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Introduction statement for smartphone addiction
Introduction statement for smartphone addiction
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Nosedive is an episode of Black Mirror directed by British filmmaker, Joe Wright. It features protagonist Lacie, who lives in a world where you can rank and be ranked by random strangers on a phone app with augmented-reality retinal implants, based on every interaction you have with them. The episode starts off with Lacie being aggressively cheerful and nice to everybody she meets because she wants a higher rating on the app, because people who have high ratings are on the top of the social food chain. It then progresses with Lacie slowly losing her wits as her rating constantly decreases with every little mishap that happens to her. It ends with Lacie robbed of her phone and in prison, arrested for having a bad rating, but being happily mock angry and with the first genuine smile on her face for the first time in the whole episode. Nosedive acts as form of social satire, whereby it reflects on society’s social media habits, and offers a look into our future with chilling dystopian possibilities. Director …show more content…
A simulacrum often results in the superimposition of reality: Hyperreality; it engages with simulated reality to represent the underlying reality (Poster, 1988). In Nosedive, Lacie lives in a world where people do not even interact with one another without going through their social media feed first to find out what they have been doing lately, instead of asking them themselves, all the whilst being in each other’s company. The characters’ obsession to this ranking app has resulted in their inability to differentiate between reality and a simulation of reality. This jarring sense of hyperreality exposes the nature of our thirst for other people’s validation, and our desire to watch other people’s lives
In the film, “North by Northwest” we see a series of shots that creates suspense and danger. The point of the film is very vague and it ends without a resolution to the main conflict. The incredible camera work and techniques that Alfred Hitchcock did created a feeling of danger and suspense, making the audience want to see more. Also, Hitchcock's film main character Roger O. Thornhill creates suspense with his mistaken identity and fight for his escape. The film uses a handful of shots, for example, medium shots, close ups, long shots and shot-reverse-shots. I found particularly interesting how a handful of shots can create suspense and the feeling of danger can create a misleading plot.
Do you know the guiltiest pleasure of the American public? Two simple words reveal all—reality TV. This new segment of the TV industry began with pioneering shows like MTV’s The Real World and CBS’s Survivor. Switch on primetime television nowadays, and you will become bombarded by and addicted to numerous shows all based on “real” life. There are the heartwarming tales of childbirth on TLC, melodramas of second-rate celebrities on Celebrity Mole, and a look into a completely dysfunctional family on The Osbornes. Yet, out of all these entertaining reality shows arises the newest low for popular culture, a program based on the idea of a rich man or woman in search of the perfect marriage partner. The Bachelor, and its spin-off The Bachelorette, exemplify capitalist ideology founded on the Marxist base-superstructure model and establish the role of an active American audience.
As a fan of cinema, I was excited to do this project on what I had remembered as a touching portrait on racism in our modern society. Writer/Director Paul Haggis deliberately depicts his characters in Crash within the context of many typical ethnic stereotypes that exist in our world today -- a "gangbanger" Latino with a shaved head and tattoos, an upper-class white woman who is discomforted by the sight of two young Black kids, and so on -- and causes them to rethink their own prejudices during their "crash moment" when they realize the racism that exists within themselves.
The movie Crash follows the lives of several different people living in Los Angeles within a two day span. Each character faces different conflicts in their daily life majority of them being caused by racism. The characters of the movie all have separate stories, but each story will connect them with another person in the movie. Some people are discriminated against because of their race but also say racially insensitive comments towards another person in the movie. The main issue explored in Crash is the racism people deal with in their day to day life. Almost every character is either a victim to racism or prejudiced.
"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
In the Oscar award winning movie Crash, directed by Paul Haggis, a network of characters portray the lifestyles of different races in Los Angeles. In the movie, characters “crash” into one another, similar to pinballs, to spur new emotions and explain their actions. A main character Anthony, an African American male, steadily tries to prove why he does not and will not fall into the black male thug stereotype. He was slightly close minded and repeatedly had a negative outlook towards his environment. Anthony created contradictions between what he said and what his actual intentions were. His actions were guided by his environment and further analysis of them will prove his motivation.
In Signs of Life in the USA, Francine Prose states that it is an essential semiotic principle that, one way or another, everything connects up in a society. Prose, an author of sixteen books of fiction and five nonfiction books (for children and adults) is a contributing editor at Harper’s and a writer on art for the Wall Street Journal. Prose also reviews books, teaches creative writing, speaks in many places about fiction, and is a member in a special Art program. In her provocative analysis of the underlying ideology of reality television (RTV), Prose discovers what may seem a surprising connection between the RTV craze and current trends in American politics. Sonia Maasik and Jack Solomon state that today’s office-related entertainments are neither happy nor have happy endings and that their humor, when comical, become a combination of Schadenfreude, (taking pleasure in the suffering or misfortunes of others), and a certain rueful satisfaction taken by watching the sorts of things that one has to endure in real working life exaggerated for the sake of comedy (172). Like in NBC’s Average Joe, contestants are voted off and embarrassed throughout the show just to be rewarded with something they think is worth it all. While the whole show is based on Schadenfreude and they act as if they do not notice.
In life many people are hurt or “damaged” and need to find a way to heal. The characters in the movie “Crash” experienced a lot of hurt and some realizing that they did not even know they were hurt to a major event happened.
In summary, both the article and the novel critique the public’s reliance on technology. This topic is relevant today because Feed because it may be how frightening the future society may look like.
One of the most interesting features about today’s media is that it connects many individuals in perplexingly short amounts of time. Through constant streaming, society has become extremely vulnerable by allowing themselves to be engrossed by the presented reality. The outcome is unsuspecting citizens that are mentally deformed by the adverse lies told to them. Gary Shteyngart exploits this reality through his successful novel, Super Sad True Love Story (2010) in which he creates a fictional world focusing on consumerism and commercialism. This fictive work creates an environment of secrecy in which the government actively displays more cover-ups and less controversial activity. Similarly, but to a much larger extent, Peter Weir’s film The Truman Show (1998) presents a city consisting of theatrical illusions surrounded by
Movie Analysis of Titanic Directed by James Cameron The movie Titanic, directed by James Cameron, was a fictional story based on the true ship, Titanic. Cameron's movie was based on a love story; however, the focus of this paper will be on some of the differences between the two classes aboard the Titanic. This movie clearly portrayed how differently the first and second-class people were treated during the time of the Titanic. This can be related to many other times in American history when groups were segregated as well.
In conclusion, Crash entails similar problems that people are often faced with and is successful in showing the different social problems at hand. People have their own way of viewing things that are often broadcast on television. It is up to that person conjurer up their own ideas about the way they see themselves in society today. Society has a big effect on the way people live their lives. Therefore, it somehow changes your way of thinking about certain things, some things are placed right in front of people but they somehow become oblivious to them because it because the norm.
Trainspotting presents an ostensible image of fractured society. The 1996 film opens, famously, with a series of postulated choicesvariables, essentially, in the delineation of identity and opposition. Significant here is the tone in which these options are deliveredit might be considered the rhetorical voice of society, a playful exposition of the pressure placed on individuals to make the "correct" choices, to conform to expectation.
In this day and age, there isn’t hardly a person who doesn’t watch some form of reality television. Whether it is an adrenaline pumping baking competition, a talent based show with singing and dancing, or the pure entertainment of a day in the life of celebrities most everyone watches some form of reality television. There seems to be a few different sides of reality TV that make it so entertaining for people to watch. There seems to be the shows that lure people in because of the motivational aspect, the drama, or the deep down genuine appearance. However, most people are oblivious to the fact that the screen they are watching isn’t usually what actually happens in real life. James Poniewozik explains the manipulation going on behind the camera