaric our actions are. The townspeople, in the story, all come together for the annual lottery; however, in an interesting twist, those participating stone the winner to death. Everyone in the story seems horribly uncivilized yet they can easily be compared to today's society. Perhaps Jackson was suggesting the coldness and lack of compassion the human race can exhibit in situations regarding tradition and values. The People who were stoned to death represented values and good being as the townspeople, who represented society, cold-heartedly destroyed them ( Jackson 79 ). Immediately after reading The Lottery, one can compare the ritual, in the story, to some of today's barbaric traditions in a new point of v...
After the town is described, some of the townspeople are introduced such as Mr. Summers who is in charge of the activity as well as many of the other town activities (Jackson 1). As the story progresses it shows how strong the tradition is in this particular village – not only do the people follow this ritual, but, they do not even change the box because the tradition that the box carries from the original villagers (Jackson 1). At the same time, however, the use of paper instead of wood chips shows that though tradition may be strong, growth justifies change (Jackson 1). Even throughout the description of the event it is evidently clear that this village is rooted in its ways and their tradition is solidified (unless absolutely necessary for change).
...popular. Shirley Jackson succeeded in writing a story that shocked the readers and gave them a new outlook on preserving traditions and imperfections of society. The human sacrifices that occur every year with the lottery show that some traditions are brutal and need to be reconsidered. Some of the symbolism such as the lottery, the black box, and the characters help bring about the theme of the short story. Ultimately, Shirley Jackson’s The Lottery shows just how individuals follow traditions and people in front of them by conforming to society.
The reaction of one soldier to another is the basis of war, as camaraderie is the methodology by which wars are won. Henry gave witness to the horrors of war, the atrocities of battle, the deaths of his friends, and later a life of victory. The ultimate transformation in Henry's character leading to a mature temperament was found by finding himself in the confusion of war and companionship.
Henry suffers from retrograde amnesia due to internal bleeding in the part of the brain that controls memory. This causes him to forget completely everything he ever learned. His entire life is forgotten and he has to basically relearn who he was, only to find he didn’t like who he was and that he didn’t want to be that person. He starts to pay more attention to his daughter and his wife and starts to spend more time with them.
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
A Farewell to Arms, by Ernest Hemingway, is a story about love and war. Frederic Henry, a young American, works as an ambulance driver for the Italian army in World War I. He falls tragically in love with a beautiful English nurse, Miss Catherine Barkley. This tragedy is reflected by water. Throughout the novel Ernest Hemingway uses water as metaphors. Rivers are used as symbols of rebirth and escape and rain as tragedy and disaster, which show how water plays an important role in the story.
A Farewell To Arms written by Ernest Hemingway illustrates a typical love story between two people, this love story plays out in a war torn Italy during world war I, where Italy was battling Austria, the novels main characters, lieutenant Fredrick Henry an American ambulance driver serving in the Italian army and Catherine Barkley an English volunteer nurse who served in Italy. The novel portrays Henry as a drunk who traveled from one house of prostitution to the next, he was not happy with his lifestyle. Henry feels detached from life and is on a quest for identification, he gives a particular insight about how he feels about women “clear, cold and dry”. Henry loved to play the role of a womanizer. He is isolated from his family and compatriots. He is an American fighting a war in another country. In my opinion Henry is emotionally exhausted and it appears he has no place to go. Henry meets Catherine Barkley, near the front between Italy and Austria-Hungary. Catherine suffered during this war before she met Henry. Catherine had lost her fiancé during this war. She was startled by rain in her nightmares. She perceived rain as death. At first Henry wanted to seduce the nurse, to him it was a game, he had told the nurse that he loved her, but she had caught on to his game. Catherine confronted Henry and told him what she thought of his game. He was severely wounded on one of his runs. Henry was sent to the American hospital where Catherine worked. That is where he actually began to fall in love with her. He fully recovered and returned to the war-front, during a retreat the Italians started to fall apart. Henry shot an engineer sergeant under his command for dereliction, later in the confusion Henry is arrested by the battle police for the crime of not being Italian. He is disgusted with the army and facing death at the hands of the battle police during questioning. Henry decided he has had enough of the war, he ran into the river to escape. After swimming to safety, Henry boards a train to reunite with his love Catherine whom is pregnant with his child. Here is where he meets with an Italian bartender who will help him escape to Switzerland by boat. Henry and Catherine plan to get married soon after the baby is born.
Literary elements are demonstrated throughout the story and further improve our understanding of the central idea. The setting is important to the central idea because it shows the reader the type of society being described in the story. The language is also important to the central idea because it contains metaphors which further prove that the people are afraid of going against tradition because they are scared of being the target of violence. The conflict contributes to the central idea as well, because there are many examples of the society going against character, Mrs. Hutchinson, for not respecting the traditions put in place. The central idea is important to our understanding of the story because it sums up the main objective and furthers our
In Book I, the army is still waiting for action, and the world is one of boredom with men drinking to make time go by and whoring to get women. War itself is a male game; ”no more dangerous to me myself than war in the movies” (34). Love is also a game. When Henry meets and makes his sexual approach to Catherine Barkley he is only trying to relieve war’s boredom; ”I knew I did not love Catherine Barkley or had any idea of loving her. This was a game, like bridge, in which you said things instead of playing cards” (28).
The state of affairs and the grim reality of the war lead Henry towards an ardent desire for a peaceful life, and as a result Henry repudiates his fellow soldiers at the warfront. Henry’s desertion of the war is also related to his passionate love for Catherine. Henry’s love for Catherine is progressive and ironic. This love develops gradually in “stages”: Henry’s attempt at pretending love for Catherine towards the beginning of the novel, his gradually developing love for her, and finally, Henry’s impas... ...