Film Noir

The term ‘Film Noir’ is often used to describe films that reflect cynicism towards certain aspects of the society. The definition of the term is predicated on the cinematic belief, that style provides the major feature of films. Thus, film noir is an “invention of movie critics who hold the opinion that style is the sole vicinity in which meaning can be found in the cinema” (Ewing Jr. 61). Film noirs employ several elements of modern art to convey relevant messages. The majority of film noirs borrow their scripts from existing novels. Overall, the relationship between art and film noirs is often intended to reflect the nature of the society and ironies in the prevailing culture. To reflect on the concept of modern art in the film setting,

Mainly, the artistic creations that conformed to the premise of modern art were inclined towards abstraction. The development of modern art in the post-World War II era was inspired by the mushrooming of new artistic movements. Some of the art movements that formed a part of modern art included Abstract Expressionism, Minimal Art, Post-minimalism, lyrical abstraction, and photorealism. Mainly, modern art was inclined towards experimentation. Artists who subscribed to the form of art sought to examine and integrate new ideas into the creation of art. Essentially, they sought to form visual images, rather than inclination towards the narrative forms a critical part of modern art (Gombrich 418). Modern artists intended to reflect the nature of objects in their true form. Such perception was a culmination of increased insistence on the employ of light in the artistic creation process. Film Noirs use art to reflect certain truths about human existence. The development, and subsequent success of film noirs was inspired by the directors’ ability to portray elements of life in their true forms. Essentially, film noirs make use of several components to facilitate the reflection of factors that encourage the representation of objects in

Notably, the understanding and integration of art are shown to be a consequence of different perspectives. Essentially, each artist seeks to use art to reflect their own interest and promote individual goals. Thus, individuals tend to infer the meaning of art based on their interpretations rather than the intent of the artist. Overall, the analysis of Kiss Me Deadly suggests that complete understanding of the modern society can only be achieved through the ability to engage a different