In Judith Halberstam’s piece “Female Masculinity,” she offers the audience a few potential definitions of the term ‘masculinity’ and how the term applies to “feminine masculinity.” She states that “although we seem to have a difficult time defining masculinity, as a society, we have little trouble recognizing it” (935). Halberstam suggests that female masculinity is often blatantly ignored in culture and studies due to the indifferent feeling often associated with the topic. Halberstam uses her essay to explain a variety of aspects associated with female femininity like tomboys, queer methodologies, and the bathroom problem. Halberstam’s description of the term ‘Tomboys’ is reminiscent of the character Emily Fields from the Pretty Little Liars book series by Sara Shepard. Progressing through middle school with a group of ‘girly’ friends, Emily is easily labeled with the term ‘tomboy’ due to her sporty exterior. Her overly conservative Christian family and classmates see no ‘threat’ or meaning behind Emily’s tomboy appearance because they believe it is just a stage in her life. As soon as Emily enter tenth grade and starts hanging out with a homosexual female, her family and classmates grow concerned about Emily’s masculine looks and behaviors. In the book titled Prettty Little Liars, one of the liars, Emily’s evident masculine ways raises concern to her thesis-go back and fix it .
Emily displays female masculine characteristics from an early age but her appearance, attitude and actions are seen as a phase. In the text Halberstam states that “‘Tomboys’ are described as an extended childhood period of female masculinity. If we are to believe general account of childhood behavior, tomboyism is quite common for girls and does not ge...
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...ld describe possessing female masculinity as “sometimes it codified a unique form of social rebellion” (940). Emily was the young girl in ratty tee shirts while her friends wore Abercrombie shirts and flip-flops. To rebel against the social norms she was accustomed to, she acted like a boy, something no of the other girls dared to do. Growing up in an over protected environment lead Emily to “act out” and embrace her tomboy appearance and behavior. Her physical appearance isn’t assumed as a threat until she reached high school where she is labeled as different after doing something outside of the perfect Rosewood norm. Halberstam states that “although we seem to have a difficult time defining masculinity, as a society, we have little trouble recognizing it” (935). In a perfect town like Rosewood, the teenage Emily’s masculinity is easily recognized. Add a sentence
Imagine a world where women are the superior gender rather than men. Imagine a reality where women have full dominance in today’s modern society. However, the whole idea of feminism is to promote equality for both males and females; so that women are treated equally to men. It would be wrong to suggest women as the superior gender just as it is wrong to suggest men in that same light. Jane O’Connor’s story, Fancy Nancy: Fanciest Doll in the Universe, excludes the male gender which ultimately does not promote gender equality to her young readers. Although Fancy Nancy is a popular book series, Jane O’Connor demonstrates gender stereotypes
1. In Riseman and Seale’s chapter Betwixt and Be Tween, they focus on how sexual identity can be used to police a male’s masculinity. It can start with something as innocent as a shy, quiet boy who starts to be picked on because he is no assertive or aggressive like the other males. The way he is picked on can be the other boy’s called him a: faggot, gay, homo, or boy lover. This means at a young age boys start to think they have to be a certain way to seem manly: assertive, enjoy sports, and be better than girls in all aspects; these are just a few ways boys try to prove their masculinity. One example that proves this was discussed in this chapter. Some students, both male and female, are given a hypothetical situation about a boy, Marcus,
During the thirty-two hours, twelve minutes, and ten second duration of their kiss bullies, complicated feelings, and angry parents are presented. In addition to gender identity, gender performativity is the idea promoted by Judith Butler that means being something consists of doing it rather than being an objective quality of the body. The seven boys in this novel all preform their gender in distinctive ways. As said in lecture when talking about gender expression, “…gender is like a language we use to communicate ourselves to others and to understand ourselves” (Intro to GWSS Lecture, November 1,
Sarah Crawley’s article, They Still Don’t Understand Why I Hate Wearing Dresses: An Autoethnographic Rant on Dresses, Boats, and Butchness, draws on how society distinguishes appearance, responsibility and expectations in regards to women and men. She observes the gendered discrimination people often have, for women in particular, using her personal experiences; she focuses on women wearing or performing tasks that are strongly associated with femininity, contrary to the‘masculine’ responsibilities that are designated for men. In the article, Crawley expresses her disassociation of the typical gendered traits for both women and men, by being butch. Butchness, Crawley explains, “is a practice in a sexist, heterosexist culture that engages female-bodied people in the expression of ableness” (81). By performing butch, Crawley breaks away from what
The yellow wallpaper and a rose for emily embody characteristics and experiences of women within a society that views of them in the time period women in the time period where discriminated against by society and made them feel worthless and depressed Likewise, the protagonist in both stories experience insanity, loneliness, feelings of being controlled, and finally, actions that show that each became completely out of control. However, the stories are as different as the authors themselves are. Charlotte Perkins Gilman, a feminist and social activist during the late 1800s when the subjugation of women was common often struggled with depression. this motivated , Charlotte Perkins Gilman to write The Yellow Wallpaper from the viewpoint of an oppressed female suffering depression while using A first-person perspective in such a way that provides the reader with an inside look at the mentally unstable point of view of the protagonist in the story.William Faulkner wrote A Rose for Emily, from the viewpoint of a member of a town while using A third-person perspective to show the characteristics of A southern town the town's people, and more specifically, one of the town's wealthy inhabitants Emily . though both stories have strong similarities in subject matter ' individual points of view resulted in two very different viewpoints concerning their surroundings and thus, two dramatically different themes But one strong underlying meanings in each of the stories. And that is oppression of Females in the 1800s
We may be personally responsible for our own misconceptions of gender and masculinity. Our actions about these topics speak louder than words. Sociologist, Ann Oakley argues that parents often mold their children around certain behaviors, with positive and negative consequences, to adhere to the standards that are socially acceptable. Oddly there is a strong back lash to this sort of treatment in females. In a study done conducted by Michael Messner, when asked who was a tomboy and who was a sissy as children, women raised their hands more often to identify with the tomboy image. The tomboy trait celebrates masculinity and restricts femininity. Often children explore many traits about themselves, as Allen explained to Pascoe, “When you’re younger…you’re a kid. You are wide open…You just do what you want” (Pascoe 118). Darnell, a football player, stated “Since you were little boys you’ve been told, ‘hey don’t be a little faggot’” (p 55). Darnell showcasing that males are conditioned very early like females about their roles of masculinity. These children are taught about how masculinity works. In the school Pascoe researched, a faculty member, Mr. Ford, reminded males students through his reply to a backhanded comment made to him from another student that men should engage in sexual actives with women, not men. Another...
Time sure does fly; in the blink of an eye, yet another 7.5-week class has come and gone. Just like life, it is scary to think that in just a few short years I will be graduating college and be in search of a future career. The magnitudes of readings, assignments, PowerPoint lectures, and videos have all contributed to the valuable knowledge I have gained since taking this course. Nothing that was presented or required was seen as invaluable towards my progression of career development. This career development course has allowed me to do some self-exploration, career research, and help me understand what influencing factors were related to the job market. Ultimately, this class helped me gauge and find a suitable career path, which will forever shape my future.
David Brody argues that the rise of contractual or collective bargaining relationships during the post WWII era formalized the relationship between employers and unions, but simultaneously began to put a break on shop floor activism. Explain Brody’s argument and, where relevant, incorporate Weber’s theory of bureaucracy.
Even though I stated that CBT was my favorite therapy, I feel as a therapist I would be much more suited for Gestalt Therapy. I think when you choose what type of therapy you want to practice you have to consider which one fits your personality and how you interact with other people. The essential idea in gestalt therapy is to have an individual be “whole”; to experience his/her life fully.
Prior to the 1970s when the theme of gender issues was still quite foreign, the societal norm forced female conformity to male determined standards because “this is a man’s world” (Kerr 406). The patriarchal society painted the image of both men and women accordingly to man’s approach of societal standards that include the defining features of manhood that consist of “gentil...
...ve begins generating rumors for male peers who do not qualify as a stereotypical male. For instance, Olive pretends to have sex with a male peer during a popular house party (Gluck, 2010). This imaginary hook-up benefits the male peer’s bullying dilemma. Again, gender policing occurs between men when masculinity is questioned (Kimmel, 2008). “One survey found that most Americans boys would be rather be punched in the face than called gay” (Kimmel, 2000, p.77). The gender police govern Olive’s and the male peer’s status in social standings. America’s obsession with sex disregards if a girl truly sleeps around.
The emasculation of men in the text serves to identify specific masculine characteristics, removing them from male characters and adding them to Emma’s personality. This reversal reveals the flawed nature of nineteenth century France’s social order. Flaubert proves male characters to be unable to fulfill their roles as the head of the household, and despite Emma’s attempt to take on the role, she is also unable because of the masculine qualities she possesses. In these modern times where women can be the head of the household and breadwinners, and men stay home, society has started to mirror the idiosyncrasies that Flaubert illustrates through his own role reversals in Madame Bovary.
While physical characteristics may clearly define one’s gender, race, or even social status, it is often one significant moment in one’s life when their gender is truly decided. The first five years of my life consisted of my younger sister and I imitating our mother, playing with dolls, and dressing each other up. As my sister was the main person that I played with, gender never really crossed my mind. Even when I started preschool and kindergarten, boys were not boys to me; they were simply new friends and more people to play with. At that moment in my life, I was just Jackie Goldsmith, I stood in the “girls’ lines” at school, and wore pink dresses and ribbons in my hair to church on Sunday.
Gender presents itself in various ways. It is a social construct that has a strong influence on almost everybody. Both gender roles and gender expression are actively engaged forces in our lives to the point where they are inescapable. Charlotte Perkins Gilman specifically explores gender roles and their effects in her story “If I Were a Man.” In a sense, Gilman’s “If I Were a Man” inexplicitly delves into the impact and limitations of society’s assigned gender roles. Through her character Mollie Mathewson, Gilman is able to display how complicated this broad spectrum that gender falls under really is. Gilman does this through her analysis of masculinity and femininity, using Mollie to bring awareness to the differences of the male and female purpose, and addressing the consequence of social rejection as a result of gender non-conformity.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.